The Friday Arts Diary

Our cultural picks for the week ahead.

Book

"Sweet Tooth" by Ian McEwan, 21 August

McEwan’s recent works, such as Saturday and Solar, have had a radically polarising effect on audiences, but whether his name fills you with adoration or loathing, as one of our most eminent contemporary authors, the release of his 12th novel can’t pass without remark. Sweet Tooth is the story of Serena Frome, a beautiful British agent sent on a "secret mission", which brings her into contact with a promising young writer. As romance blossoms between the two can she maintain her cover story? And who is inventing whom?  Set in 1972, a year beset by economic disaster, industrial unrest and terrorism, we can expect some present day echoes, as well as a story of betrayal, intrigue, love, and the invented self.

Talk

Appleton Tower, Edinburgh - CERN: Big questions, Big Science, Big Technology, 23 August 9.00pm

This summer's newspaper columns might have been crammed with likes of Bolt, Farah and Ennis, but, following the observation of the elusive Higgs Boson particle this July, CERN are the undisputed scientific heroes. This event brings together experts from different areas of CERN and the LHC to discuss the impact of their work. The talk takes place as part of the Turing Festival, which aims to celebrate the creativity of digital technology and explore the ways in which technology is affecting culture and society. Other notable talks include an address by Apple’s co-founder, Steve Wozniak, and discussions on the future of gaming, medicine and media.

Album

Bloc Party, "Four", 20 August

Four is the magic number. Four years since their last album, British indie rock band Bloc Party (comprised of four muscians, Kele Okereke, Russell Lissack, Gordon Moakes, and Matt Tong) are to release their fourth and much anticipated album Four. Reviews so far are mixed, but if Kele has captured even an ember of his former spark Four will have been worth the wait.

Film

Independent Cinemas across the UK - The Imposter, 24 August

In 1994 Nicholas Barclay, a 13-year-old Texan boy, vanished. Three years later "Nicholas" was discovered by police in Spain. Though initially eagerly welcomed home by the grieving Barclays, as inconsistencies started to add up doubts about his true identity could no longer be surpressed. The Imposter is director Bart Layton's masterful documentary, which mixes real-life interviews and home-video footage with neo-noir reconstructions in his retelling of this true story of deception.

TV

BBC 4 - BBC Proms National Youth Orchestra, 23 August, 7.30pm

Thursday’s Prom celebrates young talent with the National Youth Orchestra of Great Britain. Conducted by Vasily Petrenko, they will perform Varèse’s playful Tuning Up,  Nico Muhly’s Gait, Messiaen’s Turangalîla Symphony, and young composer Anna Meredith’s HandsFree, which was written to be played with anything other than instruments.

Author Ian McEwan's novel Sweet Tooth is to be released on Tuesday
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How Dame Vera Lynn was told to “posh her accent up”

Radio 2’s 100th-birthday tribute reveals how Lynn was forced to change her voice.

“I remember seeing her near an elephant, and this elephant rolled over a bit and she had to get out of the way . . .” Vic Knibb, the vice-chairman of the veterans’ group the Burma Star Association, was one of the thousands of British soldiers serving in the Far East during the Second World War who came across Vera Lynn in the jungle, singing from the back of a Jeep, accompanied by an out-of-tune piano.

Speaking in Radio 2’s celebration of the singer’s 100th birthday, Vera Lynn: the Sweetheart of the United Kingdom (Sunday 19 March, 8pm), Knibb and others recalled what it meant to them that Lynn travelled so far to perform for the so-called Forgotten Army in Burma. Unlike other entertainers, who stayed in Europe or visited only military hospitals in the UK, she deliberately went where few others did – where she felt she was needed by “the boys”.

The programme, which featured a rare interview with Lynn herself, was dominated by clips of her recordings from the Thirties and Forties. We heard frequent extracts from “The White Cliffs of Dover”, “We’ll Meet Again” and “A Nightingale Sang in Berkeley Square”. The contrast between these two voices, separated by more than six decades, was the most arresting thing this otherwise pedestrian documentary had to offer. The now gravelly-voiced centenarian sang, in her youth, with a smooth, effortless-sounding tone and crystal-clear diction. But how did the cockney daughter of a plumber from East Ham end up singing with received pronunciation?

The answer, as ever in Britain, is class. Lynn had no formal musical training, and as she had been performing in working men’s clubs from the age of seven, she was considered closer to a musical-hall crooner than a “proper” singer. But with her small vocal range and flawless self-taught technique, she chose her own songs to suit her voice. The BBC, for which she made her hugely popular radio show Sincerely Yours, requested that she take elocution lessons to “posh her accent up” and even at one point took her show off air for 18 months. “Every­body’s Sweetheart” wasn’t immune from snobbishness, it seems. 

Caroline Crampton is assistant editor of the New Statesman. She writes a weekly podcast column.

This article first appeared in the 23 March 2017 issue of the New Statesman, Trump's permanent revolution