Harman on the ropes

Will she be forced to resign?

The electorate may be getting ever more used to its representatives facing criminal charges, but it's still acutely embarrassing for Harriet Harman, a QC and former law officer, to face prosecution over her involvement in a car crash in her constituency.

In the past, senior politicians who have faced criminal charges, such as Jeffrey Archer and Jonathan Aitken, have always stood down in order to fight their case.

She may well be found innocent, but if not, this incident will put paid to any residual hopes she had of winning the Labour leadership. It increasingly looks as if the leadership election will be a fight between the "Blairite" David Miliband and the "Brownite" Ed Balls.

Among those who would be most disappointed by Harman's downfall are the Tories. They view her as a unique figure in British politics: the only politician who could boost their lead over Brown.

To her credit, Harman has responded to this by developing a neat line in self-deprecation, once quipping at PMQs that "there aren't enough airports for all the men who would want to flee the country" should she win.

Harman was one of the few senior Labour figures to put the case for redistribution and progressive taxation in the pre-crash days. Let's hope she survives.


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George Eaton is political editor of the New Statesman.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.