I love you video games, so why do you keep doing this?

Sexy, sexy sexism in the <i>Hitman: Absolution</i> trailer.

 

Gamers get really, really angry when you characterise them as mouth-breathing adolescent boys who’ve never kissed a real-life girl. And rightly so: according to Jane McGonigal, one in four gamers is over 50, and 40 per cent are women. Three of the big games of last winter – Gears of War 3, Uncharted 3 and Deus Ex: Human Revolution – were written by women

And then along comes something like this. I don't mind the Hitman games, although they've come in for a lot of flak in the past for their high levels of violence (remember, only 5 per cent of games get an 18 rating). But it now seems that 12 years after the start of the franchise, it's not just Agent 47 who's looking tired.

The new trailer for Hitman: Absolution, released this week, could be used as a teaching aid if anyone were to give a class on "Boring, Lazy, Stereotypes about Women in Video Games" (it would be a very long class).  

The plot of the trailer, such as it is, runs like this. Hitman is hiding out in a motel. The world's least successfully disguised troupe of assassins come for him and he vanquishes them with his chiselled, yet emotionally repressed, combat moves.

First, there's the whole nun thing. Is this Grand Theft Auto: Ann Summers? Surely the whole point of being a troupe of deadly assassins is that you blend in with your surroundings? You wouldn't catch Ezio Auditore prancing round medieval Italy in a gimp suit. Do these women specialise in contract killings on hen nights?

Then there's the shot selection. Chapter 2 in my mythical games class on this trailer would be headed "The Male Gaze". I could have storyboarded this trailer just from the words "sexy nuns". So, first shot: Nuns. Second shot: Suggestion that these AREN'T REAL NUNS, GUYS. (Done by showing a close-up of a very, very high heeled boot. Because, you know, assassins never worry about practicality over style.) Third shot: taking off the nun robes. Fourth shot: what I am going to christen Walking Bottom. There it is, at 42 seconds, the absolutely cast-iron signifier of a game developer working one-handed. 

If I had a pound for every game I've seen where the female characters walks in, and the camera follows her gently wobbling buttocks into shot, rather than her face, I'd have at least 23 quid. Maybe 24.

From then on, it's all squeaky pleather and violent shooting, as the Hitman despatches the flock of faux-nuns. Did you know it was possible to die in a sexy way? These ladies try their hardest. 

By the end of the trailer, I was feeling utterly depressed that once again the games industry was perpetuating the idea that men are doers, and women are for looking pretty. The only thing that cheered me up was imagining how this trailer would look with the genders reversed. Seriously, try to imagine it. Then you'll realise how ridiculous this sort of thing is.

Walking Bottom: Please stop doing this shot, videogame developers.

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

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Voters are turning against Brexit but the Lib Dems aren't benefiting

Labour's pro-Brexit stance is not preventing it from winning the support of Remainers. Will that change?

More than a year after the UK voted for Brexit, there has been little sign of buyer's remorse. The public, including around a third of Remainers, are largely of the view that the government should "get on with it".

But as real wages are squeezed (owing to the Brexit-linked inflationary spike) there are tentative signs that the mood is changing. In the event of a second referendum, an Opinium/Observer poll found, 47 per cent would vote Remain, compared to 44 per cent for Leave. Support for a repeat vote is also increasing. Forty one per cent of the public now favour a second referendum (with 48 per cent opposed), compared to 33 per cent last December. 

The Liberal Democrats have made halting Brexit their raison d'être. But as public opinion turns, there is no sign they are benefiting. Since the election, Vince Cable's party has yet to exceed single figures in the polls, scoring a lowly 6 per cent in the Opinium survey (down from 7.4 per cent at the election). 

What accounts for this disparity? After their near-extinction in 2015, the Lib Dems remain either toxic or irrelevant to many voters. Labour, by contrast, despite its pro-Brexit stance, has hoovered up Remainers (55 per cent back Jeremy Corbyn's party). 

In some cases, this reflects voters' other priorities. Remainers are prepared to support Labour on account of the party's stances on austerity, housing and education. Corbyn, meanwhile, is a eurosceptic whose internationalism and pro-migration reputation endear him to EU supporters. Other Remainers rewarded Labour MPs who voted against Article 50, rebelling against the leadership's stance. 

But the trend also partly reflects ignorance. By saying little on the subject of Brexit, Corbyn and Labour allowed Remainers to assume the best. Though there is little evidence that voters will abandon Corbyn over his EU stance, the potential exists.

For this reason, the proposal of a new party will continue to recur. By challenging Labour over Brexit, without the toxicity of Lib Dems, it would sharpen the choice before voters. Though it would not win an election, a new party could force Corbyn to soften his stance on Brexit or to offer a second referendum (mirroring Ukip's effect on the Conservatives).

The greatest problem for the project is that it lacks support where it counts: among MPs. For reasons of tribalism and strategy, there is no emergent "Gang of Four" ready to helm a new party. In the absence of a new convulsion, the UK may turn against Brexit without the anti-Brexiteers benefiting. 

George Eaton is political editor of the New Statesman.