Culture 14 June 2012 Terrence Rattigan and the New Statesman The magazine features in a revival of While the Sun Shines. Print HTML Terrence Rattigan had a close association with the New Statesman, most strongly just after the Second World War when his friend T C Worsley, who often spent winter breaks at Rattigan’s house in Bermuda, became the magazine’s literary editor and drama critic. In 1950 the playwright provoked the contemporary equivalent of a Twitter storm in the letters pages of the NS when, following a bad reception for his play Adventure Story about Alexander the Great, he published his article “Concerning the Play of Ideas” which took a swipe at the idea that drama had to address topical controversies, singling out Ibsen and Shaw for particular criticism. Shaw waded into the controversy closely followed by Sean O’Casey, James Bridie (playwright and translator of Ibsen), Benn Levy (playwright and Labour MP for Eton and Slough 1945-50), Peter Ustinov and Ted Willis. Rattigan had success in the 1950s with The Deep Blue Sea and Separate Tables (which also features a copy of the New Statesman read by the Major disgraced by the disclosure of his conviction for a minor sexual offence), but his spell at the heart of the Zeitgeist was over, aggravated by his self regarding remarks after the first night of John Osborne’s Look Back in Anger. The hundreth anniversary of his birth last year has produced a spate of Rattigan revivals and his reputation has been restored almost to the heights it reached in the 1930s and 1940s. The hugely successful recent production of his 1944 play Flare Path has now been followed by a revival of the play that immediately preceeded it, While The Sun Shines, at the Lion and the Unicorn Theatre in Kentish Town. Set in the London of 1943 when many couples were getting hitched only to be parted by the war, sometimes forever, this is not one of the playwright's social commentaries but a very funny comedy featuring the young Earl of Harpenden’s faltering progress towards the altar with Lady Elizabeth Randall. Matters are complicated by the earl’s entanglement with the comely Mabel Crum and Lady Elizabeth’s unwitting bewitching of both a Free French officer Lieutenant Colbert and the Earl’s new found American friend Lieutant Mulvaney. The Duke of Ayr and Stirling, Lady Elizabeth’s permanently impecunious father is desperate for the match to succeed so he can obtain a share of the Harpenden money to fritter away in the bookies – at one point he plays dice to decide which of the suitors will actually make it to the altar. A copy of the New Statesman is brandished at several points in the action, twice as Mabel Crum is dispatched to hide in the kitchen with the NS to keep her company and most memorably when Harpenden clashes with Colbert who proudly admits to being a socialist, convinced that the British aristocracy will soon be extinct. “Well I read the New Statesman, you know” retorts the distressed Earl. The combination of misunderstandings, bed sharing, military uniforms and a splendid butler called Horton might make you think you’ve seen it before, but never better written than this and probably not better acted either. If you’re in need of cheering up you should go and fall in love with the cast, especially Greer Dale-Foulkes as Lady Elisabeth and Patrick Rogers as her aristo father – when you first see him, he seems a bit too young for the part but his comic ability soon erases those doubts. Rattigan would be delighted, and you will be too. "While the Sun Shines" runs at the Lion and the Unicorn pub theatre in Gaisford Street, London NW5 until 17 June. Tickets from www.giantolive.com/tickets.html › Why Iain Duncan Smith is wrong on child poverty Sophia Sibthorpe, Iestyn Arwel and Freddie Hutchins in When the Sun Shines Subscribe More Related articles The New Statesman's Fundamenta-list: the zeitgeist, then and now How Jo Brand found comedy in the world's most thankless job: social work Why is Britain falling out of love with Valentine’s Day?