Hoo-has and passing frenzies

Why do books about female sexuality always end up with such terrifying covers?

So, here's the thing. Naomi Wolf has written a book about vaginas (or should that be vaginae, Latin nerds?) which comes out this autumn. It's sure to be much talked about, particularly as it promises to "radically reframe how we understand the vagina".

There's only one problem, and if your eye has already started to stray down this page, you'll know what it is. Books about female sexuality obviously can't put a picture of what they're about on the cover; there would be carnage at WH Smith's. So instead they rely on pictures of buds, flowers or figs, or suggestive ovals filled with stuff.

And oh look, here's the provisional Wolf cover on Amazon UK. Look, it's a lovely flower, unfurling:

But if you think that's twee, how about this? Erica Jong's book about sex, Sugar In My Bowl, is illustrated with a picture that makes me think of a poor woman going to the bathroom and three packets of Skittles falling out of her pants.

OK, so you want to avoid twee . . . Why not go for shudder-inducing instead? These ladies want you to read their lips. Their green, fuzzy, dew-dappled lips.

Now, this one might be my favourite. Who knew a pair of purses could make a person feel profoundly uncomfortable?

Then there's the frankly baffling. I don't think this a symbol of female genitalia, but by this point I'm just not sure.

If all this flower-and-fruit fiesta leaves you cold, why not go minimalist? Here's Vaginas: An Owner's Manual.

(Quick digression: why does Candice "Carrie Bradshaw" Bushnell think every woman needs an "owner's manual" for their vagina? Do they break down often? do the AA not cover them?)

Mm, appreciate the purity of the pink slit.

Then think to yourself: this looks like a paper cut. Ouch.

Even the French love a fig-based metaphor. This is global:

The long and short of it is that there is, apparently, no way to illustrate a book about hoo-has without coming across as either a tittering idiot, a speculum-wielding literalist or a wafty hippyish obfuscator.

And so on to my absolute favourite, which hits all the boxes: terrible punning title, big juicy fig (update: papaya?), and then adds in a little something magic.

A vague looming banana. Brilliant.

 

UPDATE

Here are a few submissions from readers. First, behold a new metaphorical fruit, the avocado:

More unfurling buds, via @SamCarelse

And to prove even album covers aren't immune, this from @questingvole

And to show that things are just as bad for boys when it comes to BAD FRUIT METAPHORS:

Do you think that's how Sadie's friends introduce her to strangers? "Have you met Sadie - she's a Penis Genius, you know!"

Finally, a suggestive book cover that is actually rather thoughtful and clever (Shock! Horror!), via @lcdabdoujaparov

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

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Let's face it: supporting Spurs is basically a form of charity

Now, for my biggest donation yet . . .

I gazed in awe at the new stadium, the future home of Spurs, wondering where my treasures will go. It is going to be one of the architectural wonders of the modern world (football stadia division), yet at the same time it seems ancient, archaic, a Roman ruin, very much like an amphitheatre I once saw in Croatia. It’s at the stage in a new construction when you can see all the bones and none of the flesh, with huge tiers soaring up into the sky. You can’t tell if it’s going or coming, a past perfect ruin or a perfect future model.

It has been so annoying at White Hart Lane this past year or so, having to walk round walkways and under awnings and dodge fences and hoardings, losing all sense of direction. Millions of pounds were being poured into what appeared to be a hole in the ground. The new stadium will replace part of one end of the present one, which was built in 1898. It has been hard not to be unaware of what’s going on, continually asking ourselves, as we take our seats: did the earth move for you?

Now, at long last, you can see what will be there, when it emerges from the scaffolding in another year. Awesome, of course. And, har, har, it will hold more people than Arsenal’s new home by 1,000 (61,000, as opposed to the puny Emirates, with only 60,000). At each home game, I am thinking about the future, wondering how my treasures will fare: will they be happy there?

No, I don’t mean Harry Kane, Danny Rose and Kyle Walker – local as well as national treasures. Not many Prem teams these days can boast quite as many English persons in their ranks. I mean my treasures, stuff wot I have been collecting these past 50 years.

About ten years ago, I went to a shareholders’ meeting at White Hart Lane when the embryonic plans for the new stadium were being announced. I stood up when questions were called for and asked the chairman, Daniel Levy, about having a museum in the new stadium. I told him that Man United had made £1m the previous year from their museum. Surely Spurs should make room for one in the brave new mega-stadium – to show off our long and proud history, delight the fans and all those interested in football history and make a few bob.

He mumbled something – fluent enough, as he did go to Cambridge – but gave nothing away, like the PM caught at Prime Minister’s Questions with an unexpected question.

But now it is going to happen. The people who are designing the museum are coming from Manchester to look at my treasures. They asked for a list but I said, “No chance.” I must have 2,000 items of Spurs memorabilia. I could be dead by the time I finish listing them. They’ll have to see them, in the flesh, and then they’ll be free to take away whatever they might consider worth having in the new museum.

I’m awfully kind that way, partly because I have always looked on supporting Spurs as a form of charity. You don’t expect any reward. Nor could you expect a great deal of pleasure, these past few decades, and certainly not the other day at Liverpool when they were shite. But you do want to help them, poor things.

I have been downsizing since my wife died, and since we sold our Loweswater house, and I’m now clearing out some of my treasures. I’ve donated a very rare Wordsworth book to Dove Cottage, five letters from Beatrix Potter to the Armitt Library in Ambleside, and handwritten Beatles lyrics to the British Library. If Beckham and I don’t get a knighthood in the next honours list, I will be spitting.

My Spurs stuff includes programmes going back to 1910, plus recent stuff like the Opus book, that monster publication, about the size of a black cab. Limited editions cost £8,000 a copy in 2007. I got mine free, as I did the introduction and loaned them photographs. I will be glad to get rid of it. It’s blocking the light in my room.

Perhaps, depending on what they want, and they might take nothing, I will ask for a small pourboire in return. Two free tickets in the new stadium. For life. Or longer . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times