Someone change the classical record please!

The government's approach to teaching culture in schools doesn't work.

The government's latest drive to find a solution for teaching culture in schools has missed a big opportunity. It's nothing against Classic FM boss Darren Henley. He had a remit. It's just that ultimately we all know the record and unfortunately adding another layer into the English Baccalaureate doesn't seem like an ideal result for kids or teachers.

The problem is that while we all know teaching cultural subjects for longer in schools should in theory produce more balanced, cultural and artistic young adults, the reality is somewhat different. Teachers we know struggle with making strict curriculum subjects relevant and it feels as though Henley's report will do nothing more than trigger self-professed maths lover Michael Gove into some sort of halfway house, knee-jerk reaction.

I'm not against teaching drama and dance in schools. I do fear, though, that any formal, Department of Education-driven changes may focus too much on the "higher arts" and alienate kids from culture still further. I am also not suggesting that we teach them just street dance, pop songs and Banksy. The balance will no doubt be set but it is the same old methods, formulaic approach and academic expectancy that concern me.

Teaching culture in schools is not about throwing in extra lessons and giving out certificates. Take music. The trouble with teaching music in schools is that it is difficult to define its benefits beyond the obvious value of learning to play an instrument. Yet music at all levels can boost confidence in kids (and adults) and this in turn can open new doors and breed new opportunities. You only have to watch Gareth Malone in The Choir to see it in action.

There should be more music in schools across other subjects and not necessarily as a stand-alone class. Music, dance, drama and art have the ability to feed into many subjects. They are engaging mediums that can bring alive other topics and while I know some teachers try and do this, many are under pressure, working within the constraints of league tables and the three Rs. It is the culture that is the problem and the unwavering insistence on a strict curriculum that no longer has much relevance with the real world we live in.

Is this a bit of government box-ticking perhaps? Is the government jumping on bandwagons and paying lip service to culture in an attempt to keep the critics happy? Either way I cannot see how this will change anything. Gove says he doesn't want it to end up being elitist but it is difficult to see it will be anything but. The good kids with most parental support will get better and the rest will be disenfranchised, again. What it calls for is radicalism, a re-writing of the system and recognition of relevant subjects and reference points while maintaining educational values. Times have changed. Kids are playing downloads but it feels like the government is still stuck on vinyl.

Martyn Ware, former Heaven 17 and Human League musician and founder of the Illustrious Company, will be speaking at X Media Lab Bath on 16 March.

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Scotland's vast deficit remains an obstacle to independence

Though the country's financial position has improved, independence would still risk severe austerity. 

For the SNP, the annual Scottish public spending figures bring good and bad news. The good news, such as it is, is that Scotland's deficit fell by £1.3bn in 2016/17. The bad news is that it remains £13.3bn or 8.3 per cent of GDP – three times the UK figure of 2.4 per cent (£46.2bn) and vastly higher than the white paper's worst case scenario of £5.5bn. 

These figures, it's important to note, include Scotland's geographic share of North Sea oil and gas revenue. The "oil bonus" that the SNP once boasted of has withered since the collapse in commodity prices. Though revenue rose from £56m the previous year to £208m, this remains a fraction of the £8bn recorded in 2011/12. Total public sector revenue was £312 per person below the UK average, while expenditure was £1,437 higher. Though the SNP is playing down the figures as "a snapshot", the white paper unambiguously stated: "GERS [Government Expenditure and Revenue Scotland] is the authoritative publication on Scotland’s public finances". 

As before, Nicola Sturgeon has warned of the threat posed by Brexit to the Scottish economy. But the country's black hole means the risks of independence remain immense. As a new state, Scotland would be forced to pay a premium on its debt, resulting in an even greater fiscal gap. Were it to use the pound without permission, with no independent central bank and no lender of last resort, borrowing costs would rise still further. To offset a Greek-style crisis, Scotland would be forced to impose dramatic austerity. 

Sturgeon is undoubtedly right to warn of the risks of Brexit (particularly of the "hard" variety). But for a large number of Scots, this is merely cause to avoid the added turmoil of independence. Though eventual EU membership would benefit Scotland, its UK trade is worth four times as much as that with Europe. 

Of course, for a true nationalist, economics is irrelevant. Independence is a good in itself and sovereignty always trumps prosperity (a point on which Scottish nationalists align with English Brexiteers). But if Scotland is to ever depart the UK, the SNP will need to win over pragmatists, too. In that quest, Scotland's deficit remains a vast obstacle. 

George Eaton is political editor of the New Statesman.