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A tale of three parties: Laurie Penny sobers up over Labour

The British left is finally knocking back the Alka-Seltzer of humility and stumbling to its feet.

Manchester, 2008. With the financial edifices of Wall Street and the City of London tumbling like dominoes, the Labour Party faithful have gathered at the annual New Statesman conference reception at to soak away their panic. In the grand, high-ceilinged ballroom of the town hall, the old neoliberal certainties are dissipating like chill vapour: the one question on everyone's lips is whether David Miliband, a man who ideologically and personally resembles the banana-grasping voodoo corpse of Blairism left to rot in a pool of inertia for two years, will make a bid for the leadership and reanimate the only model of electoral success the left has known in the past generation.

Meanwhile, a young cabinet minister with an awkward haircut, who is at this point most famous for not being David Miliband, takes the platform to deliver some calming platitudes. Miliband minor's soothing quips about the humiliations of being a younger brother fall on dull ears. Everyone is more intent on drinking hard -- drinking with the cheery desperation that only the British can muster when the streets are on fire and the bar is free.

Fast forward to Brighton, 2009. In the dying days of the last Labour administration, the great and good of the British left have once more gathered at the New Statesman party to drown their sorrows. The recession has hit hard, and nobody now believes that Labour will win the next election; privately, there are many who suspect that it might not deserve to win. The corporate lounge at the soulless seafront hotel gradually fills with bewildered delegates, drifting through the glass doors in ones and twos with the shellshocked expressions of war refugees. The room is too bright, full of static and suspicion; knots of gossip and weary recrimination cluster in the corners of the party. It's like the disco at the end of the world.

The speaker this year is David Miliband, but unfortunately, just as he is ushered onto the stage, somebody brings out the booze. The party faithful charge across the crackling carpet towards the bar like victims of a natural disaster mobbing a Red Cross van, only with substantially less dignity. Nobody listens to Miliband Major, and why would they? The jaws of the credit crunch are snapping shut, and Torygeddon is approaching: not even Blairism can save us now.

Fast forward to this weekend: it's the 2010 Labour Party conference, and we're back in at the same party, in the same lofty setting as 2008 -- the decadent Victorian granite of Manchester Town Hall. And this time, everybody is waiting for Ed Miliband. The shy junior cabinet minister from 2008 has just been anointed leader of the Labour Party in a nail-biting victory over his elder brother, the heir apparent, we have watched his strange rubbery face on the front pages and ubiquitous television screens for 24 hours, and now we are waiting anxiously for Ed like schoolgirls waiting for their prom date to arrive.

When he finally does arrive, flanked by beaming young volunteers who have just been elevated to the status of political flunkies, a spontaneous cheer erupts: a triumphant, rather irreverent cheer, peppered with whoops and wolf-whistles. Ed Miliband is manifestly not the revivified corpse of Blairism -- instead, even with the heady flush of new leadership, he still calls to mind the dorky, swotty kid at the back of the class to whom, for some indefinable reason, nobody has paid much attention. Until now.

Ed takes the stage and tells us, with a rather sad smile and not a hint of swagger, that he wants the Labour Party to change. He wants the Labour Party to show humility over its past mistakes, and to "question old truths". He wants the Labour party to be the "natural home" for the next generation of activists, in part because it is young volunteers who have made his campaign such a success. He wants the party to unite, to abandon factionalism, and most of all -- more than anything -- he wants "change". Unlike the smooth, polished Anglo-American political salesmen of the post-crash era, you suspect that he actually means it.

It is perhaps a testament to how comfortable the Labour Party has become with hierarchy and privilege that the sudden leadership of Ed Miliband -- who is, after all, not an outsider but a son of leafy North London from a distinguished Labour lineage, whose only claim to political insurgency is that he is not the elder brother -- should have so shaken the party faithful. In a truly radical party, this would not have been so stunning a change of direction, but New Labour has not been truly radical for many years.

Expectations were low, and this is enough; it's enough to tremble the foundations of the British left and disturb its stagnant, hierarchial customs, so reliant on anointed heirs and settled successions of power. The gathering at the New Statesman party is suffused with panicked excitement. The delegates are behaving like a group of normally compliant school pupils in an empty classroom, when someone unexpected -- say, the dorky kid at the back of the class -- has just got up from his place and sat down in the teacher's chair. It's a scandalous, it's thrilling, it's surely against the rules!

The overwhelming impression is that anything could happen, and the room bubbles with breezy expectation and just a suggestion of naughtiness. Personal and political seductions are attempted; old friendships and alliances are rekindled. Delegates flirt, make eyes at one another and have meaningful discussions about the living wage and progressive taxation over glasses of orange juice, the boozing less frantic than in previous years.

It's been a long hangover, but this morning, the British left is finally knocking back the Alka-Seltzer of humility and stumbling to its feet. After all, there's work to be done.

 

 

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

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Pity the Premier League – so much money can get you into all sorts of bother

You’ve got to feel sorry for our top teams. It's hard work, maintaining their brand.

I had lunch with an old girlfriend last week. Not old, exactly, just a young woman of 58, and not a girlfriend as such – though I have loads of female friends; just someone I knew as a girl on our estate in Cumbria when she was growing up and I was friendly with her family.

She was one of many kind, caring people from my past who wrote to me after my wife died in February, inviting me to lunch, cheer up the poor old soul. Which I’ve not been. So frightfully busy.

I never got round to lunch till last week.

She succeeded in her own career, became pretty well known, but not as well off financially as her husband, who is some sort of City whizz.

I visited her large house in the best part of Mayfair, and, over lunch, heard about their big estate in the West Country and their pile in Majorca, finding it hard to take my mind back to the weedy, runny-nosed little girl I knew when she was ten.

Their three homes employ 25 staff in total. Which means there are often some sort of staff problems.

How awful, I do feel sorry for you, must be terrible. It’s not easy having money, I said, managing somehow to keep back the fake tears.

Afterwards, I thought about our richest football teams – Man City, Man United and Chelsea. It’s not easy being rich like them, either.

In football, there are three reasons you have to spend the money. First of all, because you can. You have untold wealth, so you gobble up possessions regardless of the cost, and regardless of the fact that, as at Man United, you already have six other superstars playing in roughly the same position. You pay over the odds, as with Pogba, who is the most expensive player in the world, even though any halfwit knows that Messi and Ronaldo are infinitely more valuable. It leads to endless stresses and strains and poor old Wayne sitting on the bench.

Obviously, you are hoping to make the team better, and at the same time have the luxury of a whole top-class team sitting waiting on the bench, who would be desired by every other club in Europe. But the second reason you spend so wildly is the desire to stop your rivals buying the same players. It’s a spoiler tactic.

Third, there’s a very modern and stressful element to being rich in football, and that’s the need to feed the brand. Real Madrid began it ten years or so ago with their annual purchase of a galáctico. You have to refresh the team with a star name regularly, whatever the cost, if you want to keep the fans happy and sell even more shirts round the world each year.

You also need to attract PROUD SUPPLIERS OF LAV PAPER TO MAN CITY or OFFICIAL PROVIDER OF BABY BOTTLES TO MAN UNITED or PARTNERS WITH CHELSEA IN SUGARY DRINK. These suppliers pay a fortune to have their product associated with a famous Premier League club – and the club knows that, to keep up the interest, they must have yet another exciting £100m star lined up for each new season.

So, you can see what strains and stresses having mega money gets them into, trying to balance all these needs and desires. The manager will get the blame in the end when things start to go badly on the pitch, despite having had to accommodate some players he probably never craved. If you’re rich in football, or in most other walks in life, you have to show it, have all the required possessions, otherwise what’s the point of being rich?

One reason why Leicester did so well last season was that they had no money. This forced them to bond and work hard, make do with cheapo players, none of them rubbish, but none the sort of galáctico a super-Prem club would bother with.

Leicester won’t repeat that trick this year. It was a one-off. On the whole, the £100m player is better than the £10m player. The rich clubs will always come good. But having an enormous staff, at any level, is all such a worry for the rich. You have to feel sorry . . .

Hunter Davies’s “The Beatles Book” is published by Ebury

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 29 September 2016 issue of the New Statesman, May’s new Tories