He is perhaps Britain’s most iconic filmmaker, and from June until October the BFI will be paying homage to the visionary director who left an indelible stamp on the world of cinema, art and popular culture. Two years ago, efforts began to restore Hitchcock’s nine surviving silent films. Thanks to serious dedication from the BFI and its patrons, the restored films will be screened at world premiere events in June and July, hosted by iconic London venues including the British Museum and Wilton’s Music Hall. From August until October the BFI Southbank will also be screening the entire retrospective of the Hitchcock’s cinematic career.
Pina Bausch has stood the test of time as a seminal influence on modern dance, a performer and choreographer with an experimental viewpoint and an “unmatched ability to combine the poetic and the everyday”. Sadler’s Wells Theatre and the Barbican Centre team up for a marathon series of performances: ten works inspired by ten global cities – each one lived in by Bausch and her dance company Tanztheater Wuppertal for a period of time – staged over four weeks. Sadler’s Wells artistic director and Pina Bausch devotee Michael Morris calls the season an endurance test dreamt up “over a dinner filled with red wine.” Sure to be an extraordinary dance spectacle of the first order.
How the Light Gets In can proudly call itself the largest philosophy and music festival in the world. Hosted in the lovely Welsh town of Hay-on-Wye, the festival features ten days of debates on a host of philosophical topics ranging from art to ethics, politics to science. Here is a place where provocative ideas can mingle with a fine array of alternative music and comedy. Our own culture editor, Jonathan Derbyshire, will be chairing a debate on Uncharted Territory: Progress for the New Era, as well as speaking in discussions titled Hawking v. Philosophy and The World in Our Hands (featuring Nigel Lawson and Polly Higgins).
This will be the first major exhibition of the work of Thomas Heatherwick and his design team at Heatherwick Studio. Hosted by the Victoria and Albert Museum, who have called Heatherwick “one of the most inventive and experimental British design studios practising today,” this is a thrilling opportunity to see some of the more infamous (a redesigned Routemaster) and lesser-known gems (the Longchamp zipper bags) from Heatherwicks’ oeuvre. Thames and Hudson have also published a very beautiful book to coincide with the show’s opening.
Formally known as the London Street Photography Festival, this month-long series of exhibitions is back for its second year with a new name but the same agenda – to provide a platform for photography as a means of “visual storytelling”. This year’s exhibitions will be grouped around the common theme of Inside Out: Reflections on the Public and Private. With work from established and emerging artists, contemporary practitioners and historic entrepreneurs, the scope of work is broad and forward thinking. Highlights will include The Gaddafi Archive, an exclusive series excavated from the Human Rights Watch photography collection, and the Great British Public - contemporary images from across Britain shot by range of talented photographers.