Laurie Penny on Mad Men: Airbrushing the truth about women

The equalities minister, Lynne Featherstone, wants us to embrace Mad Men’s curvy secretary Joan as a role model. Wrong choice, right idea.

Lynne Featherstone MP has given the impression that young women should aspire to look like saucy secretaries with accommodating attitudes to sexual harassment. Speaking in support of the Girl Guides' call for images of airbrushed models in magazines and on posters to be labelled clearly, the new equalities minister said that Christina Hendricks, the "curvy" actress who plays the sexually performative office manager Joan in the AMC series Mad Men, is an ideal antidote to the advertising industry's impossible standards of female emaciation.

It is likely that Featherstone's decision to tout Hendricks as a body-image role model was based on asking the girls in the office who their favourite curvy celebrities were. Unfortunately, following her comments, aspirational photos of Joan in a range of tight dresses have illustrated nearly every report on the anti-airbrushing campaign, sending a clear message about the limited ambitions of women's liberation today. We don't want young girls to starve themselves to resemble a modern advertising executive's wet dream, so we'll settle for encouraging them to emulate an advertising executive's wet dream from the 1960s.

Object of fantasy

Hendricks is beautiful, with creamy skin and cascades of auburn hair - but, at the UK average dress size of 14, she has been criticised by fashion insiders for being "too heavy". In Mattel's new line of Mad Men Barbies, the Joan doll appears substantially underweight, her lollipop head wobbling on spindly plastic limbs, shrinking Hendricks's curves into a body type that the toy company claims is more in keeping with "the aesthetic" of the show. Peggy Olson, a mousy-but-talented copywriter in Mad Men, has not been made into a doll, because frumpy, difficult and demanding women never get to be Barbie, whatever their accomplishments.

This isn't the only problem with the suggestion that Hendricks and her Mad Men alter ego are feminist role models. Joan may be curvy and confident, but that confidence comes from her skill at manipulating men sexually, embracing her role as an object of fantasy and encouraging the secretaries she supervises to dress prettily, stay quiet and accept sexual bullying as part of the job. Her male bosses consistently demean her intelligence. She is a victim of rape, and marries her rapist to avoid being left "on the shelf".

Sexism has long been the stock-in-trade of the advertising industry. Since the heyday of Madison Avenue, which Mad Men seeks to recall, advertisements have defined how we understand gender and power. The theorist Marshall McLuhan wrote in the 1960s that "ads are the cave art of the 20th century . . . the richest and most faithful reflections that any society ever made of its entire range of activities". Today, the industry has an income worth roughly £16bn in the UK alone, and the average consumer in Britain and America absorbs thousands of adverts every day.

According to the activist Jean Kilbourne, who created the Killing Us Softly films to expose advertising's harmful effect on women, "Advertising tells us, just as it did 30 years ago, that the most important thing about women is our appearance. We learn from an early age that we must spend enormous amounts of time, energy and, above all, money, striving to achieve an ideal of absolute flawlessness and feeling ashamed and guilty when we fail."

The ubiquity of images of airbrushed, idealised, half-naked female bodies affects the self-esteem of women and girls. In 1991, the US-based magazine Ad Age conceded that "sexism, sexual harassment and the cultural portrayal of women in advertising are inextricably linked".

Irritated by pesky accusations of sexism and body fascism, the advertising and fashion industries are engaged in a struggle to neutralise dissent. Mad Men is part of the cultural territory on which that struggle is taking place. What makes the show compelling is its exposition of how the ugly ideology of the golden age of advertising reflected real-life misogyny, as experienced by characters such as Joan or the frustrated housewife Betty Draper.

Wrong model, right idea

Today's fashion and advertising industries have decided to glamorise this narrative. Instead of recoiling in horror from Mad Men's depiction of the objectification and abuse that defined working women's lives within living memory, young women are shopping for circle skirts, ordering vodka Martinis and swallowing the line that Joan is a sassy, inspirational character who should be applauded for being allowed to appear on prime-time television weighing more than a packet of crisps.

In her mission to encourage advertisers to label airbrushed images of idealised female beauty, Featherstone has the wrong role model but the right idea. The Joan character is the living, breathing, breast-heaving embodiment of the idea that one cannot fight misogyny in the advertising industry. This campaign offers the bold and simple notion that one can, and that if the health and happiness of young women are at stake, the government should.

If we saw little but digitally manipulated, blandly sexualised images of young men everywhere around us, this campaign would be understood as urgently political, rather than merely frivolous. If it were young men who understood that, in order to get and keep a job, they had to pummel their bodies into a sick image of perfection and shrink every aspect of their personhood, if it were men whom advertisements were complicit in erasing, it would be easier to persuade Westminster that the advertising industry is not just a harmless function of the market, but a delivery system for sexism that can and should be monitored.

 

 

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

This article first appeared in the 16 August 2010 issue of the New Statesman, The war against science

Getty Images.
Show Hide image

Tony Blair might be a toxic figure - but his influence endures

Politicians at home and abroad are borrowing from the former prime minister's playbook. 

On 24 May at Methodist Central Hall, Westminster, a short distance from where he once governed, Tony Blair resurfaced for a public discussion. Having arrived on an overnight flight, he looked drawn and puffy-eyed but soon warmed to his theme: a robust defence of liberal globalisation. He admitted, however, to bafflement at recent events in the world. "I thought I was pretty good at politics. But I look at politics today and I’m not sure I understand it."

Blair lost power in the summer of 2007. In the ensuing nine years, he lost reputation. His business ventures and alliances with autocrats have made him a pariah among both the public and his party. A YouGov poll published last year found that 61 per cent of voters regarded Blair as an electoral liability, while just 14 per cent viewed him as an asset. In contrast, John Major, whom he defeated by a landslide in 1997, had a neutral net rating of zero. It is ever harder to recall that Blair won not one general election (he is the only living Labour leader to have done so) but three.

His standing is likely to diminish further when the Iraq inquiry report is published on 6 July. Advance leaks to the Sunday Times suggest that he will be censured for allegedly guaranteeing British military support to the US a year before the invasion. Few minds on either side will be changed by the 2.6 million-word document. Yet its publication will help enshrine Iraq as the defining feature of a legacy that also includes the minimum wage, tax credits, Sure Start, devolution and civil partnerships.

Former leaders can ordinarily rely on their parties to act as a last line of defence. In Blair’s case, however, much of the greatest opprobrium comes from his own side. Jeremy Corbyn inclines to the view that Iraq was not merely a blunder but a crime. In last year’s Labour leadership election, Liz Kendall, the most Blair-esque candidate, was rewarded with 4.5 per cent of the vote. The former prime minister’s imprimatur has become the political equivalent of the black spot.

Yet outside of the Labour leadership, Blairism endures in notable and often surprising forms. Sadiq Khan won the party’s London mayoral selection by running to the left of Tessa Jowell, one of Tony Blair’s closest allies. But his successful campaign against Zac Goldsmith drew lessons from Blair’s election triumphs. Khan relentlessly presented himself as “pro-business” and reached out beyond Labour’s core vote. After his victory, he was liberated to use the B-word, contrasting what “Tony Blair did [in opposition]” with Corbyn’s approach.

In their defence of the UK’s EU membership, David Cameron and George Osborne have deployed arguments once advanced by New Labour. The strategically minded Chancellor has forged an unlikely friendship with his former nemesis Peter Mandelson. In the domestic sphere, through equal marriage, the National Living Wage and the 0.7 per cent overseas aid target, the Conservatives have built on, rather than dismantled, significant Labour achievements."They just swallowed the entire manual," Mandelson declared at a recent King’s College seminar. "They didn’t just read the executive summary, they are following the whole thing to the letter."

Among SNP supporters, "Blairite" is the pejorative of choice. But the parallels between their party and New Labour are more suggestive than they would wish. Like Blair, Alex Salmond and Nicola Sturgeon have avoided income tax rises in order to retain the support of middle-class Scottish conservatives. In a speech last August on education, Sturgeon echoed the Blairite mantra that "what matters is what works".

Beyond British shores, political leaders are similarly inspired by Blair – and less reticent about acknowledging as much. Matteo Renzi, the 41-year-old centre-left Italian prime minister, is a long-standing admirer. "I adore one of his sayings,” he remarked in 2013. “I love all the traditions of my party, except one: that of losing elections."

In France, the reform-minded prime minister, Manuel Valls, and the minister of economy, Emmanuel Macron, are also self-described Blairites. Macron, who in April launched his own political movement, En Marche!, will shortly decide whether to challenge for the presidency next year. When he was compared to Blair by the TV presenter Andrew Marr, his response reflected the former prime minister’s diminished domestic reputation: “I don’t know if, in your mouth, that is a promise or a threat.”

The continuing attraction of Blair’s “third way” to European politicians reflects the failure of the project’s social-democratic critics to construct an alternative. Those who have sought to do so have struggled both in office (François Hollande) and out of it (Ed Miliband). The left is increasingly polarised between reformers and radicals (Corbyn, Syriza, Podemos), with those in between straining for relevance.

Despite his long absences from Britain, Blair’s friends say that he remains immersed in the intricacies of Labour politics. He has privately warned MPs that any attempt to keep Corbyn off the ballot in the event of a leadership challenge would be overruled by the National Executive Committee. At Methodist Central Hall, he said of Corbyn’s supporters: “It’s clear they can take over a political party. What’s not clear to me is whether they can take over a country.”

It was Blair’s insufficient devotion to the former task that enabled the revival of the left. As Alastair Campbell recently acknowledged: “We failed to develop talent, failed to cement organisational and cultural change in the party and failed to secure our legacy.” Rather than effecting a permanent realignment, as the right of the party hoped and the left feared, New Labour failed to outlive its creators.

It instead endures in a fragmented form as politicians at home and abroad co-opt its defining features: its pro-business pragmatism, its big-tent electoralism, its presentational nous. Some of Corbyn’s ­allies privately fear that Labour will one day re-embrace Blairism. But its new adherents would never dare to use that name.

George Eaton is political editor of the New Statesman.

This article first appeared in the 26 May 2016 issue of the New Statesman, The Brexit odd squad