Snow queens and singing tigers: children's theatre at the Edinburgh Festival

There's plenty adults will enjoy, too.

Comedian David Mills jokingly sums up the Festival cliché: “I see the children out there, and they're so thrilled to be sat in a sweaty basement with a bunch of burnt out hippies producing Puss in Boots in sign language.”

But while the Fringe may have a reputation for drunken, off-the wall shows, and there are plenty of Naked Hitler: The Musicals and The Improvised Vagina Monologues out there, there are many shows for families with children to enjoy as well.

Here are a pick of some of the best; shows that you can bring your children to without dreading a saccharine Tellytubby experience. These are kids' shows that parents will love.

Aireborne Theatre's The Snow Queen is a retelling of Hans Christian Andersen's fairy tale that brims with charm. The audience joins a troupe of travelling storytellers in their camp, and the talented ensemble cast bring the tale to life using the brooms, pots, pans and hanging washing the travellers have to hand. The performances are perfectly-judged and beautifully choreographed; children from the very young to the almost-adolescent are held spellbound, shouting out only to warn the heroine of danger, or join in with the original musical accompaniment.

Swamp Juice is probably the most visually impressive show on this list. Shadow-puppeteer Jeff Achtem controls the puppets and visuals – all built out of reclaimed materials – and all the sound effects himself. The story is simple, but the graphical devices get more and more complex and interactive all the way through, building to a jaw-dropping three-dimensional climax.

Serious theatre geeks will get an enormous amount out of Dr Brown Brown Brown Brown Brown And His Singing Tiger. Absurdist visual comedian Phil Burgers is a clowning instructor who learned his craft with the infamous Philippe Gaulier, himself one of Jacques Lecoq's most famous pupils. A master of physical comedy for both adults and children, his every move, or rather, that of his stage alter ego Dr Brown, is a consummate pleasure to watch. Nobody can hold an audience in the palm of their hand like him, and this show is no exception.

Fringe veterans Belt Up Theatre specialise in atmospheric audience participation. Their current oeuvre boasts three shows inspired by the life and works of three famous children's authors: JM Barrie, Lewis Carroll and their newest, A Little Princess, is based on the book by Frances Hodgson Burnett. These guys love engaging with their audience, and have created the site-specific experience of a drawing room in a buttoned-up English boarding school. They recruit their audience to their ranks to experience and participate in the story of the seven-year-old girl who is dragged to it, rather than merely bear witness to it on stage.

The Magician's Daughter by Little Angel theatre has impeccable theatrical pedigree. It is based on The Tempest, written by former Children's Laureate Michael Rosen and backed by the Royal Shakespeare Company. Like much of this list, it is a mixed-media melange of puppetry, music and storytelling, following Miranda's daughter as she explores her island home. Rosen, as ever, has the people's touch; and his blend of comedy and knowing nods to the Shakespeare is delightful.

Beginning with a true story of schoolboy with leukaemia whose parents create a fantastical imaginary world for him to inhabit, Firehouse Creative Productions worked with the Whittington children's hospital in North London to investigate how the imagination can be a supremely powerful tool to overcome illness and adversity. The end result, Superjohn is riotous fun for kids, but also deeply, deeply moving for adults.

Children watch a street performer at the Edinburgh Festival in 2006. Photo: Getty Images

Nicky Woolf is a writer for the Guardian based in the US. He tweets @NickyWoolf.

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Is the French Left having its Jeremy Corbyn moment?

Benoit Hamon won the first round of the Socialist party's presidential primaries. 

Has the French Left taken a Corbynite turn? That's certainly the verdict of many after the first round of the French Socialist Party's primary.

In first place is Benoit Hamon, who quit Francois Hollande's government over its right turn in 2014, and counts the adoption of a universal basic income, the legalisation of cannabis and the right to die among his policy proposals, with 36 per cent of the vote.

In second place and facing an uphill battle to secure the nomination is Manuel Valls, the minister who more than any other symbolized the rightward lurch of Hollande's presidency, with 31 per cent. That of the five eliminated candidates - under the French system, if no candidate secures more than half of the vote, the top two go through to a run-off round - only one could even arguably be said to be closer to Valls than Hamon shows the struggle he will have to close the gap next weekend. And for a variety of reasons, even supporters of his close ally Sylvia Pinel may struggle to put a tick in his box. 

Still, Valls clearly believes that electability is his best card, and he's compared Hamon to Corbyn, who "chose to remain in opposition". Also making the Hamon-Corbyn comparison is most of the British press and several high-profile activists in the French Republican Party.

Is it merited? The differences are probably more important than the similarities: not least that Hamon served as a minister until 2014, and came up through the backrooms. In terms of the centre of gravity and the traditions of his party, he is much closer in analogue to Yvette Cooper and Andy Burnham than he is to Jeremy Corbyn, though Corbynistas and Hamonites bear a closer resemblance to one another than their leaders to.

What will give heart to the leader's office is that Hamon surged in the polls after each debate, when his ideas were given a bigger platform. But what will alarm everyone in Labour is the French Socialists' poll ratings - they are expected to get just 6 per cent in the elections. (And before you scoff at the polls, it's worth noting that they have, so far, performed admirably in the French electoral cycle, picking up on the lightning rise of both Hamon and Francois Fillon.)

That attests to something it's easy to forget in Westminster, where we tend to obsess over the United States and ignore politics on the Continent, despite the greater commonalities: throughout Europe, social democratic parties are in a fight for their lives, no matter if they turn to the left or the right.

The Democrats, in contrast, won the presidential election by close to three million votes and lost due to the electoral college. They have good prospects in the midterm elections and their greatest threat is gerrymandering and electoral malfeasance. But absent foul play, you'd have to be very, very brave to bet on them going extinct.

Stephen Bush is special correspondent at the New Statesman. His daily briefing, Morning Call, provides a quick and essential guide to British politics.