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Laurie Penny on what "panda-gate" tells us about sexism

Why were real women's brave, brilliant acts this year not considered newsworthy?

Why were real women's brave, brilliant acts this year not considered newsworthy?

Unless you're one of those boring folks who has something else to do with their day other than sit on Twitter for eight hours, you'll be aware of "panda-gate" -- the fact that the BBC has selected, as one of its twelve "Faces of the Year - Women", a giant panda called Sweetie from Edinburgh zoo, who is noteworthy for being... well, a panda. Which, even for the most reclusive of zookeepers, is not the same as being a woman.

As a feminist, I of course had my sense of humour gland removed as part of an initiation ritual involving naked dancing and wobbly cups of menstrual blood, but I have at least tried to understand the hilarious joke the BBC is making here. It is, in fact, traditional for Auntie's magazine to select at least one animal or cartoon character as a "face of the year". Previous years' notables have included Peppa Pig, Marge Simpson and a giant carp. But really, a panda? That has to be doubly insulting.

The thing about pandas is that they're the most useless evolutionary dead end ever to be preserved, at great expense, in the name of sentiment and nationalist flim-flammery. They're cowardly. They hate sex. They have to be encouraged to breed using artful tricks and deceptions, which is just embarrassing for everyone, including the panda. They have one of the most impractical, least nourishing diets on earth. They have about the worst camouflage of any animal, and they spend most of their time sleeping, on the ground, in the open. Sometimes, it's just best to let nature take its course. Particularly when there are at least seven billion humans on the planet, many of whom could do with a bit more concern for their future well-being, and at least half of whom have more qualifications to be a "woman" face of the year than Sweetie the panda, delightfully fluffy as she no doubt is.

It isn't just the panda that's insulting, though. Let's compare the rest of the line-up. Newsworthy male feats in 2011 include, apparently, being a politician (3), being a police officer, being a soldier (3), being an Oscar-winning screenwriter, being an athlete, being a revolutionary martyr, being a fascist mass-murderer who definitely shouldn't have any more sodding publicity, and being shot by the Metropolitan police. To be considered a newsworthy woman in 2011, meanwhile, you have to make an allegation of rape, be a pop star, go on a date with a pop star, get married to a royal, be the sister of someone who got married to a royal, be a royal and get married to someone who isn't a royal, or be a panda called Sweetie.

At times like this, it behoves us to consider not just whether a given list conforms to our ideals of how and on what basis women should be celebrated, but whether life itself conforms to our ideals. When Twitter attempted to rectify the situation with the hashtag #realwomenoftheyear, the feed was immediately swamped with more pop stars, more famous wives, brides and girlfriends. There have, of course, been a great deal of women who have done brave, brilliant, newsworthy things this year. Female politicians, artists, film-makers, leaders and heroes. Female activists, journalists, foreign correspondents, writers, actors and pioneers. But the papers have remained far more interested in Pippa Middleton's arse. That should tell us as much about how sexism works in cultural production as it does about the BBC.

 

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

ELLIE FOREMAN-PECK FOR NEW STATESMAN
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Notes from a crime scene: what Seymour Hersh knows

Xan Rice meets the tireless Seymour Hersh to talk My Lai, pricey coffee and Bin Laden.

It’s late on a lazy Wednesday afternoon when Seymour Hersh comes bounding down the stairs. “Let’s find somewhere to sit,” the American investigative journalist says, striding over to the café area of the hotel in Bloomsbury where we meet.

Not quiet enough, Hersh decides, and he marches into an adjoining branch of Steak & Lobster, past a startled waiter who tries to explain that the restaurant isn’t open yet. “He’ll have a coffee,” Hersh tells the man laying the tables, gesturing in my direction. When the drink arrives, he remarks that, at £4.39, it’s the most expensive coffee he has bought in some time.

“I’m older and crankier than [Bernie] Sanders,” the 79-year-old says with a smile, leaning back in his seat, his tie loose and his top button undone. Hersh’s many notable stories include the My Lai Massacre and cover-up in Vietnam, which he exposed in 1969, and the Abu Ghraib prison scandal during the Iraq War. He’s in good health, relishing his speaking tour of London to promote his new book, The Killing of Osama Bin Laden, and hearing “how wonderful I am”.

“I come home from a trip like this,” he says, “and my wife can’t stand me. She says, ‘Get away, I don’t want to talk to you because you want everybody to bow and scrape.’”

Hersh never planned to be a journalist. After he was thrown out of law school for poor grades in 1959, he heard about an opening for a police reporter at a small news agency in Chicago. “I was reasonably coherent and could walk in a straight line, so they hired me,” he explains. Hersh learned on the job, covering his beat with a zeal that did not always impress his editors, one of whom liked to address him, without fondness, as “my good, dear, energetic Mr Hersh”.

“He saw me as a bleeding heart,” Hersh says, “who cared about people ‘of the Negro persuasion’ dying.”

Half a century later, he cannot say exactly what drove him to become an investigative reporter. “What defect did I have in my life that made me want to make everyone else look bad?” he wonders. “I almost viewed myself like a public defender: my job was to be there on the scene of a crime and to write about it in such a way that the police could not have the only call.”

Later, as his range widened, Hersh came to see his role as keeping in check “the nincompoops and criminals and fools running the world”.

He had been a journalist for ten years when he received a tip-off about an army officer being court-martialled for killing civilians in Vietnam. After investigating, he broke the story of the massacre at My Lai, in which a group of US soldiers murdered at least 347 people. The work earned him a Pulitzer Prize and soon afterwards he wrote his first piece for the prestigious New Yorker magazine. After sending in a draft, he was told that it would be read by the editor, William Shawn, and that he would receive a proof copy in the mail.

“Seven days later, the envelope comes and I’m terrified,” he recalls. “It was a writer’s magazine and any change they wanted, they asked you about. On the third page, I had some cliché or figure of speech. It was circled and in
the margin Mr Shawn had written: ‘Mr Hersh. Pls use words.’ I had a one-year course, a Master’s degree in journalism, in one sentence!”

Hersh has written regularly for the New Yorker over the years, though the relationship has recently come under strain. After researching the death of Osama Bin Laden, he became convinced that the Obama administration’s account of what happened before, during and after the raid in which Bin Laden was killed was a lie. He argued that the al-Qaeda leader had been captured by Pakistani intelligence in 2006 and held in Abbottabad until the US navy Seals operation five years later, which, Hersh claimed, was conducted with Pakistan’s assistance – rather than being a daring mission into hostile territory.

The New Yorker declined to run the story, so Hersh wrote it for the London Review of Books, which published it last year. The piece was read widely but attracted criticism from some American journalists who argued that it relied too heavily on a single, unnamed source and veered dangerously in the direction of conspiracy theories. Hersh is convinced that his version is correct and makes no apologies.

“I remember saying to my wife, ‘Don’t [these journalists] have mothers that tell them what to do better?’ . . . They insisted what they knew, what they wrote, had to be the story.”

Hersh’s mistrust of the official line is undiminished. His new book also questions whether it really was the Assad regime that carried out the chemical attacks in Ghouta, Syria, in 2013. Even the culprits of the recent Paris and Brussels massacres are not beyond doubt. “I don’t think Isis had a goddam thing to do with these kids,” he says. “The truth is, I don’t have any idea. I’m just telling you, heuristically, it’s an idea I would pursue if I was still a reporter.”

There is more to tell but Hersh has another interview. “Talk to me tomorrow,” he says, running back upstairs to collect his coat. “I’ll be around. I still have a lot of energy.” 

Xan Rice is Features Editor at the New Statesman.

This article first appeared in the 28 April 2016 issue of the New Statesman, The new fascism