SFTW Thinking Machines 4

Each week Iain Simons selects a game for you to while away hours. Read about it, play it but don't l

Often the most fascinating parts of the game aren’t the outcome, but the decisions that lead one there.

Hearing a great commentator discussing a sport about which you know little can be one of the most exciting and illuminating of experiences.

That sensation of being rapidly inducted into strategies which were apparent, but not wholly understandable never fails to intoxicate.

I often feel this when hearing developers talking about videogames. In particular, some of the best demonstrations I’ve seen have seldom been about breathtaking new graphical capabilities, but artificial intelligence (A.I.).

Whilst new rendering technologies providing near photo-real graphics are usually touted as the enablers to making worlds which we can truly believe in, the truth is that the algorithms which determine the behaviour of in-game elements are far more persuasive.

The pursuit of convincing A.I. is a fascinating subject. To understand and create persuasive A.I.

Behaviour, one has to understand at least a little of what it is to be human. Fascinating though it is however, there’s always a slight feeling of discomfort that someone, somewhere is attempting to distill that slight feeling of discomfort into something that can be algorithmically reproduced.

Thinking Machines 4 is a more palatable version of that man-machine relationship, moreover - it’s also beautiful. Taking a rudimentary Chess program, with each turn it exposes the potential moves the computer is considering through a gracefully sketched diagram overlaid onto the board. The experience reveals its real depth only in the play of a full game. As the machine gradually refines and rejects strategies, the narrative of the game thinking before you becomes more and more compelling. The developer has posted an example gallery which demonstrates this well, although this is well worth a few minutes of your quiet attention to actually play.

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Thinking Machines 4

Iain Simons writes, talks and tweets about videogames and technology. His new book, Play Britannia, is to be published in 2009. He is the director of the GameCity festival at Nottingham Trent University.
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Theresa May’s stage-managed election campaign keeps the public at bay

Jeremy Corbyn’s approach may be chaotic, but at least it’s more authentic.

The worst part about running an election campaign for a politician? Having to meet the general public. Those ordinary folk can be a tricky lot, with their lack of regard for being on-message, and their pesky real-life concerns.

But it looks like Theresa May has decided to avoid this inconvenience altogether during this snap general election campaign, as it turns out her visit to Leeds last night was so stage-managed that she barely had to face the public.

Accusations have been whizzing around online that at a campaign event at the Shine building in Leeds, the Prime Minister spoke to a room full of guests invited by the party, rather than local people or people who work in the building’s office space.

The Telegraph’s Chris Hope tweeted a picture of the room in which May was addressing her audience yesterday evening a little before 7pm. He pointed out that, being in Leeds, she was in “Labour territory”:

But a few locals who spied this picture online claimed that the audience did not look like who you’d expect to see congregated at Shine – a grade II-listed Victorian school that has been renovated into a community project housing office space and meeting rooms.

“Ask why she didn’t meet any of the people at the business who work in that beautiful building. Everyone there was an invite-only Tory,” tweeted Rik Kendell, a Leeds-based developer and designer who says he works in the Shine building. “She didn’t arrive until we’d all left for the day. Everyone in the building past 6pm was invite-only . . . They seemed to seek out the most clinical corner for their PR photos. Such a beautiful building to work in.”

Other tweeters also found the snapshot jarring:

Shine’s founders have pointed out that they didn’t host or invite Theresa May – rather the party hired out the space for a private event: “All visitors pay for meeting space in Shine and we do not seek out, bid for, or otherwise host any political parties,” wrote managing director Dawn O'Keefe. The guestlist was not down to Shine, but to the Tory party.

The audience consisted of journalists and around 150 Tory activists, according to the Guardian. This was instead of employees from the 16 offices housed in the building. I have asked the Conservative Party for clarification of who was in the audience and whether it was invite-only and am awaiting its response.

Jeremy Corbyn accused May of “hiding from the public”, and local Labour MP Richard Burgon commented that, “like a medieval monarch, she simply briefly relocated her travelling court of admirers to town and then moved on without so much as a nod to the people she considers to be her lowly subjects”.

But it doesn’t look like the Tories’ painstaking stage-management is a fool-proof plan. Having uniform audiences of the party faithful on the campaign trail seems to be confusing the Prime Minister somewhat. During a visit to a (rather sparsely populated) factory in Clay Cross, Derbyshire, yesterday, she appeared to forget where exactly on the campaign trail she was:

The management of Corbyn’s campaign has also resulted in gaffes – but for opposite reasons. A slightly more chaotic approach has led to him facing the wrong way, with his back to the cameras.

Corbyn’s blunder is born out of his instinct to address the crowd rather than the cameras – May’s problem is the other way round. Both, however, seem far more comfortable talking to the party faithful, even if they are venturing out of safe seat territory.

Anoosh Chakelian is senior writer at the New Statesman.

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