Miroslav Penkov Wins BBC International Short Story Award

First Award open to entries from overseas won by Bulgarian-American writer.

“East of the West” by Bulgarian-American writer Miroslav Penkov has won the BBC International Short Story Award 2012. Exploring the personal and political implications of leaving his native Bulgaria, the story focusing on a village separated by a river that leaves Bulgarsko Selo on the Bulgarian side, Srbsko on the Serbian. The narrator works through a painful process liberation in terms which mirror profoundly those experienced by many in throughout country’s past.

“I wanted to write about major moments of Bulgarian history,” Penkov said. “There’s this moment at the end of the 19th century after the end of the final Russian-Turkish war when the Balkans were redistributed and a portion of Bulgarians were separated from Bulgaria for good. I wanted to write about these people and remember them, but I also wanted to write my own life into theirs.”

The £15,000 prize open for one year only to writers from outside the UK and Ireland, was judged by a panel chaired by Clive Anderson. Ross Raisin, a novelist and panel member, commended the story for its “understatedness” and for being “rich in historical detail, and imagery, without over-reaching for these effects.” Other writers shortlisted for the award included previous winner and nominees Julian Gough and M J Hyland, as well as the Man Booker-shortlisted Deborah Levy.

The £2,500 runner-up prize went to Henrietta Rose-Innes, whose story “Sanctuary” offered an ominous glimpse of a missing lion, which intrudes upon a child’s otherwise expansive vision of the South African bush.

Penkov was born in Gabrovo, Bulgaria, in 1982. At 19 he moved to the United States to study Psychology at the University of Arkansas, completing an MFA the following year. He is currently Assistant Professor of Creative Writing at the University of North Texas and is editor of the American Literary Review.

“I went to the United States to study and so even though it was voluntary I found myself completely separated from the people I loved and the things I loved,” Penkov said, speaking about the emotional and historical compulsion underpinning his story. “I tried to reimagine myself through the eyes of these characters who find themselves on the two banks of a river – half of them staying in Bulgaria, the other half being given to Serbia.”

East of the West was published by Sceptre in 2011. Penkov’s story can be downloaded from the BBC4 website.

"Racho the Blacksmith" by the river in Gabrovo, Penkov's hometown in Bulgaria. Photo: Getty Images.

Philip Maughan is a freelance writer in Berlin and a former Assistant Editor at the New Statesman.

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Theresa May’s stage-managed election campaign keeps the public at bay

Jeremy Corbyn’s approach may be chaotic, but at least it’s more authentic.

The worst part about running an election campaign for a politician? Having to meet the general public. Those ordinary folk can be a tricky lot, with their lack of regard for being on-message, and their pesky real-life concerns.

But it looks like Theresa May has decided to avoid this inconvenience altogether during this snap general election campaign, as it turns out her visit to Leeds last night was so stage-managed that she barely had to face the public.

Accusations have been whizzing around online that at a campaign event at the Shine building in Leeds, the Prime Minister spoke to a room full of guests invited by the party, rather than local people or people who work in the building’s office space.

The Telegraph’s Chris Hope tweeted a picture of the room in which May was addressing her audience yesterday evening a little before 7pm. He pointed out that, being in Leeds, she was in “Labour territory”:

But a few locals who spied this picture online claimed that the audience did not look like who you’d expect to see congregated at Shine – a grade II-listed Victorian school that has been renovated into a community project housing office space and meeting rooms.

“Ask why she didn’t meet any of the people at the business who work in that beautiful building. Everyone there was an invite-only Tory,” tweeted Rik Kendell, a Leeds-based developer and designer who says he works in the Shine building. “She didn’t arrive until we’d all left for the day. Everyone in the building past 6pm was invite-only . . . They seemed to seek out the most clinical corner for their PR photos. Such a beautiful building to work in.”

Other tweeters also found the snapshot jarring:

Shine’s founders have pointed out that they didn’t host or invite Theresa May – rather the party hired out the space for a private event: “All visitors pay for meeting space in Shine and we do not seek out, bid for, or otherwise host any political parties,” wrote managing director Dawn O'Keefe. The guestlist was not down to Shine, but to the Tory party.

The audience consisted of journalists and around 150 Tory activists, according to the Guardian. This was instead of employees from the 16 offices housed in the building. I have asked the Conservative Party for clarification of who was in the audience and whether it was invite-only and am awaiting its response.

Jeremy Corbyn accused May of “hiding from the public”, and local Labour MP Richard Burgon commented that, “like a medieval monarch, she simply briefly relocated her travelling court of admirers to town and then moved on without so much as a nod to the people she considers to be her lowly subjects”.

But it doesn’t look like the Tories’ painstaking stage-management is a fool-proof plan. Having uniform audiences of the party faithful on the campaign trail seems to be confusing the Prime Minister somewhat. During a visit to a (rather sparsely populated) factory in Clay Cross, Derbyshire, yesterday, she appeared to forget where exactly on the campaign trail she was:

The management of Corbyn’s campaign has also resulted in gaffes – but for opposite reasons. A slightly more chaotic approach has led to him facing the wrong way, with his back to the cameras.

Corbyn’s blunder is born out of his instinct to address the crowd rather than the cameras – May’s problem is the other way round. Both, however, seem far more comfortable talking to the party faithful, even if they are venturing out of safe seat territory.

Anoosh Chakelian is senior writer at the New Statesman.

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