Friday Arts Diary

Our cultural picks for the week ahead.

Art

Moniker Art Fair, Village Underground, EC2A 3PQ, 11-14 October

Now in its third year, Moniker Art Fair has become a highlight of London's autumnal art week. This year, it has attracted some of the contemporary scene’s most accomplished and renowned artists, including legendary Pop Surrealist Luke Chueh, fresh works from Pam Glew, and the work of Surrealist up-and-comer Nancy Fout

Music

Ether Festival: John Cale. Royal Festival Hall, Sat October 13

A founding member of one of the most defining bands of a generation, the Velvet Underground, John Cale’s return to the Royal Festival Hall coincides with the release of his cryptically titled Shifty Adventures in Nookie Wood, which is out this week.  His experimentalist verve and willingness to explore new artistic frontiers ensures that he remains an unstoppable force on the contemporary scene.

Literature

Durham Book Festival, 13-30 October

Durham Book Festival returns for another edition this month. It is jointly produced by New Writing North with Durham Country Council and Durham University. From prose to poetry, the festival programme includes events spanning a wide spectrum of topics at various locations in County Durham and at iconic venues in the city itself. The festival boasts a host of newly commissioned work from the likes of Michael Smith and Carol Ann Duffy.

Festival

Inside Out Festival, London (various venues), 22-28 October

In association with The Times Higher Education and the New Statesman, the Culture Capital Exchange delivers the third instalment of the Inside Out Festival. The programme includes 50 eclectic events taking place across the capital over the course of the week, ranging from talks, panel debates, performances and exhibitions. The festival offers the chance to experience in person some of the city’s most celebrated thinkers, including Will Self, Michael Morpurgo and Bidisha. Most events free, but require booking.

Theatre

All That Fall, Jermyn Street Theatre, until 3 November

Originally commissioned by the BBC as a radio play in 1957, Samuel Beckett’s All that Falls charts the journey of Maddy Rooney, a 70-something unwieldy woman as she trudges across country back roads to meet her blind husband. All that Falls is a bawdy comedy with a life affirming charm, full of superb one-liners, even if they are somewhat spiked by intimations of mortality. Although not originally conceived for stage, All that Falls offers a rare opportunity to experience a superlative cast – including Michael Gambon and the excellent Eileen Atkins – in an intimate, 70-seater setting. 

Michael Gambon and Eileen Atkins in Samuel Beckett's All That Fall. Photo: Alastair Muir
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On Wheels

A new poem by Patrick Mackie

The hills swarm and soften towards the end of the day just as
flames do in a fireplace as the evening
loosens and breaks open and lets out night.
A nasty, grotesque, impatient year ended,
and the new one will be bitter,
tired, opaque. Words wrangle in every inch of air,
their mouths wide open in stupid shock
at what they have just heard every time they hear anything. Venus,
though, blazes with heavy wobbles of albeit frozen
light. Brecht, who I like to call my
brother just as he called Shelley his,
has a short late poem where he sits by a roadside, waiting
while someone changes the wheel on his car,
watching with impatience, despite not liking
either the place that he is coming from or
the place that he is going to. We call it
connectivity when in truth it is just aggression
and imitation writ ever larger. Poems, though,
are forms of infinite and wry but also briskly
impatient patience. Brecht’s poem seems to end,
for instance, almost before you
can read it. It wheels. The goddess is just a big, bright
wilderness but then soon enough she clothes
herself again in the openness of night and I lose her.

Patrick Mackie’s latest collection, The Further Adventures Of The Lives Of The Saints, is published by CB Editions.

This article first appeared in the 18 May 2017 issue of the New Statesman, Age of Lies

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