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Revolts don’t have to be tweeted: Laurie Penny on a force bigger than technology

There is a lot more to the recent uprisings than just the knock-on effects of social media.

An extraordinary thing has happened. In Egypt, a million-strong movement forced the overthrow of Hosni Mubarak's government, even though the state had pulled the plug on the internet. After over a week without reliable access to their Facebook profiles, the people of Egypt did not abandon their revolution. They have forced concessions from the government and sent shock waves through the region - without firm help from Twitter. What on earth is going on?

Despite what you might hear on the news, there's a lot more to the recent uprisings than just the knock-on effects of social media. As the world's press has struggled to retain control of the narrative, it has seized on how many of the dissidents are - gasp - organising online.

In what appears to be dogged unwillingness to recognise the economic brutality of governments as the root cause of popular unrest, news people everywhere have boggled exhaustively over the way in which protesters in Cairo, Tunis, Paris and London are using the internet to communicate. What did they think we were going to use - smoke signals?

Of course, technology has been a shaping force in these uprisings. The internet is a fascinating and useful tool, the best we have for organising and sharing information.

The low cost of participation in digital networks allows protesters to circumvent the sometimes arthritic hierarchies of the old far left and to organise horizontally, while the instant dissemination of camera and video footage and reportage from citizen journalists means that the truth can travel around the world before government propaganda gets its boots on. This has allowed the protests to grow and evolve faster than anyone expected.

At times of crisis, human beings have a reassuring tendency to use the best tools at their disposal to steal a march on the enemy, especially if native fluency with those tools gives us an edge over our oppressors. In these circumstances, it is hardly surprising that young protesters and their allies are organising on Twitter and Facebook.

Capital punishment

The internet is a useful tool, but it is just a tool. HTML does not cause mass uprisings any more than a handgun causes mass murder - although, for people of a certain mindset, the mere proximity of the tool is enough to set dangerous thoughts in motion. The internet isn't the reason people are getting desperate and it isn't the reason things are kicking off. Things are kicking off for one reason and one reason alone: there is a global crisis of capital.

The writing is on the wall, with or without the web. Across the world, ordinary people - including a huge, seething pool of surplus graduates without employment - are finding their lives measurably less tolerable than they had anticipated. They are realising that they are not suffering alone, or by accident, but because the capitalist classes have consistently put their own interests first.

The writing is on the wall, and it would still be there if we had to paint it on with mud and sticks. Technology is defining the parameters of global protest in 2011 but it is a crisis of capital that has set the wheels of revolt in motion.

 

Laurie will be speaking on the politics and new media panel at the Progressive London conference this Saturday.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

This article first appeared in the 14 February 2011 issue of the New Statesman, The Middle East

Felipe Araujo
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Hull revisited: What happens when a Brexit stronghold becomes City of Culture?

We report from Hull, to find out if you can replace the kind of nostalgia that led to a Leave vote with cultural investment.

At 75 metres long, the offshore wind turbine blade erected across Queen Victoria Square, in the heart of Hull, is a sculpture intended to mark a new chapter in the city’s history. For the next 12 months, Hull, a city of more than a quarter of a million people in the northeast of England, will be the UK’s City of Culture.

The 28-tonne blade hails from the local Siemens plant. The German technology company employs around 1,000 people in the area, making it Hull’s biggest single employer.

Seen up close in this context – laid dormant in the middle of a town square instead of spinning up in the air generating energy – the structure is meant to remind passersby of a giant sea creature. It is also, I’m told, an allusion to Hull’s rich maritime history.


All photos: Felipe Araujo

Nostalgia is a big thing in this part of the country. At one point, Hull was the UK’s third largest port but technology and privatisation drastically changed that. The battle over cod fishing with Iceland in the waters of the North Sea 40 years ago has also dealt a major blow to a region with a long and proud trawling tradition.

People here still talk about a bygone era when the fishing industry provided jobs for everyone and there was enough money to go around.

Fast forward to 2017, and the country’s new capital of culture is the same city that voted 67 per cent in favour of leaving the EU last June. Its new-found prestige, it seems, is not enough to erase years of neglect by a political class “too busy for commoners like us”, as one resident puts it.

“More than a message to Brussels, it [the Brexit vote] was a message to Westminster,” Paul Leeson-Taylor, a filmmaker born and bred in Hull, tells me. “For the first time in a long time people in Hull felt like they had the chance to change something, and they took it.”

But while speaking to people on the high street and hanging out with locals at the Community Boxing Club in Orchard Park, one of the city’s most deprived areas, there is one word that consistently popped up in conversation – more than any specific policy from Westminster or the much-hated rules “dictated” by Brussels. Foreigners.

According to official figures, Hull’s population is 89.1 per cent white British. Still, immigration is big on people’s minds here.

During my two-day stay in the city, I find myself being the only black person in most places I visit – I’m certainly the only black guy at the boxing club. So when someone begins a sentence with “I’m not racist but…”, I know a tirade on immigrants is about to ensue.

“There are just too many of them,” Nick Beach, an estate agent whose Polish clientele is a big part of his business, tells me as he is about to teach a boxing class to local children. Beach was born in Shepherd’s Bush, in West London, but has been living in Hull for the last 20 years.

“When I go down there these days and go into Westfield shopping centre, it is very rare you get an English person serving you now,” he says. “I just find it disappointing that you go into your capital city and you are a minority there.”

These are the much-discussed “left behind”, a white working-class community that has gained particular prominence in a time of Brexit and Donald Trump. Under economic pressure and facing social change, they want to have their say in running a country they claim to no longer recognise.

For Professor Simon Lee, a senior politics lecturer at the University of Hull, immigration is only a superficial layer when it comes to explaining the resentment I witness here. For him, the loss of the empire 70 years ago is still something that as a country Britain hasn’t come to terms with.

“The reason for us to be together as a United Kingdom has gone, so what is the project?”

As destiny would have it, a foreign company will now play a major role on Hull’s economic future, at least in the short term. In the wake of the Brexit vote, there were widespread fears Siemens would pull out of the region and take its factory elsewhere. With the massive blade looming large in the background, Jason Speedy, director of the blade factory in Hull, assures me that isn’t the case.

“The Brexit decision has made no difference. We have made our investment decision, so Siemens, together with the Association of British Ports, has put in £310m. It’s all full steam ahead.”

As Hull becomes the country’s cultural hub for the next few months, the hope is that its residents stop looking back and start looking forward.

For Professor Lee, though, until there is a complete change in the power structures that run the country, the north-south divide will remain – with or without the EU. “The way you kill nostalgia is to have something new,” he said. “The reason why people here are nostalgic is because there is nothing to replace it with.”

Felipe Araujo is a freelance journalist based in London. He writes about race, culture and sports. He covered the Rio Olympics and Paralympics on the ground for the New Statesman. He tweets @felipethejourno.