A Little Big Problem

LittleBigPlanet promises to take user-generated creativity to new levels, providing it can first ove

LittleBigPlanet, probably the most anticipated videogame this year (about which we have talked before) has been for delayed a few weeks. Usually, such a stall would be down to last minute bugs found in the code or something rather mundane. No-one expected something like LBP to be delayed due to an outbreak of corporate religious sensitivity.

The problem was discovered in one of the pieces of music licensed for the soundtrack, specifically a piece by Toumani Diabate which contained two expressions which are found in the Qur’an. This discovery appears to have triggered a spasm of corporate religious sensitivity with Sony immediately recalling all copies globally and Guildford-based developer Media Molecule left ‘shellshocked and gutted’. A new date for the game has since been announced.

Sony’s Playstation 3, on which the game is based, has had a previous well publicised conflict with a major religious organisation. Last year they fell into a well-publicised dispute with the Church of England over the use of the interior of Manchester Cathedral as an environment within their ‘Resistance : Fall of Man’ title. Clearly, they don’t want to enter the same kind of conflict again - and in particular not with something as family-friendly as the LBP brand.

Perhaps what’s most interesting here though, is the precedent implied for LBP as a platform for user-expression. It’s one of the flag-bearers for the idea of user generated content, the game itself is essentially a tool to allow the player to create more levels and share them with others. On the evidence of the beta version, which players have been using for a few weeks, it’s a startlingly powerful one. LBP is intended to be a place for free creativity and expression, so it’s going to be very interesting to watch the corporate reactions as the game evolves with the public expressing themselves within it.

After all, the previous poster-child was Will Wright’s Spore - and we all remember what happened there…

Iain Simons writes, talks and tweets about videogames and technology. His new book, Play Britannia, is to be published in 2009. He is the director of the GameCity festival at Nottingham Trent University.
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“Minoan pendant”: a new poem by Mark Granier

“Yes – I press my nose / to the pleasantly warm glass – / it’s a copy of one I saw / cased in the cool museum”

Yes – I press my nose
to the pleasantly warm glass –
it’s a copy of one I saw
cased in the cool museum –
gold beaten to honey, a grainy
oval dollop, flanked by two
slim symmetrical bees –

garland for a civilisation’s
rise and collapse, eye-dropped
five thousand years: a flash
of evening sun on a windscreen
or wing mirror – Heraklion’s
scooter-life buzzing and humming –

as I step in to browse, become
mesmerised by the warm
dark eyes of the woman
who gives her spiel and moves
softly and with such grace,
that, after leaving, I hesitate

a moment on the pavement
then re-enter with a question
I know not to ask, but ask
anyway, to hear her voice
soften even more as she smiles
and shakes her hair – no.

Mark Granier is an Irish poet and photographer. He is the author of four collections of poetry, most recently Haunt (Salmon).

This article first appeared in the 16 June 2016 issue of the New Statesman, Britain on the brink