The Friday Arts Diary
Our cultural picks for the week ahead.
McEwan’s recent works, such as Saturday and Solar, have had a radically polarising effect on audiences, but whether his name fills you with adoration or loathing, as one of our most eminent contemporary authors, the release of his 12th novel can’t pass without remark. Sweet Tooth is the story of Serena Frome, a beautiful British agent sent on a "secret mission", which brings her into contact with a promising young writer. As romance blossoms between the two can she maintain her cover story? And who is inventing whom? Set in 1972, a year beset by economic disaster, industrial unrest and terrorism, we can expect some present day echoes, as well as a story of betrayal, intrigue, love, and the invented self.
This summer's newspaper columns might have been crammed with likes of Bolt, Farah and Ennis, but, following the observation of the elusive Higgs Boson particle this July, CERN are the undisputed scientific heroes. This event brings together experts from different areas of CERN and the LHC to discuss the impact of their work. The talk takes place as part of the Turing Festival, which aims to celebrate the creativity of digital technology and explore the ways in which technology is affecting culture and society. Other notable talks include an address by Apple’s co-founder, Steve Wozniak, and discussions on the future of gaming, medicine and media.
Four is the magic number. Four years since their last album, British indie rock band Bloc Party (comprised of four muscians, Kele Okereke, Russell Lissack, Gordon Moakes, and Matt Tong) are to release their fourth and much anticipated album Four. Reviews so far are mixed, but if Kele has captured even an ember of his former spark Four will have been worth the wait.
In 1994 Nicholas Barclay, a 13-year-old Texan boy, vanished. Three years later "Nicholas" was discovered by police in Spain. Though initially eagerly welcomed home by the grieving Barclays, as inconsistencies started to add up doubts about his true identity could no longer be surpressed. The Imposter is director Bart Layton's masterful documentary, which mixes real-life interviews and home-video footage with neo-noir reconstructions in his retelling of this true story of deception.
Thursday’s Prom celebrates young talent with the National Youth Orchestra of Great Britain. Conducted by Vasily Petrenko, they will perform Varèse’s playful Tuning Up, Nico Muhly’s Gait, Messiaen’s Turangalîla Symphony, and young composer Anna Meredith’s HandsFree, which was written to be played with anything other than instruments.