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"Twitter, at its worst, is a megaphone for lunatics"

Rob Brydon on Steve Coogan, Hackgate and the perils of celebrity.

Your new autobiography, Small Man in a Book, ends just as you become successful. Why?
It was a good dramatic point to end, at the age of 35, at the British Comedy Awards, which I used to watch year in, year out. When I first became successful, I was surprised people talked about my struggle. Being on the inside looking out, I didn't see it that way. Now I see it - with the way I was scraping along and how much debt I was in, if I were looking at it from the outside, I'd say, "Maybe it's not for you."

Was there a moment when it all went right?
I made the decision to leave college and work in radio, which sent me off that road. I often wonder where I would be now, if I'd not done that.

You starred in The Trip with Steve Coogan. Who had the harder role?
I think Steve's is more attractive - it's more dramatic, more introspective. But lightness is underestimated, in my opinion.

Why did that show work so well?
The age thing was very important; we were 45, starting to feel the effects of middle age on our body. And the slow pace - Michael [Winterbottom, director] is remarkable. Of all the creative people I've known, he has least regard for his audience, in a good way: he just tells his story.

Have you seen Coogan's campaign on phone-hacking and the tabloids - and his attacks on the Daily Mail's editor, Paul Dacre?
Of course. And the Mail followed it up, with the most awful photo of Steve it is possible to find. I love the choosing of photographs in newspaper articles. It's laughable, but people eat it up.

Did you see him thundering on Newsnight?
I did. Whatever you think of Steve, and I'd be the first to say he's objectionable on many levels, he stands up for what he believes in. It's remarkable to watch someone like [the ex-News of the World executive] Paul McMullan, who said: “If we catch a few corporate wrongdoers then you're a price worth paying." Whoa! What, a few innocents get killed? No! "You're happy to walk down the red carpet . . . you should be happy to be hacked." It's like saying: "You were happy to get into the taxi driver's car; he took you to Deptford where you wanted to go - yes, he assaulted you along the way, but it's a bit rich for you to complain." And there was so much envy in his tone. If you envy that, go and do it, Paul McMullan! Go and be an actor.

But some celebrities do play the system.
That's something else. We're talking about artists or performers. The others are marketing people, publicists, showmen. What I've never understood about some sections of the press [is] how you live with yourself knowing what you're doing is going to wilfully upset . . . people with feelings and families. We're not talking about war criminals here.

Do you ever wish you took more serious roles?
Not especially. I don't take that view of the dramatic inherently having more worth than the comic. I made a conscious decision about four years ago that I was just going to do what I liked.

Why is there snobbery about comedy?
Those people can fuck off. Only this morning I read on Twitter -

You don't read your @s, do you?
No. I stopped looking myself up. At its best, Twitter is a lovely community. At its worst, it's a megaphone for lunatics.

Are you tempted to reply?
I don't think I've ever succumbed. It comes back to not viewing you as a human being. You're that bloke on the telly; you're advertising breakfast cereal. The assumption is that you've got money coming out of your arse.

In the book, you talk about how the nature of laughter has changed since the 1970s and become more self-aware. Why has it?
Now, there are 57 channels and nothing on. Then, there was a gratitude that came from [knowing] we haven't got much choice here. That has to change the relationship to some degree between audience and performer, it has to.

Who are your influences?
I'm wary of someone who says, "I don't have any influences." Bollocks, you're just too up your own arse to admit that. We don't want to bang on about me, but certainly I can see all mine when I'm on stage: Ronnie Corbett, Barry Humphries, Dudley Moore, Jackie Mason, Woody Allen. Sometimes I feel like a big fraud.

Was there a plan for your career?
I wanted to be funny and entertain. That word's got a bad rap. I listened to Michael McIntyre talking about the stick he gets. People say, "Oh, he just points things out." Well, all right, you go and point things out.

Is there anything you regret?
Good lord, yes. A million things.

Are we all doomed?
Yes, we're all going to die. As a father, I feel bad saying that, as you always want to put a good face on for your kids. But it was ever thus.

Defining Moments

1965 Born in Swansea
1985 Leaves Royal Welsh College of Music and Drama for a job at Radio Wales
1989 Moves to London. Becomes presenter of a home-shopping channel
2000 Co-writes Human Remains for BBC. Takes role of Keith in Marion and Geoff
2006 Marries second wife, Claire Holland
2007 Returns to South Wales as Uncle Bryn in the breakthrough Gavin and Stacey
2010 Stars in The Trip with Steve Coogan

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

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The age of loneliness

Profound changes in technology, work and community are transforming our ultrasocial species into a population of loners.

Our dominant ideology is based on a lie. A series of lies, in fact, but I’ll focus on just one. This is the claim that we are, above all else, self-interested – that we seek to enhance our own wealth and power with little regard for the impact on others.

Some economists use a term to describe this presumed state of being – Homo economicus, or self-maximising man. The concept was formulated, by J S Mill and others, as a thought experiment. Soon it became a modelling tool. Then it became an ideal. Then it evolved into a description of who we really are.

It could not be further from the truth. To study human behaviour is to become aware of how weird we are. Many species will go to great lengths to help and protect their close kin. One or two will show occasional altruism towards unrelated members of their kind. But no species possesses a capacity for general altruism that is anywhere close to our own.

With the possible exception of naked mole-rats, we have the most social minds of all mammals. These minds evolved as an essential means of survival. Slow, weak, armed with rounded teeth and flimsy nails in a world of fangs and claws and horns and tusks, we survived through co-operation, reciprocity and mutual defence, all of which developed to a remarkable degree.

A review paper in the journal Frontiers in Psychology observes that Homo economicus  might be a reasonable description of chimpanzees. “Outsiders . . . would not expect to receive offers of food or solicitude; rather, they would be fiercely attacked . . . food is shared only under harassment; even mothers will not voluntarily offer novel foods to their own infants unless the infants beg for them.” But it is an unreasonable description of human beings.

How many of your friends, colleagues and neighbours behave like chimpanzees? A few, perhaps. If so, are they respected or reviled? Some people do appear to act as if they have no interests but their own – Philip Green and Mike Ashley strike me as possible examples – but their behaviour ­attracts general revulsion. The news is filled with spectacular instances of human viciousness: although psychopaths are rare, their deeds fill the papers. Daily acts of kindness are seldom reported, because they are everywhere.

Every day, I see people helping others with luggage, offering to cede their place in a queue, giving money to the homeless, setting aside time for others, volunteering for causes that offer no material reward. Alongside these quotidian instances are extreme and stunning cases. I think of my Dutch mother-in-law, whose family took in a six-year-old Jewish boy – a stranger – and hid him in their house for two years during the German occupation of the Netherlands. Had he been discovered, they would all have been sent to a concentration camp.

Studies suggest that altruistic tendencies are innate: from the age of 14 months, children try to help each other, attempting to hand over objects another child can’t reach. At the age of two, they start to share valued possessions. By the time they are three, they begin to protest against other people’s violation of moral norms.

Perhaps because we are told by the media, think tanks and politicians that competition and self-interest are the defining norms of human life, we disastrously mischaracterise the way in which other people behave. A survey commissioned by the Common Cause Foundation reported that 78 per cent of respondents believe others to be more selfish than they really are.

I do not wish to suggest that this mythology of selfishness is the sole or even principal cause of the epidemic of loneliness now sweeping the world. But it is likely to contribute to the plague by breeding suspicion and a sense of threat. It also appears to provide a doctrine of justification for those afflicted by isolation, a doctrine that sees individualism as a higher state of existence than community. Perhaps it is hardly surprising that Britain, the European nation in which neoliberalism is most advanced, is, according to government figures, the loneliness capital of Europe.

There are several possible reasons for the atomisation now suffered by the supremely social mammal. Work, which used to bring us together, now disperses us: many people have neither fixed workplaces nor regular colleagues and regular hours. Our leisure time has undergone a similar transformation: cinema replaced by television, sport by computer games, time with friends by time on Facebook.

Social media seems to cut both ways: it brings us together and sets us apart. It helps us to stay in touch, but also cultivates a tendency that surely enhances other people’s sense of isolation: a determination to persuade your followers that you’re having a great time. FOMO – fear of missing out – seems, at least in my mind, to be closely ­associated with loneliness.

Children’s lives in particular have been transformed: since the 1970s, their unaccompanied home range (in other words, the area they roam without adult supervision) has declined in Britain by almost 90 per cent. Not only does this remove them from contact with the natural world, but it limits their contact with other children. When kids played out on the street or in the woods, they quickly formed their own tribes, learning the social skills that would see them through life.

An ageing population, family and community breakdown, the decline of institutions such as churches and trade unions, the switch from public transport to private, inequality, an alienating ethic of consumerism, the loss of common purpose: all these are likely to contribute to one of the most dangerous epidemics of our time.

Yes, I do mean dangerous. The stress response triggered by loneliness raises blood pressure and impairs the immune system. Loneliness enhances the risk of depression, paranoia, addiction, cognitive decline, dem­entia, heart disease, stroke, viral infection, accidents and suicide. It is as potent a cause of early death as smoking 15 cigarettes a day, and can be twice as deadly as obesity.

Perhaps because we are in thrall to the ideology that helps to cause the problem, we turn to the market to try to solve it. Over the past few weeks, the discovery of a new American profession, the people-walker (taking human beings for walks), has caused a small sensation in the media. In Japan there is a fully fledged market for friendship: you can hire friends by the hour with whom to chat and eat and watch TV; or, more disturbingly, to pose for pictures that you can post on social media. They are rented as mourners at funerals and guests at weddings. A recent article describes how a fake friend was used to replace a sister with whom the bride had fallen out. What would the bride’s mother make of it? No problem: she had been rented, too. In September we learned that similar customs have been followed in Britain for some time: an early foray into business for the Home Secretary, Amber Rudd, involved offering to lease her posh friends to underpopulated weddings.



My own experience fits the current pattern: the high incidence of loneliness suffered by people between the ages of 18 and 34. I have sometimes been lonely before and after that period, but it was during those years that I was most afflicted. The worst episode struck when I returned to Britain after six years working in West Papua, Brazil and East Africa. In those parts I sometimes felt like a ghost, drifting through societies to which I did not belong. I was often socially isolated, but I seldom felt lonely, perhaps because the issues I was investigating were so absorbing and the work so frightening that I was swept along by adrenalin and a sense of purpose.

When I came home, however, I fell into a mineshaft. My university friends, with their proper jobs, expensive mortgages and settled, prematurely aged lives, had become incomprehensible to me, and the life I had been leading seemed incomprehensible to everyone. Though feeling like a ghost abroad was in some ways liberating – a psychic decluttering that permitted an intense process of discovery – feeling like a ghost at home was terrifying. I existed, people acknowledged me, greeted me cordially, but I just could not connect. Wherever I went, I heard my own voice bouncing back at me.

Eventually I made new friends. But I still feel scarred by that time, and fearful that such desolation may recur, particularly in old age. These days, my loneliest moments come immediately after I’ve given a talk, when I’m surrounded by people congratulating me or asking questions. I often experience a falling sensation: their voices seem to recede above my head. I think it arises from the nature of the contact: because I can’t speak to anyone for more than a few seconds, it feels like social media brought to life.

The word “sullen” evolved from the Old French solain, which means “lonely”. Loneliness is associated with an enhanced perception of social threat, so one of its paradoxical consequences is a tendency to shut yourself off from strangers. When I was lonely, I felt like lashing out at the society from which I perceived myself excluded, as if the problem lay with other people. To read any comment thread is, I feel, to witness this tendency: you find people who are plainly making efforts to connect, but who do so by insulting and abusing, alienating the rest of the thread with their evident misanthropy. Perhaps some people really are rugged individualists. But others – especially online – appear to use that persona as a rationale for involuntary isolation.

Whatever the reasons might be, it is as if a spell had been cast on us, transforming this ultrasocial species into a population of loners. Like a parasite enhancing the conditions for its own survival, loneliness impedes its own cure by breeding shame and shyness. The work of groups such as Age UK, Mind, Positive Ageing and the Campaign to End Loneliness is life-saving.

When I first wrote about this subject, and the article went viral, several publishers urged me to write a book on the theme. Three years sitting at my desk, studying isolation: what’s the second prize? But I found another way of working on the issue, a way that engages me with others, rather than removing me. With the brilliant musician Ewan McLennan, I have written a concept album (I wrote the first draft of the lyrics; he refined them and wrote the music). Our aim is to use it to help break the spell, with performances of both music and the spoken word designed to bring people together –which, we hope, will end with a party at the nearest pub.

By itself, our work can make only a tiny contribution to addressing the epidemic. But I hope that, both by helping people to acknowledge it and by using the power of music to create common sentiment, we can at least begin to identify the barriers that separate us from others, and to remember that we are not the selfish, ruthless beings we are told we are.

“Breaking the Spell of Loneliness” by Ewan McLennan and George Monbiot is out now. For a full list of forthcoming gigs visit:

This article first appeared in the 20 October 2016 issue of the New Statesman, Brothers in blood