Gilbey on Film: In praise of Billy Wilder

Ten years of after the director's death, it's worth watching <em>The Apartment</em> again.

Billy Wilder died 10 years ago this week. His films, though, have the gift of eternal life. The Apartment, along with Some Like It Hot, is probably the most cherished of these (okay, I'll be completely uncontroversial and say the best). It will be back in UK cinemas in June. This is the second or third re-release of the film that I can remember in the last 15 years. My instinct in these circumstances is to complain about the same old titles being wheeled out again, and to protest that the resources should be splashed instead on digging out the ones that are overlooked or forgotten (such as Wilder's own fascinating and incomplete The Private Life of Sherlock Holmes, which was re-released 10 years ago).

But it's hard to stay gruff for long when faced with The Apartment. Instead I find myself thinking how wonderful it will be to see it again on a large screen. The last time I watched it was on TV a year or two ago. It was three or four in the morning, I was ill, unable to sleep, knocking back the Lemsip. But finding The Apartment on TV was the best pick-me-up of all. It's snappy and jolly but with the unmistakably Wilderesque strains of regret, melancholy and scepticism running through its romance.

The stench of the immoral or the venal in Wilder's work is so potent as to be made tolerable only by the crispness of the storytelling -- if Double Indemnity and Ace in the Hole were not such wildly compelling entertainments, they would plunge us forever into an inescapable pessimism. Wilder's unshowy brilliance, his meticulous x-rays of human fallibility, make great art out of the pitiful. (How he would have hated that: "I don't make cinema," he said. "I make movies. I make movies for amusement.")

Fresh off Some Like It Hot, Wilder, his co-writer, I A L Diamond, and their star, Jack Lemmon, waltzed straight into The Apartment. "While I was working with Mr. Lemmon for the first time on Some Like It Hot," Wilder said in a delightful interview with The Paris Review,

I thought to myself, "This guy's got a little bit of genius. I would love to make another picture with him, but I don't have a story." So I looked in my little black book and I came across a note about David Lean's movie Brief Encounter, that story about a married woman who lives in the country, comes to London, and meets a man. They have an affair in his friend's apartment. What I had written was, "What about the friend who has to crawl back into that warm bed?"

CC "Bud" Baxter (Lemmon) is the poor sap in question. He's rising fast at work, one promotion after another, but the secret of his success is that he loans out his apartment to the company executives for their trysts, one 45-minute slot at a time. It's a sleazy little set-up, and Wilder keeps the movie galloping along so briskly that we can overlook the unpleasantness at first. But then reality starts to creep in as Baxter realises that the woman he longs to bring home in his arms -- chirpy elevator assistant Fran Kubelik (Shirley MacLaine) -- has already been to his apartment, in the company of his boss (Fred MacMurray). The question of how Baxter finds out allows Wilder and Diamond to demonstrate their knack for succinct storytelling: one broken compact mirror is all it takes to make his heart break.

In fact, they are unbeatable at turning out these "moments" -- witness also Baxter's classic straining-spaghetti-through-a-tennis-racket scene, born out of Diamond's realisation that "Women love seeing a man trying to cook in the kitchen."

Such stand-out scenes never impede the film's precise, fluid rhythm. Wilder shot the picture in 50 days flat, and edited it in under a week. "We had three feet of unused film," he said proudly in Cameron Crowe's excellent book Interviews with Billy Wilder. (Read Andrew O'Hagan's lively review of it here. Wilder, you see, had been Crowe's first choice to play Tom Cruise's mentor in Jerry Maguire, a role the late director sadly declined.)

Fifty-seven days! That only enriches the film's miracles. This is lean, funny film-making, expertly paced and played, ending in a romantic flourish to swoon over. It won five Academy Awards, including Best Picture, Best Director and Best Screenplay. Wilder said: "It was ideal for Lemmon, the combination of sweet and sour. I liked it when someone called that picture a dirty fairy tale..." It was, he reckoned, "the picture [of mine] that has the fewest faults."

Billy Wilder. Photograph: Getty Images

Ryan Gilbey is the New Statesman's film critic. He is also the author of It Don't Worry Me (Faber), about 1970s US cinema, and a study of Groundhog Day in the "Modern Classics" series (BFI Publishing). He was named reviewer of the year in the 2007 Press Gazette awards.

Photo: Channel 4
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Who will win Great British Bake Off 2017 based on the contestants’ Twitters

An extremely serious and damning investigation. 

It was morning but the sky was as dark as the night – and the night was as dark as a quite dark rat. He walked in. A real smooth gent with legs for seconds. His pins were draped in the finest boot-cut jeans money could buy, and bad news was written all over his face. “I’m Paul,” he said. “I know”. My hooch ran dry that night – but the conversation never did. By nightfall, it was clear as a see-through rat.   

Some might say that going amateur detective to figure out which contestants win and lose in this year’s Great British Bake Off is spoiling the fun faster than a Baked Alaska left out of the freezer. To those people I’d say: yes. The following article is not fun. It is a serious and intense week-by-week breakdown of who will leave GBBO in 2017. How? Using the contestants’ Twitter and Instagram accounts, of course.

The clues are simple but manifold, like a rat with cousins. They include:

  • The date a contestant signed up for social media (was it during, or after, the competition?)
  • Whether a contestant follows any of the others (indicating they had a chance to bond)
  • A contestant’s personal blog and headshots (has the contestant already snaffled a PR?)
  • Pictures of the contestant's baking.
  • Whether a baker refers to themselves as a “baker” or “contestant” (I still haven’t figured this one out but FOR GOD’S SAKE WATSON, THERE’S SOMETHING IN IT)

Using these and other damning, damning, damning clues, I have broken down the contestants into early leavers, mid-season departures, and finalists. I apologise for what I have done.

Early leavers

Kate

Kate appears not to have a Twitter – or at least not one that the other contestants fancy following. This means she likely doesn’t have a book deal on the way, as she’d need to start building her social media presence now. Plus, look at how she’s holding that fork. That’s not how you hold a fork, Kate.

Estimated departure: Week 1

Julia

This year’s Bake Off began filming on 30 April and each series has ten episodes, meaning filming ran until at least 9 July. Julia first tweeted on 8 May – a Monday, presumably after a Sunday of filming. Her Instagram shows she baked throughout June and then – aha! – went on holiday. What does this mean? What does anything mean?

Estimated departure: Week 2

James

James has a swish blog that could indicate a PR pal (and a marketing agency recently followed him on Twitter). That said, after an April and May hiatus, James began tweeting regularly in June – DID HE PERHAPS HAVE A SUDDEN INFLUX OF FREE TIME? No one can say. Except me. I can and I am.

Estimated departure: Week 3

Tom

Token-hottie Tom is a real trickster, as a social media-savvy youngster. That said, he tweeted about being distracted at work today, indicating he is still in his old job as opposed to working on his latest range of wooden spoons. His Instagram is suspiciously private and his Twitter sparked into activity in June. What secrets lurk behind that mysteriously hot face? What is he trying to tell me, and only me, at this time?

Estimated departure: Week 4

Peter

Peter’s blog is EXCEPTIONALLY swish, but he does work in IT, meaning this isn’t a huge clue about any potential managers. Although Peter’s bakes look as beautiful as the moon itself, he joined Twitter in May and started blogging then too, suggesting he had a wee bit of spare time on his hands. What’s more, his blog says he likes to incorporate coconut as an ingredient in “everything” he bakes, and there is absolutely no bread-baking way Paul Hollywood will stand for that.

Estimated departure: Week 5

Mid-season departures

Stacey

Stacey’s buns ain’t got it going on. The mum of three only started tweeting today – and this was simply to retweet GBBO’s official announcements. That said, Stacey appears to have cooked a courgette cake on 9 June, indicating she stays in the competition until at least free-from week (or she’s just a massive sadist).

Estimated departure: Week 6

Chris

Chris is a tricky one, as he’s already verified on Twitter and was already solidly social media famous before GBBO. The one stinker of a clue he did leave, however, was tweeting about baking a cake without sugar on 5 June. As he was in London on 18 June (a Sunday, and therefore a GBBO filming day) and between the free-from week and this date he tweeted about bread and biscuits (which are traditionally filmed before free-from week in Bake Off history) I suspect he left just before, or slap bang on, Week 7. ARE YOU PROUD NOW, MOTHER?

Estimated departure: Week 7

Flo

Flo’s personal motto is “Flo leaves no clues”, or at least I assume it is because truly, the lady doesn’t. She’s the oldest Bake Off contestant ever, meaning we can forgive her for not logging onto the WWWs. I am certain she’ll join Twitter once she realises how many people love her, a bit like Val of seasons past. See you soon, Flo. See you soon.

Estimated departure: Week 8

Liam

Liam either left in Week 1 or Week 9 – with 0 percent chance it was any of the weeks in between. The boy is an enigma – a cupcake conundrum, a macaron mystery. His bagel-eyed Twitter profile picture could realistically either be a professional shot OR taken by an A-Level mate with his dad’s camera. He tweeted calling his other contestants “family”, but he also only follows ONE of them on the site. Oh, oh, oh, mysterious boy, I want to get close to you. Move your baking next to mine.

Estimated departure: Week 9

Finalists

Steven

Twitter bios are laden with hidden meanings and Steven Carter-Bailey’s doesn’t disappoint. His bio tells people to tune in “every” (every!) Tuesday and he has started his own hashtag, #StevenGBBO. As he only started tweeting 4 August (indicating he was a busy lil baker before this point) AND his cakes look exceptionally lovely, this boy stinks of finalist.  

(That said, he has never tweeted about bread, meaning he potentially got chucked out on week three, Paul Hollywood’s reckoning.)

Sophie

Sophie’s Twitter trail is the most revealing of the lot, as the bike-loving baker recently followed a talent agency on the site. This agency represents one of last year’s GBBO bakers who left just before the finale. It’s clear Sophie’s rising faster than some saffron-infused sourdough left overnight in Mary’s proving drawer. Either that or she's bolder than Candice's lipstick. 

Chuen-Yan

Since joining Twitter in April 2017, Yan has been remarkably silent. Does this indicate an early departure? Yes, probably. Despite this, I’m going to put her as a finalist. She looks really nice. 

Amelia Tait is a technology and digital culture writer at the New Statesman.