In the Critics this week

Stuart Maconie on the Doors, Kate Williams on the gothic novel, Simon Blackburn on human nature and

In the Critics section of this week's New Statesman, Stuart Maconie reviews The Doors by leading American rock critic Greil Marcus. Even Marcus, a "magisterial and important writer", isn't able to persuade Maconie that the Doors aren't "the most overrated bands in the history of rock music". Doors frontman Jim Morrison embodied all the band's shortcomings, Maconie argues: "Watch the old footage of him, preening in his leather kecks, his self-satisfied, puppy-fat-frat-boy face pursed waxily as he declaims some sententious claptrap ..."

In the Books interview, Jonathan Derbyshire talks to American author Chad Harbach, whose first novel The Art of Fielding was published to great acclaim in the US in the autumn and has just been published in this country. The book is about a college baseball team, and Harbach says two of the principal influences on him when he was writing it were Don DeLillo and David Foster Wallace: "They are two of the only novelists who have really thought about the relation of sport to larger society" DeLillo's End Zone and Wallace's Infinite Jest were, he says, "models" for The Art of Fielding.

Also in Books: Simon Blackburn on Beyond Human Nature by Jesse Prinz; Simon Kuper on Sport Italia: the Italian Lover Affair With Sport by Simon Martin; Helen Lewis-Hasteley on The Brain Is Wider Than the Sky by Bryan Appleyard and How Is the Internet Changing the Way You Think? By John Brockman; and Leo Robson on Masscult and Midcult by Dwight Macdonald.

This week's Critic at large is historian and novelist Kate Williams, who examines the enduring appeal of the gothic novel: "Gothic fascinations," Williams writes, "tend to increase with recessions. [Mary Shelley's] Frankenstein was perfectly fitted to the economic slump that followed the end of the [Napoleonic] wars. ... Recession ... makes us desperate for distraction - the more monstrous the better."

Also in the Critics: Ryan Gilbey on Shame and Margin Call; Rachel Cooke on ITV's Eternal Law; Alex Preston reports from a British Council-sponsored event in Athens; Antonia Quirke on a radio history of the obituary; Will Self on the suburban way of death; and "Endowments" by Terry Jones, the winner of first prize in the Bridport Prize, 2011.

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SRSLY #52: New Blood / Absolutely Fabulous / Bewitched

On the pop culture podcast this week: Anthony Horowitz police procedural New Blood, the Absolutely Fabulous movie and the 2005 film Bewitched by Nora Ephron.

This is SRSLY, the pop culture podcast from the New Statesman. Here, you can find links to all the things we talk about in the show as well as a bit more detail about who we are and where else you can find us online.

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SRSLY is usually hosted by Caroline Crampton and Anna Leszkiewicz, the NS’s web editor and editorial assistant. We’re on Twitter as @c_crampton and @annaleszkie, where between us we post a heady mixture of Serious Journalism, excellent gifs and regularly ask questions J K Rowling needs to answer.

The Links

New Blood

Anna on the show's pitch-perfect portrayal of millennial life in London.

Huw Fullerton on New Blood's obsession with property.

Absolutely Fabulous

The trailer for the movie.

An interesting take on the way the show and now the film charts the evolution of celebrity.

Bewitched

The trailer.

An example of the universally negative critical reaction to the film.

 

For next time

Caroline is reading Ask Polly columns, like this one.

If you’d like to talk to us about the podcast or make a suggestion for something we should read or cover, you can email srslypod[at]gmail.com.

You can also find us on Twitter @srslypod, or send us your thoughts on tumblr here. If you like the podcast, we’d love you to leave a review on iTunes - this helps other people come across it.

We love reading out your emails. If you have thoughts you want to share on anything we’ve discussed, or questions you want to ask us, please email us on srslypod[at]gmail.com, or @ us on Twitter @srslypod, or get in touch via tumblr here. We also have Facebook now.

Our theme music is “Guatemala - Panama March” (by Heftone Banjo Orchestra), licensed under Creative Commons. 

See you next week!

PS If you missed #51, check it out here.