Friday Arts Diary

Our cultural picks for the week ahead.

Film

Raindance Film Festival, Apollo Piccadilly Circus, 26 Sept – 7 Oct

Notable for having repeatedly premiered next year’s most talked about films (cf. The Blair Witch Project, Memento, Old Boy), Raindance returns this week with its signature array of new movies from across continents, provocative new documentaries and live events. The Piccadilly Apollo and Haymarket Cineworld will lay on everything from a far-Eastern adaptation of The Tempest set in near-future Japan to an Irish horror mockumentary: Portrait of a Zombie. There will be a new Mexican Cinema strand, and as ever, short films will form an essential element of the line-up which debuts over 200 shorts on average each year. This year’s festival winner will be automatically shortlisted in the Best Short Film category at the 2013 Academy Awards. The full programme can be downloaded by clicking here.

 

Literature

The Times Cheltenham Literature Festival, 5 – 14 Oct

Cheltenham’s Imperial Square will hold more marquees and Times readers than usual next weekend as the town’s annual literary festival gets under way. Big names involved in talks and debates include the world’s best-known “left-leaning demagogue” J. K. Rowling, recent memoirists Salman Rushdie and Paul Auster, screen stars Benedict Cumberbatch, Paul O’Grady and Clare Balding, and former UN Secretary-General Kofi Annan, talking about his new book Interventions: A Life in War and Peace. The festival’s theme is apparently People: Power, and even if it barely needs the word “literature” in its title, the line-up is broad enough for everyone to find something of interest.

 

Music

Darbar Festival, Southbank Centre, 27 – 30 September

Darbar is a festival of Indian classical music which brings concerts, talks, food and yoga to the Southbank’s Centre’s Pucell Room once a year. At fourteen concerts across four days the programme boasts a selection of India’s best musicians, many of whom are sixth or seventh-generation instrumentalists, appearing in the UK for the first time. Ones to watch include the tabla master Pandit Swapan Chaudhuri and sitarist Ustad Shujaat Khan. Music is drawn from both the Hindustani (north Indian) and Carnatic (southern) traditions and for those who want to know more, the curators run an Indian Classical Music Appreciation Course, enabling newcomers to get their heads around the subcontinent’s ancient musical forms. After London, many of the concerts will tour to the rest of the UK.

 

Theatre

Our Country’s Good, Aberystwyth Arts Centre, 2 – 6 October

In 1789 a young lieutenant named Ralph Clark was charged with directing inmates interred at the (new) New South Wales penal colony in a performance of the Restoration comedy the Recruiting Officer, commissioned to celebrate the king’s birthday. Based on the novel by Thomas Keneally (of Schindler’s Ark/List fame), Timberlake Wetenbaker’s play sees the lieutenant struggle with a morose cast, critical fellow officers, two damaged script books and a leading lady threatened with the gallows, to find out what theatre is really made of. First directed by Max Stafford-Clark in the late 80s and revived this year by the same director for his Out of Joint Theatre Company, the play will tour nationally before joining the opening season at London’s new St James Theatre early next year. This Tuesday’s performance will be followed by a post-show talk with the cast and crew.

 

Art

Open Studio Weekend, Gasworks, Vauxhall SE11 5RH, 28 – 29 September

A south London contemporary art organisation, Gasworks has studio space for eleven resident artists, three of whom have arranged a series of events for an Open Studio Weekend. Starting tonight Cécile B. Evans will premiere new works generated by an open call for rejection letters from artists and curators between 6-9pm, including a full studio tour at 7pm. The weekend continues on Saturday with Sunoj D., who will discuss his research for a commission by the National History Museum about the experiences and values of modern farmers (2pm, bring a plant pot), ending on Sunday (12pm) with a walk through London, exploring sights of protest and conflict from through the city’s history with Francisca Benítez.

The "left-leaning demagogue" J. K. Rowling will appear at the Cheltenham Literary Festival next week. Photograph: Getty Images.
Getty
Show Hide image

Listening to recordings from the Antarctic, I felt I could hear the earth groan

The Science Hour on the BBC World Service.

A weekend of listening to the radio news ­revealed nothing but sounds of the sucker-punched going through their pockets in a panic and repeating, “I thought you had the keys.” So, never was talk of “a perfectly flat area of just whiteness” more alluring. The oldest Antarctic ice yet recorded was recently found. “For millions of years,” the presenter Roland Pease assured listeners  (25 June, 9am), “snow has been falling, snow on snow, all the while trapping bubbles of air and other chemical traces of climate . . . insights into the ice ages and warm periods of the past.” How was this ice located? “The finding part is pretty easy – you just go there and start shovelling, and ice comes up,” the lead geologist, Jaakko Putkonen, said.

There it was, buried under a layer of dirt “in barren wastelands” high in the middle of Antarctica. An “incredibly mountainous and remote and . . . quite hideous region, really”, Pease said, though it was sounding pretty good to me. The world dissolved into a single, depthless tone. Then Pease mentioned the surprising fizzing of this ancient ice – trapped air bubbles whooshing as they melt. Which is perhaps the thing you least expect about ice regions and ice caps and glaciers: the cacophony. Thuds and moans. Air that folds and refolds like the waving of gigantic flags. Iced water sleeping-dragonishly slurping and turning.

On Friday Greenpeace posted a video of the pianist Ludovico Einaudi giving a haunting performance on a floating platform to mark an imminent meeting of the OSPAR Commission, as it decided on a proposal to safeguard 10 per cent of the Arctic Ocean. Einaudi looked occasionally stunned by the groaning around him. A passing glacier popped and boomed like the armies of Mordor, ice calving from its side, causing mini-tsunamis. When last year I spent some time at the remote Eqi Glacier in Greenland, close to the ice cap, local people certainly spoke of the ice as if it were living: “It’s quiet today,” delivered as though gazing at the fractious contents of a Moses basket.

“This huge cake of ice, basically flat”, Putkonen said, perhaps longing for a moment of deep-space silence, for peaceful detachment. He wasn’t the only one being forced to reappraise a landscape very differently.

Antonia Quirke is an author and journalist. She is a presenter on The Film Programme and Pick of the Week (Radio 4) and Film 2015 and The One Show (BBC 1). She writes a column on radio for the New Statesman.

This article first appeared in the 30 June 2016 issue of the New Statesman, The Brexit lies