This is what online harassment looks like

Obscene images, hate sites and a game where people are invited to beat you up have been inflicted on Anita Sarkeesian.

When I first wrote about the sexist abuse of women online, collating the experiences of nearly a dozen writers, the response was largely positive. Many hadn't been aware there was a problem; they were shocked. Others had assumed that they were the only ones whose every word on the web was greeted with a torrent of abusive, threatening comments.

But a few reactions stood out, among them that of Brendan O'Neill, the Telegraph blogs section's resident contrarian. He wrote that feminist campaigners pointing this out was a "hilarious echo of the 19th-century notion that women need protecting from vulgar and foul speech". We were, he said, "a tiny number of peculiarly sensitive female bloggers" trying to close down freedom of speech.

The best response to that argument, incidentally, comes from Ally Fogg, who wrote recently:

What you fail to understand is that the use of hate speech, threats and bullying to terrify and intimidate people into silence or away from certain topics is a far bigger threat to free speech than any legal sanction.

Imagine this is not the internet but a public square. One woman stands on a soapbox and expresses an idea. She is instantly surrounded by an army of 5,000 angry people yelling the worst kind of abuse at her in an attempt to shut her up. Yes, there's a free speech issue there. But not the one you think.

I couldn't have put it better myself. As the months have gone on, and more "trolls" (or "online bullies", if you're a semantic stickler) have been exposed, the perception that what we're talking about when we talk about online harrassment is "a few mean comments" or an insult or two has grown.

On 12 June, I wrote about American blogger Anita Sarkeesian, who launched a Kickstarter programme to raise $6,000 to research "tropes vs women in videogames". Donating was - and I really can't stress this enough - completely voluntary. There are Kickstarters for all kinds of things: for example,  a "dance narrative featuring some of NYC's most compelling performers that celebrates the pursuit of love and the joys of imperfection" doesn't sound like my kind of thing, but God Bless Them, they are 89% funded towards their $12,000 goal. 

But a big swath of the internet wasn't prepared to live and let live in Sarkeesian's case, and began spamming her YouTube video comments with a pot-pourri of misogynist, racist and generally vile abuse. Each one individually was grim; together they constituted harassment. (You can read the full story in my blog here).

Since then, Anita Sarkeesian has been subjected to a good deal more harassment. Let's run through the list for anyone who still thinks this issue is about a few mean words.

Image-based harassment

 

This is the kind of stuff people have been sending to Sarkeesian's inbox, repeatedly, and posting on the internet in an attempt to game her Google Image search results. There have also been drawings of her in sexually degrading situations:

Both these sets of images are taken from Sarkeesian's blog post documenting the harassment (and are reproduced with her permission). They have been posted on the web generally, and also sent specifically to her Facebook page, Twitter account and YouTube channel. The second set show, in her words:

The first image depicts a woman drawn to resemble me who is tied up with a wii controller shoved in her mouth while being raped by Mario from behind. The second image is another drawing (clearly sketched to resemble me) featuring a chained nude figure on her knees with 5 penises ejaculating on her face with the words “fuck toy” written on her torso.

Hate sites

These take a couple of forms: either the creation of specific sites dedicated to trashing you (and again, to come up in Google searches of your name) or posting your details on established forums where haters like to hang out. In Sarkeesian's case, that has involved posting her phone number and address. It's hard to see that as anything other than an attempt to intimidate her: "We know where you live".

The interactive "Beat Up Anita Sarkeesian" game

This one is so incredible I had trouble believing it existed. 

It's an interactive game, inviting players to "beat up Anita Sarkeesian".

As you click the screen, bruises and welts appear on her face.

I find this fairly disturbing - the idea that somewhere out there is a man - a 25-year-old from Sault Ste Marie, a city in Ontario, Canada, who was offended enough by Sarkeesian's Kickstarter project that he made this.

In the description accompanying the games, he adds:

Anita Sarkeesian has not only scammed thousands of people out of over $160,000, but also uses the excuse that she is a woman to get away with whatever she damn well pleases. Any form of constructive criticism, even from fellow women, is either ignored or labelled to be sexist against her.

She claims to want gender equality in video games, but in reality, she just wants to use the fact that she was born with a vagina to get free money and sympathy from everyone who crosses her path.

Some of the commenters on the game have expressed disgust, but not all of them. One wrote:

You are so right, sir. It's the execution which lets this game down.

Wikipedia Vandalism

I wrote about this in the initial post, so I'll be brief here: Sarkeesian's Wikipedia page was repeatedly hacked with crude messages and porn images, until it was locked. This went hand in hand with...

Hacking/DDOSing

Hacking is gaining entrance to someone's private data or website, while DDOSing - using "denial of service" attacks - involves sending a website's server so many requests to load the page that it crashes.

That's what happened to Sarkeesian's site as her story got shared around the world. This image was posted as a way of bragging about taking it down:

 

Personal Life

Sarkeesian is rare in sharing so much of the harassment that she has been subjected to -- and it's a brave choice for her to make. Every time I write about this subject, I get a few emails from women who've been through the same thing (and I'm sure there are men, too). They tell me much the same story: this happened to them, but they don't want to talk publicly about it, because they don't want to goad the bullies further. 

If you were Anita Sarkeesian, how would you feel right now? She's somebody with a big online presence through her website, YouTube channel and social media use. All of that has been targeted by people who - and I can't say this enough - didn't like her asking for money to make feminist videos. 

I think Sarkeesian has been incredibly courageous in sharing what's happened to her. Those obscene pictures are intended to shame her, to reduce her to her genitals, and to intimidate her. 

I'm sure there's plenty here which breaks the law - both in the UK and the US. But the solution here probably isn't a legal one: it's for everyone involved to have some basic human decency. This isn't just a few rude words, and it isn't OK. 

An online game invites players to "beat up Anita Sarkeesian".

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

Photo: Getty
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A rape-able sex robot makes the world more dangerous for women, not less

Eroticising a lack of consent is no answer to male sexual violence. 

On Wednesday, the Independent reported a new setting had been added to the personality range of a sex robot made by the company True Companion. Called “Frigid Farrah”, the setting allows men who own the robot to simulate rape. If you touch it in a “private area” when it is in this mode, the website explains, it will “not be appreciative of your advance”.

True Companion says the robot is not programmed to participate in a rape scenario, and the idea is “pure conjecture”. Nevertheless, the news has reopened the debate about sex robots and their relationship to consent. What does a rape-able robot say about our attitudes to consent, sex, violence and humanism? Do sex robots like Frigid Farrah eroticise and normalise male sexual aggression? Or does allowing men to “act out” these “most private sexual dreams” on inanimate objects actually make real women safer?

The idea that allowing men to “rape” robots could reduce rates of sexual violence is fundamentally flawed. Sex robot settings that eroticise a woman’s lack of consent, coupled with male aggression, risk normalising rape. It sends a message to the user that it is sexually fulfilling to violate a woman’s “No”.

It’s important to remember that rape is not a product of sexual desire. Rape is about power and domination – about violating a woman’s body and her sense of self. Raping a robot is of course preferable to raping a woman, but the fact is we need to challenge the attitudes and sense of entitlement that cause violent men to rape in the first place.

There is little evidence to back the claim that giving men sexual “outlets” reduces violence. The research that exists is focused on whether a legalised sex industry can reduce sexual assault.

Studies on Dutch “tippelzones” – spaces where soliciting is legal between certain hours – claimed the areas led to a reduction in sexual violence. However, the research lacked precise data on incidents of sexual violence and abuse, and the fact that sex workers themselves can be victims. As a result, it wasn’t possible to determine exactly how the number of rapes and assaults fell in the population at large.

Similar claims made by social scientist Catherine Hakim also failed to prove a causal link between legalised prostitution and reduced levels of sexual violence – again, because low reporting means a lack of accurate data.

Other research claims that access to the sex industry can in fact increase incidents of sexual violence. A 2013 report by Garner and Elvines for Rape Crisis South London argued that an analysis of existing research found “an overall significant positive association between pornography use and attitudes supporting violence against women in non-experimental studies”.

Meanwhile, a 2000 paper by Neil Malamuth, T Addison, and J Koss suggested that, when individuals considered at high risk of acting sexually aggressively are studied, levels of aggression are four times higher among frequent consumers of pornography.

However, just as the research fails to find a causal link between access to the sex industry and reducing violence, there is no research proving a causal link between violent pornography and gender-based violence.

Instead, we have to look at the ethical and moral principles in an industry that creates models of women for men to orgasm into. Sex robots are, at their heart, anti-humanist. They replace women with plastic and holes. They create a world for their owners where women’s voices and demands and desires and pleasures – and right to say no – are absent.

That should trouble us – we are creating products for men which send a message that the best woman is a compliant and silent one. That the best woman is one who lies back and “likes what you like, dislikes what you dislike”, to quote the True Companion website, who is “always ready to talk and play” but whose voice you can turn off whenever you want.

“By transferring one of the great evils of humanity from the real to the artificial, sex robots simply feed the demon of sexism,” says Professor Alan Winfield of the Bristol Robotics Lab. “Some might say, 'What’s the problem – a sex robot is just metal and plastic – where’s the harm?' But a 'fembot' is a sexualised representation of a woman or girl, which not only invites abusive treatment but demands it. A robot cannot give consent – thus only deepening the already chronic and dangerous objectification of real women and girls.”

What research does tell us is that there is a clear link between violence and the perpetrator’s ability to dehumanise their victims. That, and a setting designed to eroticise a woman’s lack of consent, suggest that Frigid Farrah will have no impact on reducing sexual assault. Rather, it creates a space where rape and violence is normalised and accepted.

Instead of shrugging our shoulders at this sexualisation of male violence, we should be taking action to end the belief that men are entitled to women’s bodies. That starts by saying that rape is not an inevitable part of our society, and the danger of rape cannot simply be neutralised by a robot.

Sian Norris is a writer. She blogs at sianandcrookedrib.blogspot.com and is the Founder & Director of the Bristol Women's Literature Festival. She was previously writer-in-residence at Spike Island.