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Laurie Penny on Tony Blair's The Journey: Bring the political classes to book

Moving Tony Blair's autobiography in bookshops shows that young people are not willing to be sold the wrong story.

In bookshops up and down the country, a new kind of literary movement is taking place. Hundreds of young protesters are strolling in to stores and quietly moving copies of Tony Blair's autobiography from the display stacks on to shelves devoted to mystery and crime fiction. Blair's smug visage on the dust jacket of A Journey is of a man who knows that the public is finally buying his side of the story, at least technically speaking. By placing that creepy grin firmly underneath a big sign that says "Crime", these guerrilla librarians are trying to make sure that people know what they're getting into.

It's this sort of thing that gives me hope for my generation. The protest group, which coalesced spontaneously online, is polite to the point of self-parody. A serious and energetic discussion is taking place on the group's Facebook page about whether or not the demonstration will overly inconvenience hard-working bookshop employees.

Waterloo sunset

While they're about it, there are a few more political tomes that could do with a little reshelving: Phillip Blond's Red Tory, for example, would fit well in the folklore and fantasy section. Behind the cheeky rag-week japery, however, is a nuanced message about political narrative and how it is deployed.

The public outrage that has accompanied Blair's book-signings - with shoes and eggs flung at the former premier in Dublin early this month - is no longer really about Blair himself. It's not even wholly about the hundreds of thousands of civilians killed in Iraq since 2003 and in Afghanistan since 2001. Ultimately, this is about us - about the generation that came to political awareness in the earliest years of the 21st century and the stories we tell ourselves about neoliberalism, globalisation and the articulation of politics.

The years of Anglo-American warmongering that followed September 2001 shaped my awareness of government and its role. Still far too young to vote, I skipped school to travel to London to protest against the proposed invasion of Iraq in early 2003, shinning up some traffic lights to watch a seething swell of human outrage shuffle politely along Waterloo Bridge to say firmly and definitively: "Not in our name." Weeks later, we went to war anyway and it was in our names. The memory of that betrayal hasn't faded.

It was a defining political moment for those of us who gained language after the fall of the Berlin Wall, after what Francis Fukuyama prosaically called "the end of history". Unlike previous cohorts, we did not grow up with any variant of socialism as an implicit alternative to public policy.Instead, we had the monolithic, cartoonish neoliberalism of the Blair years.

It came as a painful shock when we suddenly learned that neoconservative narratives don't have to be true or even convincing for the public to swallow them: they just have to tell a strong story.

More protests are planned for every leg of Blair's book tour, but our rage at Blair is partly angry embarrassment at ourselves for buying his story the first time round. We are justly furious at the public and parliamentary consensus of 2003 for accepting a simple children's fairy tale of international politics, with goodies and baddies who need to be dealt with. The trouble is that it's happening again - this time with Tory economic policy.

Little by little, David Cameron's simple story about the unavoidability of public spending cuts and the importance of sharing the pain equally between single mothers and the long-term sick is gaining public credence.

Cry wolf

The fable that Britain has been living beyond its means and now needs to cut back is being swallowed, just as the simple story about weapons of mass destruction in Iraq was swallowed in 2003. Nobody is really convinced - but this is the narrative that the public has started to accept, suspending its disbelief yet again, instead of considering that the government might not have the best interests of the people at heart.

That the leering Aesop of neoliberal contumacy - Tony Blair himself - comes out in cheery support of Cameron's economic policies in the pages
of A Journey should alert us that we are being spun another dodgy story with the potential to shatter lives.

The only proper response to these brutally cartoonish versions of events is to keep moving the suspicious stories to the right part of the bookshop. It's a habit that needs to be preserved. Even at the height of our dissidence, my generation will never be the type to burn books. We will, however, wilfully and deliberately recategorise them, especially when we feel we're being sold the wrong story.

Laurie Penny's column appears weekly in the New Statesman magazine.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

This article first appeared in the 13 September 2010 issue of the New Statesman, France turns right

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The economics of outrage: Why you haven't seen the end of Katie Hopkins

Her distasteful tweet may have cost her a job at LBC, but this isn't the last we've seen of Britain's biggest troll. 

Another atrocity, other surge of grief and fear, and there like clockwork was the UK’s biggest troll. Hours after the explosion at the Manchester Arena that killed 22 mostly young and female concert goers, Katie Hopkins weighed in with a very on-brand tweet calling for a “final solution” to the complex issue of terrorism.

She quickly deleted it, replacing the offending phrase with the words “true solution”, but did not tone down the essentially fascist message. Few thought it had been an innocent mistake on the part of someone unaware of the historical connotations of those two words.  And no matter how many urged their fellow web users not to give Hopkins the attention she craved, it still sparked angry tweets, condemnatory news articles and even reports to the police.

Hopkins has lost her presenting job at LBC radio, but she is yet to lose her column at Mail Online, and it’s quite likely she won’t.

Mail Online and its print counterpart The Daily Mail have regularly shown they are prepared to go down the deliberately divisive path Hopkins was signposting. But even if the site's managing editor Martin Clarke was secretly a liberal sandal-wearer, there are also very good economic reasons for Mail Online to stick with her. The extreme and outrageous is great at gaining attention, and attention is what makes money for Mail Online.

It is ironic that Hopkins’s career was initially helped by TV’s attempts to provide balance. Producers could rely on her to provide a counterweight to even the most committed and rational bleeding-heart liberal.

As Patrick Smith, a former media specialist who is currently a senior reporter at BuzzFeed News points out: “It’s very difficult for producers who are legally bound to be balanced, they will sometimes literally have lawyers in the room.”

“That in a way is why some people who are skirting very close or beyond the bounds of taste and decency get on air.”

But while TV may have made Hopkins, it is online where her extreme views perform best.  As digital publishers have learned, the best way to get the shares, clicks and page views that make them money is to provoke an emotional response. And there are few things as good at provoking an emotional response as extreme and outrageous political views.

And in many ways it doesn’t matter whether that response is negative or positive. Those who complain about what Hopkins says are also the ones who draw attention to it – many will read what she writes in order to know exactly why they should hate her.

Of course using outrageous views as a sales tactic is not confined to the web – The Daily Mail prints columns by Sarah Vine for a reason - but the risks of pushing the boundaries of taste and decency are greater in a linear, analogue world. Cancelling a newspaper subscription or changing radio station is a simpler and often longer-lasting act than pledging to never click on a tempting link on Twitter or Facebook. LBC may have had far more to lose from sticking with Hopkins than Mail Online does, and much less to gain. Someone prepared to say what Hopkins says will not be out of work for long. 

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