Friday Arts Diary

Our cultural picks for the week ahead.

 

Film

Independent Cinemas - Berberian sound studio, 31 August

Following up his lauded debut, Katalin Varga, Peter Strickland’s Berberian Sound Studio is being called the stand-out film at this year’s Edinburgh Film Festival. Gilderoy (Toby Jones) is a reserved but prominent sound engineer employed by director Santini (Antonio Mancino) to create the soundtrack to his hammy horror film. In the claustrophobic studio, Gilderoy sets to the gruesome work of mutilating vegetables in facsimile of on-screen violence, yet as his psychological strain makes itself known boundaries start to blur.

Art

Southbank Centre – Unlimited, 30 August – 9 September

The Olympics and art have had a close relationship ever since 1912, when art competitions figured as part of the games. Timed to coincide with this year’s Paralympics, Unlimited is a Southbank exhibition that has invited deaf and disabled artists to push themselves to reach previously unattained goals. Consisting of 29 commissions, Unlimited's range includes dance, live arts, visual arts, music and theatre.

Book

Mortality – Christopher Hitchens, 1 September

When author and former New Statesman staffer Christopher Hitchens died last December, a wave of tributes came from public figures as diverse as Tony Blair, Richard Dawkins and Martin Amis. His 13th and final book, Mortality, is published this Saturday. An exploration of how his cancer was "deporting" him “from the country of the well across the stark frontier that marks off the land of malady”, Mortality is a haunting account of one man lucidly examining his on coming death.

TV

BBC1 - Dr who 1 September, 7.20

In this weeks New Statesman, Alwyn W Turner examines the Daleks’ history as SF representations of the Nazi in time for the new Dr Who series, which will land on British TV screens this Saturday. At the ripe old age of 49, the cry of "Exterminate!" is getting a little tired, though we’ve been told that celebrated writer Steven Moffat has found an original angle to teach old Daleks new tricks - for the first time in the show's history they need Dr Who’s help.

Festival

Granary Square - King’s Cross Ice cream Festival, 1-2 September

Did you know that Carlo Gatti, the man who brought who brought ice cream to England, lived in King’s Cross? From his house he sold his famous "penny licks", which will be brought back by the Kings Cross Ice Cream Festival this weekend. As well as celebrating the history of the treat, the free festival will showcase the best of London ice cream and offer visitors the opportunity to be inducted into the craft all the way from milking the cow to the first lick.

Ice cream eating, which there will be plenty of opportunity to do at Kings Cross Ice Cream Festival (Image: Getty)
Ellie Foreman-Peck for New Statesman
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How Rome's new mayor Virginia Raggi is leading a normality revolution

The first female Roman mayor has promised an end to posturing public figures.

The Ottavia area of Rome, on the northern periphery of the Italian capital, is a part of the city that tourists rarely visit. In a sense, this is the real Rome, with problems that are typical of the rot that most residents have to put up with every day. It is a jumble of decaying concrete eyesores from the 1950s and 1960s – the legacy of rapid economic development and Mafia corruption – surrounded by parks where drug deals go down, and piles of refuse that sit uncollected for days.

It was here that the young mother of a newborn baby – who after her marriage had resettled in the area from the middle-class Roman neighbourhood where she was raised – started to become interested in politics. Seven years later, Virginia Raggi has been elected as Rome’s first female mayor and, having just turned 38, its youngest mayor ever. She is a symbol of change in Italy after two years of rule by Prime Minister Matteo Renzi, another young leader, which have left millions of Italians disenchanted. Her rise is a sign that the anti-establishment Five Star Movement, led by the comedian Beppe Grillo, may be coming of age after years as a protest vehicle.

Raggi not only won the run-off on 19 June but did so by the biggest margin in the history of Roman mayoral elections, trouncing the candidate whom Renzi supported by a ratio of 67:33.

Her story begins far from the glamour of the Capitoline Hill, on the dreary streets of Ottavia, where she pushed her baby boy, Matteo, in his pram and was forced to weave in and out of traffic, walk along “non-existent” footpaths where cars were double- or triple-parked, and negotiate the perils of abandoned municipal parks. “Rage at seeing my splendid city reduced to an undignified state” is what pushed her into politics, she writes on her website. It was a path that led to her unlikely victory as mayor of Rome (a post equal in importance in Italy to the mayor of London in the UK and a launchpad for campaigns to become prime minister).

Raggi, who was a lawyer before she became a politician, grew up largely indifferent to politics. When she became a parent, she joined neighbourhood committees and volunteer groups and started to press for sustainable organic farming and decent public transport. In 2011, disillusioned by the centre left after years of voting for Renzi’s Democratic Party (she comes from a family of progressive intellectuals), Raggi joined the Five Star Movement, having been dragged to its meetings by her husband, a radio technician.

Her rise was rapid. She ran in 2013 as a Five Star candidate for Rome’s 48-member city council and picked up one of the movement’s three seats (she received 1,525 votes; her husband also ran but failed to make it on to the council, with only 132 votes). When the former Rome mayor Ignazio Marino, an ally of Renzi, resigned after an expenses scandal, Raggi – already the Five Star Movement’s spokesperson for Rome – stepped forward as a candidate in the party’s primaries.

She defeated four rivals in the online balloting in February. It is a startling tale in an age of unlikely political narratives, reflecting a global pandemic of dissatisfaction with mainstream politics. Italy’s Panorama magazine described her election, perhaps with a touch of hyperbole, as “a cultural revolution without precedent”.

There is a paradox at the heart of the upheaval that Raggi has caused. In Italy’s sordid and grimly entertaining political landscape – with its tales of the former premier Silvio Berlusconi’s “bunga bunga” parties, as well as Grillo’s clownish antics – the most surprising thing about the new mayor is that she seems normal. Raggi calls her campaign the “revolution of normality” – refreshing, perhaps, for Italians tired of posturing public figures. Inevitably the subject of Italian chatter for her fetching looks, Raggi comes across, above all, as serious, low-key, articulate and compassionate. She is selling policy over persona.

There have been shadows over her ascent. Her Rome law firm has past associations with Berlusconi’s long-time right-hand man Cesare Previti – a convicted criminal – and Raggi launched her legal career as an apprentice in Previti’s office. She has vehemently denounced whispers that she may be a double agent for Berlusconi’s centre-right party, Forza Italia.

Graver doubts arise from concerns that she may turn out to be a pawn of her anti-establishment party’s own establishment, in the form of Grillo. And because of the city’s Gordian knot of vested interests, being the mayor of Rome is in many ways a tougher job than being the prime minister of Italy. It has been a poisoned chalice for many an ambitious leader.

Yet the truth is that, even for Italians, Raggi remains a mystery – and that opens up intriguing possibilities. She may turn out to be a blank canvas on to which Romans, of both the left and the right, can project their hopes and frustrations. If she succeeds in steering her own course, however, she could position herself as a viable alternative to Renzi. Recent opinion polls indicate that the Five Star Movement may have edged past his Democrats and become Italy’s most popular party, with about 28 per cent of the nation’s support.

It is worth considering that Renzi rose to national prominence as the mayor of Florence – a city whose political significance pales in comparison with that of Rome – and went on to become prime minister. Could Raggi do the same?

This article first appeared in the 28 July 2016 issue of the New Statesman, Summer Double Issue