Dear The Internet, This Is Why You Can't Have Anything Nice

Anita Sarkeesian's project to expose stereotypes in video games attracts a maelstrom of hate.

Something wonderful happened on the internet this week. And something horrible happened at the same time.

A Californian blogger, Anita Sarkeesian, launched a Kickstarter project to make a web video series about "tropes vs women in videogames". Following on from her similar series on films, it aimed to look at women as background decoration, Damsels in Distress, the Sexy Sidekick and so on. Her pitch is here:

 

 

Sarkeesian was after $6,000 to cover the cost of researching the topic, playing all kinds of awful games, and producing the videos. Seems reasonable, doesn't it? Even if you don't like the idea - or don't believe that women are poorly represented in games (in which case, you would be wrong) - then isn't it fine for other people to give money to something they believe in?

Except some kind of Bastard Klaxon went off somewhere in the dank, moist depths of the internet. An angry misogynist Bat Signal, if you will. (It looks like those charming chaps at 4Chan might have had something to do it.)

In Sarkeesian's own words:

The intimidation and harassment effort has included a torrent of misogyny and hate speech on my YouTube video, repeated vandalizing of the Wikipedia page about me, organized efforts to flag my YouTube videos as "terrorism", as well as many threatening messages sent through Twitter, Facebook, Kickstarter, email and my own website.  These messages and comments have included everything from the typical sandwich and kitchen "jokes" to threats of violence, death, sexual assault and rape.  All that plus an organized attempt to report this project to Kickstarter and get it banned or defunded.

Let's take a look at that Wikipedia page, shall we?

As the pixellated pinkness might suggest, that's what tabloids call a "sex act" happening in the top corner. There are also references to Sarkeesian being "of Jewish descent", an "entitled nigger" and having a "masters degree in Whining" (because why stick to one prejudice, when you can have them all?) More than a dozen IP addresses contributed to this vandalism before the page was locked.

Meanwhile, her YouTube video attracted more than 5,000 comments, the majority of them of a, shall we say, unsupportive nature. The c-word got a lot of exercise, as did comments about her personal appearance, and a liberal sprinkling of threats of violence. 

Sarkeesian archived a picture of the abuse, and you can find it here. I'm sorry to subject you to it, but I think it's important that you see the kind of stuff you can get called for the crime of Being A Woman On The Internet. Shall we play sexism bingo? Here goes:

Tits or GTFO

You're a bolshevik feminist Jewess

LESBIANS: THE GAME is all this bitch wants

Why do you put on make-up, if everything is sexism? ... You are a hypocrite fucking slut.

Would be better if she filmed this in the kitchen.

I'll donate $50 if you make me a sandwich

... and so it goes on. The only light relief is this one, because I don't think this is quite the threat this chap thinks it is:

Sarkeesian decided to leave the comments on her video, as proof that such sexism exists. I think it's important that she did, because too often the response to stories like this, "Come on, it can't be that bad". There are two reasons for this: first, that if you don't experience this kind of abuse, it's difficult to believe it exists (particularly if you're a man and this just isn't part of your daily experience). Secondly, because news reports don't print the bad words. We've got into a weird situation where you have to get a TV channel controller to sign off a comedian using the word "cunt" after 9pm, but on the internet, people spray it round like confetti. We read almost-daily reports of "trolls" being cautioned or even jailed, but often have no idea what they've said. 

This story should be shared for several reasons. The first is that a horrible thing happened to Anita Sarkeesian. She did nothing to deserve the torrent of abuse, and the concerted attempts to wreck her online presence. It's not the first time this happened: Bioware's Jennifer Hepler was similarly hounded out of town for expressing some fairly innocuous statements about videogames. Every time this happens, more women get the message: speak up, and we will come for you. We'll try to ruin your life, tear you apart, for having an opinion.

The second reason this story deserves wider attention is that in Britain, a law is being debated which will encourage service providers to identify internet trolls, without their victims having to resort to costly legal action. Until now, the perception has been that you can say anything you like on the internet, without any consequences. Recent cases, such as that of Liam Stacey (jailed for mocking footballer Fabrice Muamba) show that is getting less and less true.

A man who targeted Louise Mensch was yesterday given a suspended sentence, and banned from contacting a list of celebrities. Few papers reported Frank Zimmerman's full remarks, with the notable exception of The Guardian: they included a reference to the film Sophie's Choice, in which a mother is forced to choose which of her children dies, and the following: "We are Anonymous and we do not like rude cunts like you and your nouveau riche husband Peter Mensch...  So get off Twitter. We see you are still on Twitter. We have sent a camera crew to photograph you and your kids and we will post it over the net including Twitter, cuntface. You now have Sophie's Choice: which kid is to go. One will. Count on it cunt. Have a nice day."

We can argue all day about the sentence handed to Liam Stacey, but Frank Zimmerman made an unequivocal threat. He no more deserves anonymity than those who targeted Anita Sarkeesian with rape and death threats. But, of course, they will never be found out.

I said at the top of this blog post that something wonderful happened on the internet this week, at the same time as something awful. You'll be pleased to know that Anita Sarkeesian's Kickstarter project has gained 2,301 backers and a total of $55,671 at the time of writing. It's more than enough for her to make a whole series of shows about tropes and women in games, and luckily, she still plans to do so despite all the abuse

I am certainly not the first woman to suffer this kind of harassment and sadly, I won’t be the last. But I’d just like to reiterate that this is not a trivial issue. It can not and should not be brushed off by saying, “oh well that’s YouTube for you“, “trolls will be trolls” or “it’s to be expected on the internet”. These are serious threats of violence, harassment and slander across many online platforms meant to intimidate and silence. And its not okay. Again, don't worry, this harassment will never stop me from making my videos! Thank you for all your support!

Anita Sarkeesian in her Kickstarter video.

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

Photo: Getty
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The UK press’s timid reaction to Brexit is in marked contrast to the satire unleashed on Trump

For the BBC, it seems, to question leaving the EU is to be unpatriotic.

Faced with arguably their biggest political-cum-constitutional ­crisis in half a century, the press on either side of the pond has reacted very differently. Confronting a president who, unlike many predecessors, does not merely covertly dislike the press but rages against its supposed mendacity as a purveyor of “fake news”, the fourth estate in the US has had a pretty successful first 150-odd days of the Trump era. The Washington Post has recovered its Watergate mojo – the bloodhound tenacity that brought down Richard Nixon. The Post’s investigations into links between the Kremlin and Donald Trump’s associates and appointees have yielded the scalp of the former security adviser Michael Flynn and led to Attorney General Jeff Sessions recusing himself from all inquiries into Trump-Russia contacts. Few imagine the story will end there.

Meanwhile, the New York Times has cast off its image as “the grey lady” and come out in sharper colours. Commenting on the James Comey memo in an editorial, the Times raised the possibility that Trump was trying to “obstruct justice”, and called on Washington lawmakers to “uphold the constitution”. Trump’s denunciations of the Times as “failing” have acted as commercial “rocket fuel” for the paper, according to its CEO, Mark Thompson: it gained an “astonishing” 308,000 net digital news subscriptions in the first quarter of 2017.

US-based broadcast organisations such as CNN and ABC, once considered slick or bland, have reacted to Trump’s bullying in forthright style. Political satire is thriving, led by Saturday Night Live, with its devastating impersonations of the president by Alec Baldwin and of his press secretary Sean Spicer by the brilliant Melissa McCarthy.

British press reaction to Brexit – an epic constitutional, political and economic mess-up that probably includes a mind-bogglingly destructive self-ejection from a single market and customs union that took decades to construct, a move pushed through by a far-right faction of the Tory party – has been much more muted. The situation is complicated by the cheerleading for Brexit by most of the British tabloids and the Daily Telegraph. There are stirrings of resistance, but even after an election in which Theresa May spectacularly failed to secure a mandate for her hard Brexit, there is a sense, though the criticism of her has been intense, of the media pussy-footing around a government in disarray – not properly interrogating those who still seem to promise that, in relation to Europe, we can have our cake and eat it.

This is especially the case with the BBC, a state broadcaster that proudly proclaims its independence from the government of the day, protected by the famous “arm’s-length” principle. In the case of Brexit, the BBC invoked its concept of “balance” to give equal airtime and weight to Leavers and Remainers. Fair enough, you might say, but according to the economist Simon Wren-Lewis, it ignored a “near-unanimous view among economists that Brexit would hurt the UK economy in the longer term”.

A similar view of “balance” in the past led the BBC to equate views of ­non-scientific climate contrarians, often linked to the fossil-fuel lobby, with those of leading climate scientists. Many BBC Remainer insiders still feel incensed by what they regard as BBC betrayal over Brexit. Although the referendum of 23 June 2016 said nothing about leaving the single market or the customs union, the Today presenter Justin Webb, in a recent interview with Stuart Rose, put it like this: “Staying in the single market, staying in the customs union – [Leave voters would say] you might as well not be leaving. That fundamental position is a matter of democracy.” For the BBC, it seems, to question Brexit is somehow to be unpatriotic.

You might think that an independent, pro-democratic press would question the attempted use of the arcane and archaic “royal prerogative” to enable the ­bypassing of parliament when it came to triggering Article 50, signalling the UK’s departure from the EU. But when the campaigner Gina Miller’s challenge to the government was upheld by the high court, the three ruling judges were attacked on the front page of the Daily Mail as “enemies of the people”. Thomas Jefferson wrote that he would rather have “newspapers without a government” than “a government without newspapers”. It’s a fair guess he wasn’t thinking of newspapers that would brand the judiciary as “enemies of the people”.

It does seem significant that the United States has a written constitution, encapsulating the separation and balance of powers, and explicitly designed by the Founding Fathers to protect the young republic against tyranny. When James Madison drafted the First Amendment he was clear that freedom of the press should be guaranteed to a much higher degree in the republic than it had been in the colonising power, where for centuries, after all, British monarchs and prime ministers have had no qualms about censoring an unruly media.

By contrast, the United Kingdom remains a hybrid of monarchy and democracy, with no explicit protection of press freedom other than the one provided by the common law. The national impulse to bend the knee before the sovereign, to obey and not question authority, remains strangely powerful in Britain, the land of Henry VIII as well as of George Orwell. That the United Kingdom has slipped 11 places in the World Press Freedom Index in the past four years, down to 40th, has rightly occasioned outrage. Yet, even more awkwardly, the United States is three places lower still, at 43rd. Freedom of the press may not be doing quite as well as we imagine in either country.

Harry Eyres is the author of Horace and Me: Life Lessons from an Ancient Poet (2013)

This article first appeared in the 20 July 2017 issue of the New Statesman, The new world disorder