Gilbey on Film: 10 unorthodox sports movies

An antidote to Olympic fever.

This week brings two films which remind us that sports movies are never really about sport. Salute focuses on the Black Power salute given on the winners’ podium at the 1968 Olympics by the athletes Tommie Smith and John Carlos, but it also unpicks the complicity of their fellow medal-winner, the white Australian Peter Norman, in the act. Race, class, prejudice and privilege in a different context are also touched on in Chariots of Fire, the Oscar-winning story of Eric Liddell and Harold Abrahams, who competed at the 1924 Olympics; the picture returns to cinemas now, 31 years after its original release. Here are some thoughts on it from Lindsay Anderson, who has a few succulent moments on screen opposite John Gielgud. In a letter to Malcolm McDowell in April 1981, Anderson wrote of the film’s premiere:

I’ve no idea what I’m like in the picture. When my first sequence arrived, I closed my eyes. Later I peeked through half-closed lids. All I can say is, I didn’t seem to be much worse than Gielgud. (I don’t know what he thought. He dashed for the exit at the end of the picture, having told us…that he had booked a bacon-and-egg supper for himself at the Garrick.) The picture itself is lush, over-photographed for my taste - [the cinematographer] David Watkin in his usual pictorial form – and directed with that concentration on image that is the mark of directors who’ve been formed in directing commercials. Hugh [Hudson, the director] is a really nice chap: but not much sense of narrative or performance.

I wonder what Anderson would have made of the ten films I offer up for your consideration in the category of The Unorthodox Sports Movie. Consider the list a slight antidote to Olympic fever, reining in the hyperbole without swearing off sporting activity entirely. Sports movie convention, you see, demands traditionally that nothing less than the future of civilisation must appear to hinge on the outcome of the competition in the final reel. Whether it’s a horse race in Seabiscuit, a boxing match in Rocky or a martial arts contest in The Karate Kid, the entire world should be seen to be punching the air and weeping tears of unadulterated joy. The films below offer a slight corrective to that bombast.

Hoop Dreams

Hardly obscure, this painstaking (and often painful) documentary following two young African-American basketball hopefuls remains one of the greatest documentaries of all time. In this clip, the Tigger-like Arthur Agee visits St Joseph school after being spotted by a talent scout, and ponders an education alongside “different kids, different races.”

Ping Pong

A brilliantly lively Japanese comic-book adaptation with a blissfully batty visual style.

All the Marbles  (also known as The California Dolls)

Peter Falk as a female wrestling manager (he’s not female: the wrestlers are).

Billy the Kid and the Green Baize Vampire

Alan Clarke’s snooker-vampire-musical. Only in 1980s Britain, eh? Here  is Alun Armstrong, as a Ray Reardon-a-like, performing his big number “I Bite Back” (“I may appear bizarre/ With my predatory features …”) And here is some snooker action with Phil Daniels.

Rudo y Cursi

A witty, overlooked (though not by your trusty NS) soccer comedy starring cinema’s conjoined Mexicans, Gael Garcia Bernal and Diego Luna.

Rollerball

AKA Whip It! for men.

Animalympics

Sassy and soppy in equal measures, this 1980 animated comedy imagines an Olympic Games populated by animals. Here is a scene set to one of Graham (10CC) Gouldman’s songs from the film. You think it’s corny? By the time you’ve endured UK television’s Olympic montages accompanied by Coldplay or Take That, Gouldman’s songs will resemble the Dead Kennedys.

Diggstown (released in the UK as Midnight Sting)

Yes, it’s boxing. But it makes Rocky look like a game of pat-a-cake. 

Breaking Away

A funny, acutely-observed coming-of-age film … on bikes. And here is one of its stars, Daniel Stern, talking now about the movie’s appeal.

The King of Kong

I hear there is a fictional version of this battle-of-the-arcade-champions documentary in the works. Please, let it not be so: this incarnation of the story is note-perfect. And don’t listen to those who tell you that Donkey Kong isn’t a sport: they’ll be saying next that Temple Run doesn’t count as exercise.

"Chariots of Fire" and "Salute" are released 13 July

A still from the 2002 remake of Rollerball (Photograph: Getty Images)

Ryan Gilbey is the New Statesman's film critic. He is also the author of It Don't Worry Me (Faber), about 1970s US cinema, and a study of Groundhog Day in the "Modern Classics" series (BFI Publishing). He was named reviewer of the year in the 2007 Press Gazette awards.

Getty
Show Hide image

Leader: The unresolved Eurozone crisis

The continent that once aspired to be a rival superpower to the US is now a byword for decline, and ethnic nationalism and right-wing populism are thriving.

The eurozone crisis was never resolved. It was merely conveniently forgotten. The vote for Brexit, the terrible war in Syria and Donald Trump’s election as US president all distracted from the single currency’s woes. Yet its contradictions endure, a permanent threat to continental European stability and the future cohesion of the European Union.

The resignation of the Italian prime minister Matteo Renzi, following defeat in a constitutional referendum on 4 December, was the moment at which some believed that Europe would be overwhelmed. Among the champions of the No campaign were the anti-euro Five Star Movement (which has led in some recent opinion polls) and the separatist Lega Nord. Opponents of the EU, such as Nigel Farage, hailed the result as a rejection of the single currency.

An Italian exit, if not unthinkable, is far from inevitable, however. The No campaign comprised not only Eurosceptics but pro-Europeans such as the former prime minister Mario Monti and members of Mr Renzi’s liberal-centrist Democratic Party. Few voters treated the referendum as a judgement on the monetary union.

To achieve withdrawal from the euro, the populist Five Star Movement would need first to form a government (no easy task under Italy’s complex multiparty system), then amend the constitution to allow a public vote on Italy’s membership of the currency. Opinion polls continue to show a majority opposed to the return of the lira.

But Europe faces far more immediate dangers. Italy’s fragile banking system has been imperilled by the referendum result and the accompanying fall in investor confidence. In the absence of state aid, the Banca Monte dei Paschi di Siena, the world’s oldest bank, could soon face ruin. Italy’s national debt stands at 132 per cent of GDP, severely limiting its firepower, and its financial sector has amassed $360bn of bad loans. The risk is of a new financial crisis that spreads across the eurozone.

EU leaders’ record to date does not encourage optimism. Seven years after the Greek crisis began, the German government is continuing to advocate the failed path of austerity. On 4 December, Germany’s finance minister, Wolfgang Schäuble, declared that Greece must choose between unpopular “structural reforms” (a euphemism for austerity) or withdrawal from the euro. He insisted that debt relief “would not help” the immiserated country.

Yet the argument that austerity is unsustainable is now heard far beyond the Syriza government. The International Monetary Fund is among those that have demanded “unconditional” debt relief. Under the current bailout terms, Greece’s interest payments on its debt (roughly €330bn) will continually rise, consuming 60 per cent of its budget by 2060. The IMF has rightly proposed an extended repayment period and a fixed interest rate of 1.5 per cent. Faced with German intransigence, it is refusing to provide further funding.

Ever since the European Central Bank president, Mario Draghi, declared in 2012 that he was prepared to do “whatever it takes” to preserve the single currency, EU member states have relied on monetary policy to contain the crisis. This complacent approach could unravel. From the euro’s inception, economists have warned of the dangers of a monetary union that is unmatched by fiscal and political union. The UK, partly for these reasons, wisely rejected membership, but other states have been condemned to stagnation. As Felix Martin writes on page 15, “Italy today is worse off than it was not just in 2007, but in 1997. National output per head has stagnated for 20 years – an astonishing . . . statistic.”

Germany’s refusal to support demand (having benefited from a fixed exchange rate) undermined the principles of European solidarity and shared prosperity. German unemployment has fallen to 4.1 per cent, the lowest level since 1981, but joblessness is at 23.4 per cent in Greece, 19 per cent in Spain and 11.6 per cent in Italy. The youngest have suffered most. Youth unemployment is 46.5 per cent in Greece, 42.6 per cent in Spain and 36.4 per cent in Italy. No social model should tolerate such waste.

“If the euro fails, then Europe fails,” the German chancellor, Angela Merkel, has often asserted. Yet it does not follow that Europe will succeed if the euro survives. The continent that once aspired to be a rival superpower to the US is now a byword for decline, and ethnic nationalism and right-wing populism are thriving. In these circumstances, the surprise has been not voters’ intemperance, but their patience.

This article first appeared in the 08 December 2016 issue of the New Statesman, Brexit to Trump