Show Hide image Welfare 13 March 2011 Laurie Penny: Charlie Sheen's problem with women The actor has brutalised the women in his life for years, but the global press is more scandalised by his drug habit. Print HTML Those who are experiencing acute psychological and chemical breakdown are endlessly entertaining, especially if they are so overindulged that we don't even have to pity them. “I am on a drug. It's called Charlie Sheen," said Charlie Sheen, on an American daytime show. "It's not available because if you try it, you will die. Your face will melt off and your children will weep over your exploded body." It's hard to tell who is more demeaned by the endless coverage of this millionaire sitcom actor's scag-pickled brain slowly dissolving into a soup of fizzing self-regard: the acting profession, TV audiences in general or the global press for being more scandalised by Sheen's drug habit than how he has brutalised the women in his life for years. Of course, while Hollywood loves a scandal, violence against women simply isn't scandalous. On the contrary: it is routine. Slapping the occasional prostitute has long been part of the mythology of the Hollywood "bad boy" and Sheen has earned himself a roguish reputation for shrugging off assault allegations. On one occasion, he accidentally shot his then fiancée Kelly Preston. Never mind, though: apart from his wives, many of the women who suffered at the hands of this giggling wash-up in his sleaze lair were sex workers, so they were probably asking for it. Before Sheen started denouncing his employers across American news networks, he drew the attention of the press for "cavorting with porn stars". What appeared to shock prim media outlets, however, was not that Sheen had threatened a string of female sex workers but that he had associated with them at all. It's almost as if we still live in a culture that believes that women who trade on their sexuality in any way are asking to be beaten, raped and murdered. It's almost as if we live in a culture that believes that sex workers - and not the men who abuse them - should be ashamed of themselves. Good ol' boys When a celebrity who also happens to be a violent misogynist falls from grace, it is rarely the misogyny that draws comment. Last summer, when Mel Gibson finally tossed off one foaming racist diatribe too many, the entire press chose to ignore the context in which that rant was delivered - namely a terrifying outburst directed at his former partner, the mother of his child. Mike Tyson and other known rapists are treated as good ol' boys. They are portrayed as dangerous, exciting junkies who are not only cool enough to take drugs and smack women about but are wealthy enough to pay for it. It is clear that, in the world of celebrity, terrorising women, especially if they are younger than you, poorer than you or sleeping with you, does not exclude you from becoming what Sheen deems "a total freakin' rock star from Mars". When such people are already so chest-pumpingly high on the oxygen of publicity, it is hard to want to give them a single extra column inch. However hilarious their pop-eyed self-destructive benders, though, the violent misogyny of some of our smuggest folk heroes can no longer be dismissed. › William Hague: “I haven’t lost my mojo” Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things. Subscribe This article first appeared in the 14 March 2011 issue of the New Statesman, Who owns the world? More Related articles The Express corrects over a third of “facts” in this pro-Brexit piece published before the vote Cabinet audit: what does the appointment of Karen Bradley as Culture Secretary mean for policy? Cabinet audit: what does the appointment of Damian Green as Work and Pensions Secretary mean for policy?