What can the Leveson Inquiry do about the paparazzi?

While the rest of the press practises its "contrite face", the paps are unabashed.

How low can the paparazzi go? The lower the better, in the case of the "upskirt" shot beloved of the bottom reaches of the tabloid press. There's an incredible scene in a Channel 4 documentary about the Sunday Sport in which the paper hires a dwarf photographer for exactly this purpose, and he still had to lie on the floor to get the required amount of groin in the frame. (At his job interview, the tact and sensitivity you'd expect from a paper that ran the headline "Rose West ate my guinea pig" was on full display. "Can we call you Phil the Mighty Midget?" asked one of the journalists. "I'm not a midget," Phil replied, stonily. He was eventually named the "Dynamo Dwarf".)

On Fleet Street, the "paps" have long been regarded as the wildest tribe of all - hunting as a pack, spending weeks camped outside celebrities' houses, or employing ever more unwieldy lenses to capture the unwary in an unflattering bikini. A hand-held 300mm camera can provide decent pictures at more than 100 metres, but if you've got a bigger lens, a teleconverter, a tripod and a bit of patience, you can record the special moment an American reality TV star pulls her knickers out of her bum crack from more than a quarter of a kilometre away.

Back to pap

Even as the rest of Fleet Street has been sobering up and practising its "contrite face", the role of the paparazzi has been ignored. It's as if, having had our fit of guilt in the wake of Diana's death, we've used up our quota of outrage. But the paps are still using many of the tactics that troubled us then. There's a photo of the day of Amy Winehouse's funeral, with a knot of photographers wobbling on stepladders, the better to get a shot over the wall of Golders Green Crematorium.

In his evidence to the Leveson inquiry into press standards on 21 November, Hugh Grant has written of the experience of Tinglan Hong, the mother of his baby. He says that photographers "besieged" her house, "ringing repeatedly at her door". As he said: "I asked them if there was anything I could do or say to make them leave a new and frightened young mother in peace. They said: 'show us the baby'. I refused."

After trying the Press Complaints Commission - it circulated a warning to editors, which apparently deterred some, but not all, of the photographers - Grant successfully applied for an injunction against them.

The NS's legal correspondent, David Allen Green, speculated that while the PCC ruling might have made newspaper editors call off the hunt, it was unlikely to have the same effect on photo agencies and freelance paparazzi: "the intrusions - and risks - are effectively outsourced on a commercial basis by the tabloids".

It is worth noting that the impetus for the Leveson inquiry - phone-hacking at the News of the World - was also caused by a paper "outsourcing" legally and ethically dubious tactics, in this case to private investigators. Any press reform must tackle not just the sitting targets of Fleet Street, but the shifting, quicksilver world of those they pay to do their dirty work for them.

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

This article first appeared in the 28 November 2011 issue of the New Statesman, The rise of the muslim brotherhood

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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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