Hoo-has and passing frenzies

Why do books about female sexuality always end up with such terrifying covers?

So, here's the thing. Naomi Wolf has written a book about vaginas (or should that be vaginae, Latin nerds?) which comes out this autumn. It's sure to be much talked about, particularly as it promises to "radically reframe how we understand the vagina".

There's only one problem, and if your eye has already started to stray down this page, you'll know what it is. Books about female sexuality obviously can't put a picture of what they're about on the cover; there would be carnage at WH Smith's. So instead they rely on pictures of buds, flowers or figs, or suggestive ovals filled with stuff.

And oh look, here's the provisional Wolf cover on Amazon UK. Look, it's a lovely flower, unfurling:

But if you think that's twee, how about this? Erica Jong's book about sex, Sugar In My Bowl, is illustrated with a picture that makes me think of a poor woman going to the bathroom and three packets of Skittles falling out of her pants.

OK, so you want to avoid twee . . . Why not go for shudder-inducing instead? These ladies want you to read their lips. Their green, fuzzy, dew-dappled lips.

Now, this one might be my favourite. Who knew a pair of purses could make a person feel profoundly uncomfortable?

Then there's the frankly baffling. I don't think this a symbol of female genitalia, but by this point I'm just not sure.

If all this flower-and-fruit fiesta leaves you cold, why not go minimalist? Here's Vaginas: An Owner's Manual.

(Quick digression: why does Candice "Carrie Bradshaw" Bushnell think every woman needs an "owner's manual" for their vagina? Do they break down often? do the AA not cover them?)

Mm, appreciate the purity of the pink slit.

Then think to yourself: this looks like a paper cut. Ouch.

Even the French love a fig-based metaphor. This is global:

The long and short of it is that there is, apparently, no way to illustrate a book about hoo-has without coming across as either a tittering idiot, a speculum-wielding literalist or a wafty hippyish obfuscator.

And so on to my absolute favourite, which hits all the boxes: terrible punning title, big juicy fig (update: papaya?), and then adds in a little something magic.

A vague looming banana. Brilliant.

 

UPDATE

Here are a few submissions from readers. First, behold a new metaphorical fruit, the avocado:

More unfurling buds, via @SamCarelse

And to prove even album covers aren't immune, this from @questingvole

And to show that things are just as bad for boys when it comes to BAD FRUIT METAPHORS:

Do you think that's how Sadie's friends introduce her to strangers? "Have you met Sadie - she's a Penis Genius, you know!"

Finally, a suggestive book cover that is actually rather thoughtful and clever (Shock! Horror!), via @lcdabdoujaparov

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

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New Digital Editor: Serena Kutchinsky

The New Statesman appoints Serena Kutchinsky as Digital Editor.

Serena Kutchinsky is to join the New Statesman as digital editor in September. She will lead the expansion of the New Statesman across a variety of digital platforms.

Serena has over a decade of experience working in digital media and is currently the digital editor of Newsweek Europe. Since she joined the title, traffic to the website has increased by almost 250 per cent. Previously, Serena was the digital editor of Prospect magazine and also the assistant digital editor of the Sunday Times - part of the team which launched the Sunday Times website and tablet editions.

Jason Cowley, New Statesman editor, said: “Serena joins us at a great time for the New Statesman, and, building on the excellent work of recent years, she has just the skills and experience we need to help lead the next stage of our expansion as a print-digital hybrid.”

Serena Kutchinsky said: “I am delighted to be joining the New Statesman team and to have the opportunity to drive forward its digital strategy. The website is already established as the home of free-thinking journalism online in the UK and I look forward to leading our expansion and growing the global readership of this historic title.

In June, the New Statesman website recorded record traffic figures when more than four million unique users read more than 27 million pages. The circulation of the weekly magazine is growing steadily and now stands at 33,400, the highest it has been since the early 1980s.