Five amazing things: astronomy

The best of the web, brought to you.

The best of the web, brought to you.

The internet is full of astonishing videos, pictures and articles but the noise-to-signal ratio can be boringly high. So, from now on, I'll be regularly collecting five of the best texts, movies and images, old and new, on a variety of subjects.

This time: astronomy. Next time: dancing.

1. Scale by Brad Goodspeed

How big would the other planets look if they orbited the earth at the same distance -- 380,000km -- that the moon does? Brad Goodspeed's visualisation will show you. Watch out for Jupiter, which is intimidatingly vast.

2. Bill O'Reilly doesn't understand the moon

While we're talking about the moon, it turns out that Bill O'Reilly doesn't know how it works -- which is why he believes in God. "How did the moon get there?" he asks. "How come we have that, and Mars doesn't?" As I think Jon Stewart pointed out recently, O'Reilly seems to believe that if he doesn't understand a given concept, no one does. (By the way, Bill, National Geographic has the answer here.)

3. Eclipsing the sun

File this under "Eek". The French photographer Thierry Legault took a photo of the International Space Station passing in front of the sun. A humbling reminder that even our most cutting-edge technology is pretty small beer on the cosmic scale.

Oh, and if you want to see what the astronauts on the ISS are looking at right now, you can do that at the Nasa website here.

4. Nasa's astronomy picture of the day

Always beautiful, often mind-boggling, these photos have recently included the cracked surface of Jupiter's moon Europa, the deep-space contortions of the Seagull Nebula and gorgeous skies over Libya and Stockholm. Look out, too, for the amazing video of the Peerskill meteor of 1992, which, despite being only the size of a bowling ball, was brighter than a full moon as it screamed towards earth.

5. "Pale Blue Dot" by Carl Sagan

My final pick is a personal one: Carl Sagan's "Pale Blue Dot". We had this as a reading at our wedding, because its both humbling and hopeful. Starting with a photo of earth taken in 1990 by Voyager 1 from the edge of the solar system -- 3,781,782,502 miles away -- the great science educator reflects on our responsibility to care for that "mote of dust suspended in a sunbeam . . . the only home we've ever known". If you don't feel a little prickle in your tearducts by the end, you have no soul.

An image from NASA''s Hubble Space Telescope of a vast, sculpted landscape of gas and dust where thousands of stars are being born. Credit: Getty Images

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

PewDiePie
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"Death to all Jews": Why Disney dropped YouTube's biggest star PewDiePie

The Minecraft vlogger turned internet celebrity's taste for shock comedy was too much for the family-focused corporation. 

Disney has cut ties with YouTube’s most-subscribed star after he paid two Sri Lankan men five dollars to hold up a sign that read “DEATH TO ALL JEWS”.

Feel free to read that sentence again, it’s not going anywhere.

A still from PewDiePie's video, via YouTube

PewDiePie, real name Felix Kjellberg, has over 53 million subscribers on YouTube, where his videos about gaming earned him over $15m last year. The 27-year-old, whose content is popular with children, came under fire this month after the Wall Street Journal investigated anti-Semitic comments in his videos. In one video, a man dressed as Jesus says “Hitler did absolutely nothing wrong”, while in another Kjellberg used freelance marketplace Fiverr to pay two men to hold up the offensive sign. The videos have since been deleted.

Jumpcut.

The Walt Disney Company became affiliated with PewDiePie after they bought Maker Studios, a network of YouTube stars, for nearly $1bn in 2014. Following the WSJ’s investigation, Maker dropped the star, stating: “Although Felix has created a following by being provocative and irreverent, he clearly went too far in this case and the resulting videos are inappropriate. Maker Studios has made the decision to end our affiliation with him going forward.”

When you sack a YouTube Star, makes no difference who they are.

Via Wall Street Journal

But why should the story stop there? Neo-nazi website The Daily Stormer are now defending PewDiePie, while the notoriously politically-incorrect 4Chan forum /pol/ have called him “our guy”.  

In his defence, Kjellberg wrote a blog post denying an affiliation with anti-Semitic groups and explained his actions, writing: “I was trying to show how crazy the modern world is, specifically some of the services available online.” In a video last December the star also said: "It's extremely annoying how I can't make jokes on my channel without anyone quoting it as actual facts, like something I actually said", before dressing as a soldier and listening to one of Hitler's speeches while smiling. 

Pause.

(If all of this sounds familiar, recall when disgraced YouTuber Sam Pepper claimed a video in which he groped unsuspecting females was a “social experiment”).

Play.

And yet the story still isn’t over. Disney have learned a hard lesson about assuming that YouTubers are the squeaky clean fairy-tale princes and princesses they often appear to be. Shay Butler, one of the original founders of Maker Studios, yesterday quit the internet after it was alleged he sent sexual messages to a cam girl via Twitter.

Butler is one of the original "family vloggers", and has spent nine years uploading daily videos of his five children to YouTube. A practicing Mormon, Butler has become emblematic of family values on the site. “My heart is sick,” he wrote on Twitter, neither confirming nor denying the allegations of his infidelity, “I have struggled with alcoholism for years… My purpose is to rehab.” 

The result is a very dark day for YouTube, which has now dropped Kjellberg from its premier advertising network, Google Preferred, and cancelled the second series of the star's reality show, Scare PewDiePie

Amelia Tait is a technology and digital culture writer at the New Statesman.