The £2 broadband tax echoes Canada's 30¢ tax to save music

"Boy, hurting that new industry to save this dying one; that definitely won't backfire!" - Nobody, ever.

Remember when Canada introduced a compulsory levy on blank CDs to save the recorded music market, and how that totally made everything OK? Oh, you don't? 

Canada is one of a few countries which enacted what's known as a "private copying levy". Any "blank audio recording media", such as cassettes, CD-Rs, or MiniDiscs, is subject to a tax – of $0.29 per unit for CD-Rs, and $0.24 per unit for cassettes.

In a way, it's very similar to David Leigh's proposal to save journalism. Charge a levy on the new technology which is eating the old, and save the "valuable" incumbent at the expense of the upstart new entrant. In fact, it's better than Leigh's proposal; most audio recording media does have music on it, whereas very little internet bandwidth is used for news (if we were being fair about where the money goes, most of that £2 would subsidise porn – which is also suffering under the yoke of the internet).

So how did the levy do? It saved the Canadian recording industry, right? Not so much:


The money taken from downloads is actually on the up in Canada, as with everywhere else; and eventually, the industry will recalibrate around this new funding source. But to pretend that state funding – particularly state funding based on a tax of an unrelated resource – can save the industry is sadly wishful thinking.

Newspapers pile up on the street floor. Photograph: Getty Images

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.