Show Hide image

Bread, circuses and tea towels can’t stifle dissent, says Laurie Penny

The case for disrupting the royal wedding.

Civil society may be dissolving, governments are in crisis across Europe and significant parts of the inhabited world are either under water or on fire, but it'll all be fine as long as nobody disrupts the royal wedding. The opposition leader, Ed Miliband, has joined the chorus of hand-wringers pleading with students and the trade unions not to start any funny business while the prince and his bride walk up the aisle.

On the BBC's Andrew Marr Show, Miliband said that the notion of as yet unplanned strikes during the wedding or the Olympics would be "absolutely the wrong thing for the trade unions to do". Distancing himself from organised labour, the Labour leader's advice to the public was clear: stay home, be quiet and watch it all on television.

Over the next two and a half years, a full calendar of bread and circuses has been scheduled to keep the British public happy and obedient while the government puts its economic shock doctrine into effect. This year, it's the Wedding of Mass Distraction; next year it's the Diamond Jubilee and after that the Olympics. The timing is a gift for any government attempting to push through punitive and unpopular reforms - the chance to smother dissent with a dampened commemorative tea towel of pomp and circumstance. This is the highest function of what Guy Debord called the society of the spectacle: not just to distract popular attention from the machinations of government, but artificially to invoke the imagery of a national consensus that doesn't exist. In David Cameron's Britain, respect for the popular mandate is in no way important. All that matters
is the iconography of public ritual, just enough to make everybody shut up and shout hurrah.

Real war memorial

Precisely the same logic of baseless deference is at play when the press condemns student protesters who swing from war memorials during anti-cuts marches. While everyone gets worked up about a few kids harmlessly tampering with symbols of wartime sacrifice, the greatest war memorial of all - the welfare state - is being ripped to shreds.

Universal health care, universal education, out-of-work benefits, voter enfranchisement and respect for women's unpaid labour were all legacies of public consensus after the two world wars; all are directly threatened by the brutal programme of cuts about to be enacted by this government. As far as regards respect for the fallen, Cameron may as well have burned down the Cenotaph and replaced it with vending machines and a flashing sign reading “Big Society".

Venerating the static symbols of Britain's uncomfortably bloodstained imperial traditions requires much less compassion, and much less effort, than preserving the living institution bequeathed to us by former generations. Give the public a ceremony and a huge parade, the theory goes, and general complaisance will follow. This time, though, our leaders are beginning to worry that it might not be enough.

Ed Miliband horrified the labour movement by declaring that strikes are "a sign of failure" and that the way one challenges a dissembling government is “at the ballot box". This may have been the case once, but when democracy is subsumed within the simulacra of choice - when voting only gives power to a government that U-turns on all of its significant promises and implements an austerity programme for which it has no mandate - the time has come to challenge the iconography of obedience.

This is exactly why the possibility of disrupting the stultifying public pageantry of the royal wedding must remain on the table. Do we want to be part of a culture that sits in front of the TV, whining while the big decisions are made for us and cheering on cue? Or do we want to be part of a culture that stakes a claim, stands firm and answers back to injustice?

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

This article first appeared in the 24 January 2011 issue of the New Statesman, State of Emergency

Photo: Getty
Show Hide image

The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

0800 7318496