“My father told me I should go into word processing”

Actor Gillian Anderson on slapstick, motherhood and the perils of Googling yourself.

You're starring in the slapstick comedy Johnny English Reborn, which seems an unusual choice for you. Was that part of the appeal?
I generally like to make choices based on who I'd like to work with - and I liked the idea of playing the MI7 [spy agency] role with Rowan Atkinson. I think the thing that surprised me the most was how technical it was . . . I was aware of how I needed to work my technical muscle in a way that I hadn't before.

Is the atmosphere on the set of a comedy film different from that on, say, a period drama?
There's a heightened sense of comedy around and there's a bit more laughter. On the other hand, it seems to be more serious, because it's quite serious business, comedy.

Is there snobbery about doing a broad comedy?
Very early on, when I signed on to this project, I had read on IMDb [that] somebody was commenting on why I would choose to be in this film. And I thought, hang on a second - if I was doing a Jim Carrey film, nobody would be having that reaction.

It worries me that you are reading IMDb comments. Do you google yourself a lot?
No! I was looking up something else.

Some people do.
Ha, the first thing I do when I get up every single morning, after I feed the kids, is I go and google "Gillian Anderson".

Are your children affected by your fame?
No, the very, very first situation that we had was when we went to see Cars, and at the movie theatre we were handed a popcorn box with my picture from Johnny English Reborn facing me. My almost-five-year-old said: "Mummy, that's you!" really loudly and proceeded to turn the box around to find out where Daddy was.

It was very funny, but that was the first time that any kind of explanation was needed. And
I can't even remember what we said to him at the time - we sort of tried to push it under the table. It's too early for him.

If any of your children wanted to act, what would you say?
Well, I have a 17-year-old, and that would be the one to come to me soonest. Fortunately she is not interested. I have to say I'm a bit relieved she doesn't want to be an actor.

Because of the lifestyle or the insecurity?
Yes, because the statistics show, I think, that only 5 per cent of actors are working at any one time. My father gave me a lecture at one point when I was younger and told me that I shouldn't be an actress because I should probably get a real job, and that I should go into - what was it back then; computers were really young? - it was word processing.

You've done several period dramas. Are the roles available better?
It's a joy to do that kind of stuff. Every time somebody comes to me and says do Dickens, do Ibsen or Chekov or whatever, it's an honour. If there were two roles sitting in front of me and one of them was Ibsen and one of them a modern piece, I'd probably choose Ibsen. The other side of that is, yes, there is a shortage of good material for women that is as provocative and complex as some of the writing in the classics. But I don't feel like I'm choosing those [the classics] because there's nothing else out there. I am choosing those because I want to do them.

You were in A Doll's House at the Donmar Warehouse in London. What is it like to act in such an intimate theatre?
Each theatre has its own, very strong person­ality. There's something quite arresting about being in a space that small. The closeness of the audience lifts you in a very different way.

Why do you like Ibsen?
Ever since I don't know for how long, people have come to me and said, "You have to do Hedda Gabler; that's a role that's made for you." I'm not sure how much of an insult that is.

In March, you chose Barack Obama as the person you "most admire". Is that still true?
Well, I don't know about most admire. I still think he is a person I admire, but it has been a horrible ride for him since he came into office. And I just cannot imagine waking up every single day and having that burden on your shoulders and not just wanting to crawl under the covers and say, "I'm done." I still hold him in high esteem; he is doing his utmost for everybody. I am amazed what he still handles and the grace he continues to operate under.

Do you vote?
Yes, but in the States. Very enthusiastically for Obama coming into office, and this time round it will be Obama again, no matter who comes up on the Republican side.

Was there a plan for your career?
No, I've gotten lucky.

Are we all doomed?
No, not at all. Only some of you.

Defining Moments

1968 Born in Chicago. Grows up in London and Grand Rapids, Michigan
1993 Lands star role in the X Files TV series
1994 Marries her first husband, Clyde Klotz, and gives birth to her daughter, Piper
1997 Wins an Emmy, Golden Globe and Screen Actors Guild Award for The X Files
2005 Stars in the BBC's Bleak House
2006 Gives birth to her son Oscar
2008 Her second son, Felix, is born
2010 Is nominated for an Olivier Award for her role in A Doll's House at the Donmar

Johnny English Reborn is in cinemas now.

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

This article first appeared in the 17 October 2011 issue of the New Statesman, This is plan B

Screenshot of Black Mirror's Fifteen Million Merits.
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How likely are the plots of each Black Mirror episode to happen?

As the third series is on its way, how realistic is each instalment so far of the techno-dystopian drama? We rate the plausibility of every episode.

What if horses could vote? What if wars were fought using Snapchat? What if eggs were cyber?

Just some of the questions that presumably won’t be answered in the new series of Charlie Brooker’s dystopian anthology series Black Mirror, somewhere between The Twilight Zone with an app and The Thick Of It on acid.

A typical instalment takes an aspect of modern technology, politics, or life in general and pushes it a few steps into the future – but just how plausible has each episode been so far?

Series 1 (2011)

Episode 1: The National Anthem

Premise: A member of the Royal Family is kidnapped and will only be released unharmed if the Prime Minister agrees to have sexual intercourse with a pig on live television.

Instead of predicting the future, Black Mirror’s first episode unwittingly managed to foreshadow an allegation about the past: Charlie Brooker says at the time he was unaware of the story surrounding David Cameron and a pig-based activity that occurred at Oxford university. But there’s absolutely no evidence that the Cameron story is true, and real political kidnappings tend to have rather more prosaic goals. On the other hand, it’s hard to say that something akin to the events portrayed could NEVER happen.

Plausibility rating: 2 out of 5

Episode 2: Fifteen Million Merits

Premise: Sometime in the future, most of the population is forced to earn money by pedalling bikes to generate electricity, while constantly surrounded by unskippable adverts. The only hope of escape is winning an X-Factor-style game show.

In 2012, a Brazilian prison announced an innovative method of combating overcrowding. Prisoners were given the option to spend some of their time on electricity-producing bikes; for every 16 hours they spent on the bike, a day would be knocked off their sentence.

The first step to bicycle-dystopia? Probably not. The amount of electricity a human body can produce through pedalling (or any other way, for that matter) is pretty negligible, especially when you take account of the cost of the food you’d have to eat to have enough energy to pedal all day. Maybe the bike thing is a sort of metaphor. Who can say?

Plausibility rating: 0 out of 5

Episode 3: The Entire History of You

Premise: Everyone has a device implanted in their heads that records everything that happens to them and allows them to replay those recordings at will.

Google Glasses with a built-in camera didn’t work out, because no one wanted to walk around looking like a creepy berk. But the less visibly creepy version is coming; Samsung patented “smart” contact lenses with a built-in camera earlier this year.

And there are already social networks and even specialised apps that are packaging up slices of our online past and yelling them at us regardless of whether we even want them: Four years ago you took this video of a duck! Remember when you became Facebook friends with that guy from your old work who got fired for stealing paper? Look at this photo of the very last time you experienced true happiness!

Plausibility rating: 5 out of 5

Series 2 (2013)

Episode 1: Be Right Back

Premise: A new service is created that enables an artificial “resurrection” of the dead via their social media posts and email. You can even connect it to a robot, which you can then kiss.

Last year, Eugenia Kuyda, an AI entrepreneur, was grieving for her best friend and hit upon the idea of feeding his old text messages into one of her company’s neural network-based chat bots, so that she and others could, in a way, continue to talk to him. Reaction to this was, unsurprisingly, mixed – this very episode was cited by those who were disturbed by the tribute. Even the robot bit might not be that far off, if that bloke who made the creepy Scarlett Johansson android has anything to say about it.

Plausibility rating: 4 out of 5

Episode 2: White Bear

Premise: A combination of mind-wiping technology and an elaborately staged series of fake events are used to punish criminals by repeatedly giving them an experience that will make them feel like their own victims did.

There is some evidence that it could be possible to selectively erase memories using a combination of drugs and other therapies, but would this ever be used as part of a bizarre criminal punishment? Well, this kind of “fit the crime” penalty is not totally unheard of – judges in America have been to known to force slum landlords to live in their own rental properties, for example. But, as presented here, it seems a bit elaborate and expensive to work at any kind of scale.

Plausibility rating: 1 out of 5

Episode 3: The Waldo Moment

Premise: A cartoon bear stands as an MP.

This just couldn’t happen, without major and deeply unlikely changes to UK election law. Possibly the closest literal parallel in the UK was when Hartlepool FC’s mascot H'Angus the Monkey stood for, and was elected, mayor – although the bloke inside, Stuart Drummond, ran under his own name and immediately disassociated himself from the H’Angus brand to become a serious and fairly popular mayor.

There are no other parallels with grotesque politicians who may as well be cartoon characters getting close to high political office. None.

Plausibility rating: 0 out of 5

Christmas special (2015)

Episode: White Christmas

Premise 1: Everyone has a device implanted in their eyes that gives them constant internet access. One application of this is to secretly get live dating/pick-up artistry advice.

As with “The Entire History of You”, there’s nothing particularly unfeasible about the underlying technology here. There’s already an app called Relationup that offers live chat with “relationship advisers” who can help you get through a date; another called Jyst claims to have solved the problem by allowing users to get romantic advice from a community of anonymous users. Or you could, you know, just smile and ask them about themselves.

Plausibility rating: 4 out of 5

Premise 2: Human personalities can be copied into electronic devices. These copies then have their spirits crushed and are forced to become the ultimate personalised version of Siri, running your life to your exact tastes.

The Blue Brain Project research group last year announced they’d modelled a small bit of rat brain as a stepping stone to a full simulation of the human brain, so, we’re getting there.

But even if it is theoretically possible, using an entire human personality to make sure your toast is always the right shade of brown seems like overkill. What about the risk of leaving your life in the hands of a severely traumatised version of yourself? What if that bathwater at “just the right” temperature turns out to be scalding hot because the digital you didn’t crack in quite the right way?

Plausibility rating: 1 out of 5

Premise 3: There’s a real-life equivalent of a social media block: once blocked, you can’t see or hear the person who has blocked you. This can also be used as a criminal punishment and people classed as sex offenders are automatically blocked by everyone.

Again, the technology involved is not outrageous. But even if you have not worried about the direct effect of such a powerful form of social isolation on the mental health of criminals, letting them wander around freely in this state is likely to have fairly unfortunate consequences, sooner or later. It’s almost as if it’s just a powerful image to end a TV drama on, rather than a feasible policy suggestion.

Plausibility rating: 2 out of 5

Series 3 of Black Mirror is out on Friday 21 October on Netflix.