The Friday Arts Diary

Our cultural picks for the week ahead.

Art

Tate Britain, London SW1 - Another London: International Photographers Capture City Life 1930 – 1980, 27 July–16 September 

Tate Britain explores the capital city through the eyes of some of the most significant names in international photography, from Henri Cartier-Bresson to Eve Arnold. Bringing together 180 classic photographs, Another London explores the city’s rich complexity.

Talk

Raven Row, London E1 – The Real Truth – A World’s Fair, 28 July–19 August

Suzanne Treister’s project at Raven Row is spread over four weekends with speeches from a global futurist, an anarcho-primitivist and a US security agency insider within a specially designed theatre. A World’s Fair also hosts an exhibition including three unique libraries, two video lounges and designs for a virtual world’s fair. On 28 July Robert Rydell, the international expert on the power of world’s fairs to define the modern world, delivers a keynote speech.

Theatre

The Africa Centre, London WC2 – And Crocodiles Are Hungry At Night, 31 July–18 August

Bilimankhwe Arts and Nanzikambe Theatre present the UK premiere of And Crocodiles Are Hungry At Night - the award-winning dissident poet Jack Mapanje’s prison memoir, adapted and directed by Kate Stafford. Mapanje was imprisoned in Malawi’s Mikuyu prison in 1987 without charge and remained there for over three years despite a prolonged international outcry.

Film

BFI Southbank, London SE1 - The Genius of Hitchcock, 1 August–31 October

The BFI stages its biggest project to date - a complete retrospective of the 58 surviving Hitchcock feature films, with on-stage interviews including Tippi Hendren, the ultimate “Hitchcock Blonde”. The project opens on 1 August with two different screenings of Hitchcock’s Blackmail – a rare silent version with live musical accompaniment and a sound version.

Music

Wigmore Hall, London W1 – Ian Bostridge, 28 July

Ian Bostridge concludes his Ancient & Modern series at the Wigmore Hal, a season-long residency which has seen the tenor explore influences, musical visions and period instrumentation. This closing recital concentrates on modernity with works by Benjamin Britten, his contemporary Hans Werner Henze and the American pioneer John Cage alongside Schubert lieder. The Chinese guitarist Xuefei Yang joins the evening’s journey through drifting soundscapes.

BFI Southbank launches its Hitchcock retrospective (Photo: Getty)
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On Wheels

A new poem by Patrick Mackie

The hills swarm and soften towards the end of the day just as
flames do in a fireplace as the evening
loosens and breaks open and lets out night.
A nasty, grotesque, impatient year ended,
and the new one will be bitter,
tired, opaque. Words wrangle in every inch of air,
their mouths wide open in stupid shock
at what they have just heard every time they hear anything. Venus,
though, blazes with heavy wobbles of albeit frozen
light. Brecht, who I like to call my
brother just as he called Shelley his,
has a short late poem where he sits by a roadside, waiting
while someone changes the wheel on his car,
watching with impatience, despite not liking
either the place that he is coming from or
the place that he is going to. We call it
connectivity when in truth it is just aggression
and imitation writ ever larger. Poems, though,
are forms of infinite and wry but also briskly
impatient patience. Brecht’s poem seems to end,
for instance, almost before you
can read it. It wheels. The goddess is just a big, bright
wilderness but then soon enough she clothes
herself again in the openness of night and I lose her.

Patrick Mackie’s latest collection, The Further Adventures Of The Lives Of The Saints, is published by CB Editions.

This article first appeared in the 18 May 2017 issue of the New Statesman, Age of Lies

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