Dear The Internet, This Is Why You Can't Have Anything Nice

Anita Sarkeesian's project to expose stereotypes in video games attracts a maelstrom of hate.

Something wonderful happened on the internet this week. And something horrible happened at the same time.

A Californian blogger, Anita Sarkeesian, launched a Kickstarter project to make a web video series about "tropes vs women in videogames". Following on from her similar series on films, it aimed to look at women as background decoration, Damsels in Distress, the Sexy Sidekick and so on. Her pitch is here:

 

 

Sarkeesian was after $6,000 to cover the cost of researching the topic, playing all kinds of awful games, and producing the videos. Seems reasonable, doesn't it? Even if you don't like the idea - or don't believe that women are poorly represented in games (in which case, you would be wrong) - then isn't it fine for other people to give money to something they believe in?

Except some kind of Bastard Klaxon went off somewhere in the dank, moist depths of the internet. An angry misogynist Bat Signal, if you will. (It looks like those charming chaps at 4Chan might have had something to do it.)

In Sarkeesian's own words:

The intimidation and harassment effort has included a torrent of misogyny and hate speech on my YouTube video, repeated vandalizing of the Wikipedia page about me, organized efforts to flag my YouTube videos as "terrorism", as well as many threatening messages sent through Twitter, Facebook, Kickstarter, email and my own website.  These messages and comments have included everything from the typical sandwich and kitchen "jokes" to threats of violence, death, sexual assault and rape.  All that plus an organized attempt to report this project to Kickstarter and get it banned or defunded.

Let's take a look at that Wikipedia page, shall we?

As the pixellated pinkness might suggest, that's what tabloids call a "sex act" happening in the top corner. There are also references to Sarkeesian being "of Jewish descent", an "entitled nigger" and having a "masters degree in Whining" (because why stick to one prejudice, when you can have them all?) More than a dozen IP addresses contributed to this vandalism before the page was locked.

Meanwhile, her YouTube video attracted more than 5,000 comments, the majority of them of a, shall we say, unsupportive nature. The c-word got a lot of exercise, as did comments about her personal appearance, and a liberal sprinkling of threats of violence. 

Sarkeesian archived a picture of the abuse, and you can find it here. I'm sorry to subject you to it, but I think it's important that you see the kind of stuff you can get called for the crime of Being A Woman On The Internet. Shall we play sexism bingo? Here goes:

Tits or GTFO

You're a bolshevik feminist Jewess

LESBIANS: THE GAME is all this bitch wants

Why do you put on make-up, if everything is sexism? ... You are a hypocrite fucking slut.

Would be better if she filmed this in the kitchen.

I'll donate $50 if you make me a sandwich

... and so it goes on. The only light relief is this one, because I don't think this is quite the threat this chap thinks it is:

Sarkeesian decided to leave the comments on her video, as proof that such sexism exists. I think it's important that she did, because too often the response to stories like this, "Come on, it can't be that bad". There are two reasons for this: first, that if you don't experience this kind of abuse, it's difficult to believe it exists (particularly if you're a man and this just isn't part of your daily experience). Secondly, because news reports don't print the bad words. We've got into a weird situation where you have to get a TV channel controller to sign off a comedian using the word "cunt" after 9pm, but on the internet, people spray it round like confetti. We read almost-daily reports of "trolls" being cautioned or even jailed, but often have no idea what they've said. 

This story should be shared for several reasons. The first is that a horrible thing happened to Anita Sarkeesian. She did nothing to deserve the torrent of abuse, and the concerted attempts to wreck her online presence. It's not the first time this happened: Bioware's Jennifer Hepler was similarly hounded out of town for expressing some fairly innocuous statements about videogames. Every time this happens, more women get the message: speak up, and we will come for you. We'll try to ruin your life, tear you apart, for having an opinion.

The second reason this story deserves wider attention is that in Britain, a law is being debated which will encourage service providers to identify internet trolls, without their victims having to resort to costly legal action. Until now, the perception has been that you can say anything you like on the internet, without any consequences. Recent cases, such as that of Liam Stacey (jailed for mocking footballer Fabrice Muamba) show that is getting less and less true.

A man who targeted Louise Mensch was yesterday given a suspended sentence, and banned from contacting a list of celebrities. Few papers reported Frank Zimmerman's full remarks, with the notable exception of The Guardian: they included a reference to the film Sophie's Choice, in which a mother is forced to choose which of her children dies, and the following: "We are Anonymous and we do not like rude cunts like you and your nouveau riche husband Peter Mensch...  So get off Twitter. We see you are still on Twitter. We have sent a camera crew to photograph you and your kids and we will post it over the net including Twitter, cuntface. You now have Sophie's Choice: which kid is to go. One will. Count on it cunt. Have a nice day."

We can argue all day about the sentence handed to Liam Stacey, but Frank Zimmerman made an unequivocal threat. He no more deserves anonymity than those who targeted Anita Sarkeesian with rape and death threats. But, of course, they will never be found out.

I said at the top of this blog post that something wonderful happened on the internet this week, at the same time as something awful. You'll be pleased to know that Anita Sarkeesian's Kickstarter project has gained 2,301 backers and a total of $55,671 at the time of writing. It's more than enough for her to make a whole series of shows about tropes and women in games, and luckily, she still plans to do so despite all the abuse

I am certainly not the first woman to suffer this kind of harassment and sadly, I won’t be the last. But I’d just like to reiterate that this is not a trivial issue. It can not and should not be brushed off by saying, “oh well that’s YouTube for you“, “trolls will be trolls” or “it’s to be expected on the internet”. These are serious threats of violence, harassment and slander across many online platforms meant to intimidate and silence. And its not okay. Again, don't worry, this harassment will never stop me from making my videos! Thank you for all your support!

Anita Sarkeesian in her Kickstarter video.

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

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Sadiq Khan's decision to scrap the Garden Bridge is a victory for ordinary Londoners

Perhaps the rich really do want to give something back to London. If they do, I'm sure it'll be lovely. But if they don't, I'm bloody glad I don't have to pay for it.

The obvious question about the Garden Bridge is: where did it all go wrong?

The bridge, after all, should have been a lovely addition to the fabric of the city. An oasis of greenery in an area devoid of it, a new way of crossing the river and a new tourist attraction, akin to New York's High Line, all rolled into one. The Garden Bridge was not like the hilariously pointless “Emirates Air Line”, the cable car to nowhere which is even now ferrying empty pods between two windswept ex-industrial estates in a deserted bit of east London, like one of the follies listed by Marge Simpson at the end of Marge vs the Monorail. The Garden Bridge should have been great.

Yet in the years since it was first proposed, it's sunk further and further into controversy. The Garden Bridge Trust, the charity responsible for getting it built, has failed to raise enough money or acquire the land required to start construction before planning permission runs out this December. Official reports have repeatedly raised questions about the Trust's financial plans.

And today's news that London's mayor Sadiq Khan has written to the Garden Bridge Trust to tell it that the taxpayer would not provide the financial guarantees required for work to continue – effectively killing the scheme – is more likely to be celebrated than mourned. So how did something so lovely end up so loathed?

The obvious explanation is the growing sense that the whole thing has been a bit of a con. When first the bridge was proposed, the intention was that it would be largely privately funded, with just a smidgen of Transport for London money required to get things moving.

The longer things went on, though, the more the ratio between those two sources of funding seemed to change. The predicted cost of the bridge continued to climb; yet the amount of money promised by private donors first flatlined, then began to slide.

So the amount of cash the taxpayer was going to have to put into this thing soared, with no end in sight: without a clear plan for funding the upkeep and maintenance of the bridge, it seemed likely to become a permanent line in the capital's own budget. As a result what had once been pitched as a gift to London began looking more and more like a pointless indulgence we would have to pay for ourselves. It felt like we’d been had.

But I think there's another, more philosophical reason why a lovely idea like a Garden Bridge should have become so unpopular: it fitted with a lingering sense that something has gone terribly wrong with this city.

We are, after all, in the middle of a housing crisis, which is seeing even relatively well-off people forced out of the city, and which has forced untold numbers to live in tiny under-regulated patches of squalor. The official definition of “Affordable Housing” has become a bad joke, yet new housing developments bend over backwards to avoid making even this limited provision. And in the midst of all this, the most visible property developments aren't much-needed homes for the masses, but commercial skyscrapers and luxury apartments.

Contemporary London prides itself on its tolerance and diversity and the way different social classes are all jumbled up together, without any of the ghettoisation seen in, say, Paris. Yet huge chunks of what look like public space are now private estates, often patrolled by private security. In our flattering, metropolitan liberal self-image, this isn't what London is meant to be.

It was, however, exactly what the Garden Bridge was going to be: a private garden masquerading as public space, yet funded by the taxpayer. The people most determined to see it built were a flotilla of rich, posh people: Boris Johnson, George Osborne, Thomas Heatherwick, Joanna Lumley. They were not us, but them – yet still they expected us to pay for it.

And then, once in a while, the bridge would close so that an investment bank or a private equity firm could throw a garden party, drinking champagne and eating canapes in full view of London as a whole, on a bridge we paid for but which we were not allowed to cross.

Perhaps the project isn't dead. Perhaps the Garden Bridge Trust will somehow find enough donors to get it finished without taxpayer support, and even find a way of funding its upkeep. Perhaps the rich really do want to give something back to London. If they do, I'm sure it'll be lovely.

But if they don't, I'm bloody glad we will no longer have to pay for it. This city has quite enough symbols of economic division as it is.

Jonn Elledge is the editor of CityMetric, where this blog post was originall published. He is on Twitter as @jonnelledge and also has a Facebook page now for some reason. 

 

Jonn Elledge edits the New Statesman's sister site CityMetric, and writes for the NS about subjects including politics, history and Daniel Hannan. You can find him on Twitter or Facebook.

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