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A tale of three parties: Laurie Penny sobers up over Labour

The British left is finally knocking back the Alka-Seltzer of humility and stumbling to its feet.

Manchester, 2008. With the financial edifices of Wall Street and the City of London tumbling like dominoes, the Labour Party faithful have gathered at the annual New Statesman conference reception at to soak away their panic. In the grand, high-ceilinged ballroom of the town hall, the old neoliberal certainties are dissipating like chill vapour: the one question on everyone's lips is whether David Miliband, a man who ideologically and personally resembles the banana-grasping voodoo corpse of Blairism left to rot in a pool of inertia for two years, will make a bid for the leadership and reanimate the only model of electoral success the left has known in the past generation.

Meanwhile, a young cabinet minister with an awkward haircut, who is at this point most famous for not being David Miliband, takes the platform to deliver some calming platitudes. Miliband minor's soothing quips about the humiliations of being a younger brother fall on dull ears. Everyone is more intent on drinking hard -- drinking with the cheery desperation that only the British can muster when the streets are on fire and the bar is free.

Fast forward to Brighton, 2009. In the dying days of the last Labour administration, the great and good of the British left have once more gathered at the New Statesman party to drown their sorrows. The recession has hit hard, and nobody now believes that Labour will win the next election; privately, there are many who suspect that it might not deserve to win. The corporate lounge at the soulless seafront hotel gradually fills with bewildered delegates, drifting through the glass doors in ones and twos with the shellshocked expressions of war refugees. The room is too bright, full of static and suspicion; knots of gossip and weary recrimination cluster in the corners of the party. It's like the disco at the end of the world.

The speaker this year is David Miliband, but unfortunately, just as he is ushered onto the stage, somebody brings out the booze. The party faithful charge across the crackling carpet towards the bar like victims of a natural disaster mobbing a Red Cross van, only with substantially less dignity. Nobody listens to Miliband Major, and why would they? The jaws of the credit crunch are snapping shut, and Torygeddon is approaching: not even Blairism can save us now.

Fast forward to this weekend: it's the 2010 Labour Party conference, and we're back in at the same party, in the same lofty setting as 2008 -- the decadent Victorian granite of Manchester Town Hall. And this time, everybody is waiting for Ed Miliband. The shy junior cabinet minister from 2008 has just been anointed leader of the Labour Party in a nail-biting victory over his elder brother, the heir apparent, we have watched his strange rubbery face on the front pages and ubiquitous television screens for 24 hours, and now we are waiting anxiously for Ed like schoolgirls waiting for their prom date to arrive.

When he finally does arrive, flanked by beaming young volunteers who have just been elevated to the status of political flunkies, a spontaneous cheer erupts: a triumphant, rather irreverent cheer, peppered with whoops and wolf-whistles. Ed Miliband is manifestly not the revivified corpse of Blairism -- instead, even with the heady flush of new leadership, he still calls to mind the dorky, swotty kid at the back of the class to whom, for some indefinable reason, nobody has paid much attention. Until now.

Ed takes the stage and tells us, with a rather sad smile and not a hint of swagger, that he wants the Labour Party to change. He wants the Labour Party to show humility over its past mistakes, and to "question old truths". He wants the Labour party to be the "natural home" for the next generation of activists, in part because it is young volunteers who have made his campaign such a success. He wants the party to unite, to abandon factionalism, and most of all -- more than anything -- he wants "change". Unlike the smooth, polished Anglo-American political salesmen of the post-crash era, you suspect that he actually means it.

It is perhaps a testament to how comfortable the Labour Party has become with hierarchy and privilege that the sudden leadership of Ed Miliband -- who is, after all, not an outsider but a son of leafy North London from a distinguished Labour lineage, whose only claim to political insurgency is that he is not the elder brother -- should have so shaken the party faithful. In a truly radical party, this would not have been so stunning a change of direction, but New Labour has not been truly radical for many years.

Expectations were low, and this is enough; it's enough to tremble the foundations of the British left and disturb its stagnant, hierarchial customs, so reliant on anointed heirs and settled successions of power. The gathering at the New Statesman party is suffused with panicked excitement. The delegates are behaving like a group of normally compliant school pupils in an empty classroom, when someone unexpected -- say, the dorky kid at the back of the class -- has just got up from his place and sat down in the teacher's chair. It's a scandalous, it's thrilling, it's surely against the rules!

The overwhelming impression is that anything could happen, and the room bubbles with breezy expectation and just a suggestion of naughtiness. Personal and political seductions are attempted; old friendships and alliances are rekindled. Delegates flirt, make eyes at one another and have meaningful discussions about the living wage and progressive taxation over glasses of orange juice, the boozing less frantic than in previous years.

It's been a long hangover, but this morning, the British left is finally knocking back the Alka-Seltzer of humility and stumbling to its feet. After all, there's work to be done.

 

 

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

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Let's face it: supporting Spurs is basically a form of charity

Now, for my biggest donation yet . . .

I gazed in awe at the new stadium, the future home of Spurs, wondering where my treasures will go. It is going to be one of the architectural wonders of the modern world (football stadia division), yet at the same time it seems ancient, archaic, a Roman ruin, very much like an amphitheatre I once saw in Croatia. It’s at the stage in a new construction when you can see all the bones and none of the flesh, with huge tiers soaring up into the sky. You can’t tell if it’s going or coming, a past perfect ruin or a perfect future model.

It has been so annoying at White Hart Lane this past year or so, having to walk round walkways and under awnings and dodge fences and hoardings, losing all sense of direction. Millions of pounds were being poured into what appeared to be a hole in the ground. The new stadium will replace part of one end of the present one, which was built in 1898. It has been hard not to be unaware of what’s going on, continually asking ourselves, as we take our seats: did the earth move for you?

Now, at long last, you can see what will be there, when it emerges from the scaffolding in another year. Awesome, of course. And, har, har, it will hold more people than Arsenal’s new home by 1,000 (61,000, as opposed to the puny Emirates, with only 60,000). At each home game, I am thinking about the future, wondering how my treasures will fare: will they be happy there?

No, I don’t mean Harry Kane, Danny Rose and Kyle Walker – local as well as national treasures. Not many Prem teams these days can boast quite as many English persons in their ranks. I mean my treasures, stuff wot I have been collecting these past 50 years.

About ten years ago, I went to a shareholders’ meeting at White Hart Lane when the embryonic plans for the new stadium were being announced. I stood up when questions were called for and asked the chairman, Daniel Levy, about having a museum in the new stadium. I told him that Man United had made £1m the previous year from their museum. Surely Spurs should make room for one in the brave new mega-stadium – to show off our long and proud history, delight the fans and all those interested in football history and make a few bob.

He mumbled something – fluent enough, as he did go to Cambridge – but gave nothing away, like the PM caught at Prime Minister’s Questions with an unexpected question.

But now it is going to happen. The people who are designing the museum are coming from Manchester to look at my treasures. They asked for a list but I said, “No chance.” I must have 2,000 items of Spurs memorabilia. I could be dead by the time I finish listing them. They’ll have to see them, in the flesh, and then they’ll be free to take away whatever they might consider worth having in the new museum.

I’m awfully kind that way, partly because I have always looked on supporting Spurs as a form of charity. You don’t expect any reward. Nor could you expect a great deal of pleasure, these past few decades, and certainly not the other day at Liverpool when they were shite. But you do want to help them, poor things.

I have been downsizing since my wife died, and since we sold our Loweswater house, and I’m now clearing out some of my treasures. I’ve donated a very rare Wordsworth book to Dove Cottage, five letters from Beatrix Potter to the Armitt Library in Ambleside, and handwritten Beatles lyrics to the British Library. If Beckham and I don’t get a knighthood in the next honours list, I will be spitting.

My Spurs stuff includes programmes going back to 1910, plus recent stuff like the Opus book, that monster publication, about the size of a black cab. Limited editions cost £8,000 a copy in 2007. I got mine free, as I did the introduction and loaned them photographs. I will be glad to get rid of it. It’s blocking the light in my room.

Perhaps, depending on what they want, and they might take nothing, I will ask for a small pourboire in return. Two free tickets in the new stadium. For life. Or longer . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times