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The old protest playlist won’t do for the Spotify generation

Today's movements are marked by pluralism and a rejection of conventional politics and ideological conformity.

They say that if you want to understand a revolution, you have to listen to its music. Over the past year, as people's movements and student uprisings have swept through Europe and now America in response to the global crisis of capitalism, I have lost count of the number of grumbling articles by middle-aged, male columnists, complaining about the movement's lack of a defined soundtrack. There is no troubadour for this new, networked uprising, no Dylan or Billy Bragg for everyone to hum along to.

This is the charge being put to the protests that have sprung up in cities across the world following Occupy Wall Street: there is no defining ideology, no list of demands, so the movement must be inarticulate, and can be easily dismissed. If we don't know the song, how can we sing along? In fact, if you walk down to your nearest occupation - and as occupations are ongoing across the country, that should not be hard - you will find it full of music.

At the Occupy London protest on Ludgate Hill, I saw people playing reggae and jazz as occupiers of all ages huddled in sleeping bags, fighting off the wind chill under a giant banner reading "Capitalism Is Crisis".

In Liberty Plaza, at the Occupy Wall Street camp in the shadow of Manhattan's financial district, I saw the young unemployed from the Bronx clapping along to an impromptu string-and-woodwind band's rendition of Woodie Guthrie's "This Land Is Our Land", which segued without pause, and to much applause, into violent modern punk. Elsewhere, a boy of 17 with flowers in his hair sat, entirely unironically, bashing out the chords to Bob Dylan's "The Times, They Are a-Changin'" on a guitar with four strings left. Around him, a gang of union members, hippies and Wall Street workers sang along.

Not that young people aren't writing riot songs, too. Grime, rap and dubstep have been the soundtrack of the British student movements just as much as rousing traditional folk tunes. There is a sense of time speeding up, of a collision of possible futures. In his book Retromania, the music critic Simon Reynolds observes that the range and quantity of music easily accessible online or in digital format at any one moment gives a sense of all of pop history happening at once. People travel to their office jobs carrying pocket playlists stuffed with Sinatra, Shostakovitch and the Streets.

Vinyl vanguard

This new protest movement - organised online and drawing in interest groups from unions to militant student groups and angry individuals holding placards criticising health-care reform - gives a similar impression of every uprising happening at once. I was in Madrid as 60,000 people crammed into Puerta del Sol, and middle-aged women brandishing copies of communist newspapers marched with masked anarchists in black and young organisers from the ¡Democracia Real Ya! arm of the summer's 15M uprising.

There are too many different tunes being sung for one melody to be audible over the noise of marching feet. To the political old guard, it can seem that the normal progression of events has become jumbled. The troops of this new uprising have not waited for a defined ideology or specific list of demands. How could they? The problems they have come together to protest against are too great - the disintegration of representative democracy, cuts to welfare, housing, health care and education propping up the oligarchy of aggressive market finance.

What marks this form of social change is precisely its pluralism, its rejection of conventional politics, its abhorrence of ideological conformity. There is no role in this multivalent movement for one group to set the tune, and that baffles and disturbs the elite, who are behaving like a bunch of ageing rock fans being prised away from their dusty CD collections.

The problem is that a political class raised on vinyl and vanguardism is only now attempting to understand a political generation that has had its Spotify moment. Technology has enabled kinds of social change that can respond in a global way to international crises, and its playlist of demands is uncomfortably broad. But on the edge of hearing, out of this cacophony of struggle, a terrifying harmony is beginning to emerge.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

This article first appeared in the 24 October 2011 issue of the New Statesman, The art of lying

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How will Theresa May meet her commitment to low-earners?

The Prime Minister will soon need to translate generalities into specifics. 

The curtailed Conservative leadership contest (which would not have finished yet) meant that Theresa May had little chance to define her agenda. But of the statements she has made since becoming prime minister, the most notable remains her commitment to lead a government "driven not by the interests of the privileged few, but by yours." 

When parliament returns on 5 September, and the autumn political season begins, May will need to translate this generality into specifics. The defining opportunity to do so will be the Autumn Statement. Originally intended by George Osborne to be a banal update of economic forecasts, this set-piece more often resembled a second Budget. Following the momentous Brexit vote, it certainly will under Philip Hammond. 

The first priority will be to demonstrate how the government will counter the threat of recession. Osborne's target of a budget surplus by 2020 has wisely been abandoned, granting the new Chancellor the freedom to invest more in infrastructure (though insiders make it clear not to expect a Keynesian splurge).

As well as stimulating growth, Hammond will need to reflect May's commitment to those "just managing" rather than the "privileged few". In her speech upon becoming prime minister, she vowed that "when it comes to taxes, we’ll prioritise not the wealthy, but you". A natural means of doing so would be to reduce VAT, which was increased to a record high of 20 per cent in 2010 and hits low-earners hardest. Others will look for the freeze on benefit increases to be lifted (with inflation forecast to rise to 3 per cent next year). May's team are keenly aware of the regressive effect of loose monetary policy (low interest rates and quantitative easing), which benefits wealthy asset-owners, and vow that those who lose out will be "compensated" elsewhere. 

A notable intervention has come from Andrew Tyrie, the Conservative chair of the Treasury select committee. He has called for the government to revive the publication of distributional analyses following Budgets and Autumn Statements, which was ended by George Osborne last year (having been introduced by the coalition in 2010). 

In a letter to Hammond, Tyrie wrote: "I would be grateful for an assurance that you will reinstate the distributional analysis of the effects of the budget and autumn statement measures on household incomes, recently and mistakenly discontinued by your predecessor." He added: "The new prime minister is committing her government to making Britain a country that works 'not for a privileged few, but for every one of us'. A high level of transparency about the effects of tax and welfare policy on households across the income distribution would seem to be a logical, perhaps essential starting point." 

Whether the government meets this demand will be an early test of how explicit it intends to be in reducing disparities. 

George Eaton is political editor of the New Statesman.