Helen, 28, has some thoughts on Page 3

Women's groups appear at the Leveson inquiry to talk about media sexism.

Woe betide any woman who dares complain about sexism in the media. When Clare Short first protested about Page 3 girls in 1986, she was monstered -- and The Sun was still harassing her a decade and a half later when the subject came up again. In 2003, she recounted in her autobiography, the paper mocked up pictures of her as "a very fat page 3 girl" and sent what it would probably refer to as "scantily clad lovelies" to the house she shared with her 84-year-old mother. "It is hard not to conclude that The Sun sets out to frighten anyone who might dare to agree that such pictures should be removed from newspapers," she wrote.

Nearly another decade on, and representatives from four women's groups appeared at the Leveson Inquiry into press standards and ethics to talk about how much things had changed. (Joke!)

Their testimony made for depressing viewing: Page 3 girls are cutesy cheesecake compared with the "upskirt shots" and "nipple slips" that hordes of photographers follow young women round in the hope of capturing for today's papers and celebrity websites.

Google (if you dare) the final edition of the Daily Sport from April, where the entire front page is taken up with a borderline gynaecological view of Cheryl Cole taken by the paper's "dwarf paparazzo" Pete. The Sport might have gone the way of the dodo but its approach to female celebrity genitalia (ie to be as close as possible to them, preferably with a wide-angle lens) lives on in a dozen celebrity websites with charming names such as Drunken Stepfather.

The Daily Mail's website, meanwhile, is a vast, teetering edifice of wardrobe malfunctions and women "flaunting their bikini bodies", even as the paper itself gets its chastity belt in a twist over "X Factor raunch" and Irene Adler in the nip on Sherlock.

Of course, it's not just a few jaunty nipples: it's a pervasive press culture where women are routinely naked, their bodies pored over, found wanting, and put up for grabs as a subject for public discussion. You can't escape by dressing sensibly: only this week, a photograph of Theresa May in a sober skirt and jacket was reproduced alongside an article which wondered how she could be taken seriously while going for a "cover girl look".

One of the most astonishing lines to come out of Leveson was that the evidence offered - from British papers, available at your friendly local newsagent alongside the fruit pastilles - was censored by the inquiry lawyers, so explicit were its depictions of women. You certainly wouldn't want to open that front page of the Sport on your monitor at work -- it's so NSFW I haven't linked to it -- so god knows how parents felt hustling their children past it on the news stand.

One of the suggestions made, by Anna Van Heeswijk of Object, was that the papers should observe some form of watershed, in the same way that broadcasters do (almost all British newspapers and magazines get very f***ing queasy about bad language, after all).

While there might need to be allowances made for images with significant news value - I'm thinking of the pictures of a dead Colonel Gaddafi, which proved the tyrant was toppled - there's a germ of a good idea there: and although the Sun might squeal, how could the Mail object? Or, as the supremely patronising News in Briefs column might put it: "Helen, 28, from London, thinks that if you're going to complain about tits on telly, you shouldn't be allowed to use them to flog your paper."

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

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How the internet has democratised pornography

With people now free to circumvent the big studios, different bodies, tastes and even pubic hair styles are being represented online.

Our opinions and tastes are influenced by the media we consume: that much is obvious. But although it’s easy to have that conversation if the medium we are discussing is “safe for work”, pornography carries so much stigma that we only engage with it on simple terms. Porn is either “good” or “bad”: a magical tool for ­empowerment or a destructive influence on society. Many “pro-porn” campaigners shy away from nuanced critique, fearing it could lead to censorship. “Anti-porn” campaigners, convinced that porn is harmful by definition, need look no further than the mainstream tube sites – essentially, aggregators of clips from elsewhere – to gather examples that will back them up.

When we talk about the influence of porn, the emphasis is usually on a particular type of video – hardcore sex scenes featuring mostly slim, pubic-hairless women and faceless men: porn made for men about women. This kind of porn is credited with everything from the pornification of pop music to changing what we actually do in bed. Last year the UK government released a policy note that suggested porn was responsible for a rise in the number of young people trying anal sex. Although the original researcher, Cicely Marston, pointed out that there was no clear link between the two, the note prompted a broad debate about the impact of porn. But in doing so, we have already lost – by accepting a definition of “porn” shaped less by our desires than by the dominant players in the industry.

On the day you read this, one single site, PornHub, will get somewhere between four and five million visits from within the UK. Millions more will visit YouPorn, Tube8, Redtube or similar sites. It’s clear that they’re influential. Perhaps less clear is that they are not unbiased aggregators: they don’t just reflect our tastes, they shape what we think and how we live. We can see this even in simple editorial decisions such as categorisation: PornHub offers 14 categories by default, including anal, threesome and milf (“mum I’d like to f***”), and then “For Women” as a separate category. So standard is it for mainstream sites to assume their audience is straight and male that “point of view” porn has become synonymous with “top-down view of a man getting a blow job”. Tropes that have entered everyday life – such as shaved pubic hair – abound here.

Alongside categories and tags, tube sites also decide what you see at the top of their results and on the home page. Hence the videos you see at the top tend towards escalation to get clicks: biggest gang bang ever. Dirtiest slut. Horniest milf. To find porn that doesn’t fit this mould you must go out of your way to search for it. Few people do, of course, so the clickbait gets promoted more frequently, and this in turn shapes what we click on next time. Is it any wonder we’ve ended up with such a narrow definition of porn? In reality, the front page of PornHub reflects our desires about as accurately as the Daily Mail “sidebar of shame” reflects Kim Kardashian.

Perhaps what we need is more competition? All the sites I have mentioned are owned by the same company – MindGeek. Besides porn tube sites, MindGeek has a stake in other adult websites and production companies: Brazzers, Digital Playground, Twistys, PornMD and many more. Even tube sites not owned by MindGeek, such as Xhamster, usually follow the same model: lots of free content, plus algorithms that chase page views aggressively, so tending towards hardcore clickbait.

Because porn is increasingly defined by these sites, steps taken to tackle its spread often end up doing the opposite of what was intended. For instance, the British government’s Digital Economy Bill aims to reduce the influence of porn on young people by forcing porn sites to age-verify users, but will in fact hand more power to large companies. The big players have the resources to implement age verification easily, and even to use legislation as a way to expand further into the market. MindGeek is already developing age-verification software that can be licensed to other websites; so it’s likely that, when the bill’s rules come in, small porn producers will either go out of business or be compelled to license software from the big players.

There are glimmers of hope for the ethical porn consumer. Tube sites may dominate search results, but the internet has also helped revolutionise porn production. Aspiring producers and performers no longer need a contract with a studio – all that’s required is a camera and a platform to distribute their work. That platform might be their own website, a dedicated cam site, or even something as simple as Snapchat.

This democratisation of porn has had positive effects. There’s more diversity of body shape, sexual taste and even pubic hair style on a cam site than on the home page of PornHub. Pleasure takes a more central role, too: one of the most popular “games” on the webcam site Chaturbate is for performers to hook up sex toys to the website, with users paying to try to give them an orgasm. Crucially, without a studio, performers can set their own boundaries.

Kelly Pierce, a performer who now works mostly on cam, told me that one of the main benefits of working independently is a sense of security. “As long as you put time in you know you are going to make money doing it,” she said. “You don’t spend your time searching for shoots, but actually working towards monetary gain.” She also has more freedom in her work: “You have nobody to answer to but yourself, and obviously your fans. Sometimes politics comes into play when you work for others than yourself.”

Cam sites are also big business, and the next logical step in the trickle-down of power is for performers to have their own distribution platforms. Unfortunately, no matter how well-meaning your indie porn project, the “Adult” label makes it most likely you’ll fail. Mainstream payment providers won’t work with adult businesses, and specialist providers take a huge cut of revenue. Major ad networks avoid porn, so the only advertising option is to sign up to an “adult” network, which is probably owned by a large porn company and will fill your site with bouncing-boob gifs and hot milfs “in your area”: exactly the kind of thing you’re trying to fight against. Those who are trying to take on the might of Big Porn need not just to change what we watch, but challenge what we think porn is, too.

The internet has given the porn industry a huge boost – cheaper production and distribution, the potential for more variety, and an influence that it would be ridiculous to ignore. But in our failure properly to analyse the industry, we are accepting a definition of porn that has been handed to us by the dominant players in the market.

Girl on the Net writes one of the UK’s most popular sex blogs: girlonthenet.com

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times