69th Golden Globes: In pictures

Silent, black and white film by a French director is the biggest winner at the 2012 awards.

NS critics Ryan Gilbey and Rachel Cooke on the award winning films

BEST MOTION PICTURE - DRAMA

The Descendants

BEST MOTION PICTURE - COMEDY OR MUSICAL

The Artist

BEST ANIMATED FEATURE FILM

The Adventures of Tintin

BEST ACTOR - DRAMA

George Clooney, The Descendants

BEST ACTOR - COMEDY OR MUSICAL

Jean Dujardin, The Artist

BEST ACTRESS - DRAMA

Meryl Streep, The Iron Lady

BEST ACTRESS - COMEDY OR MUSICAL

Michelle Williams, My Week With Marilyn

BEST SUPPORTING ACTOR

Christopher Plummer, Beginners

BEST SUPPORTING ACTRESS

Octavia Spencer, The Help

BEST DIRECTOR

Martin Scorsese, Hugo

BEST SCREENPLAY

Midnight in Paris

BEST SCORE

The Artist

BEST SONG

W.E., "Masterpiece"

BEST FOREIGN LANGUAGE FILM

A Separation (Iran)

BEST TV SERIES - DRAMA

Homeland

BEST TV SERIES - COMEDY OR MUSICAL

Modern Family

BEST MINISERIES OR MOTION PICTURE MADE FOR TV

Downton Abbey

BEST ACTOR - DRAMA

Kelsey Grammer, Boss

BEST ACTRESS - DRAMA

Claire Danes, Homeland

BEST ACTOR - COMEDY OR MUSICAL

Matt LeBlanc, Episodes

BEST ACTRESS - COMEDY OR MUSICAL

Laura Dern, Enlightened

BEST ACTOR - MINISERIES OR MOTION PICTURE MADE FOR TV

Idris Elba, Luther

BEST ACTRESS - MINISERIES OR MOTION PICTURE MADE FOR TV

Kate Winslet, Mildred Pierce

BEST SUPPORTING ACTOR

Peter Dinklage, Game of Thrones

BEST SUPPORTING ACTRESS

Jessica Lange, American Horror Story

Alice Gribbin is a Teaching-Writing Fellow at the Iowa Writers' Workshop. She was formerly the editorial assistant at the New Statesman.

Photo: Getty
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Brexit Big Brother is watching: how media moguls control the news

I know the Daily Mail and the Daily Telegraph well, and I don’t care to see them like this.

It would take a heart of stone now not to laugh at an illustration of Theresa May staring defiantly out at Europe from the British coast, next to the headline “Steel of the new Iron Lady”.

Those are, however, the words that adorned the front page of the Daily Mail just five months ago, without even a hint of sarcasm. There has been so much written about the Prime Minister and the strength of her character – not least during the election campaign – and yet that front page now seems toe-curlingly embarrassing.

Reality has a nasty habit of making its presence felt when news is remorselessly selected, day in and day out, to fit preconceived points of view. May and her whole “hard Brexit” agenda – which the public has now demonstrated it feels, at best, only half-heartedly enthusiastic about – has been an obsession of several British newspapers, not least the Daily Mail and the Daily Telegraph.

I know these papers well, having spent the best part of a quarter-century working for them, and I don’t care to see them like this. When I worked there, a degree of independent thought was permitted on both titles. I joined the Telegraph in 2002; at the time, my colleagues spoke with pride of the paper’s tolerance to opposing views. And when I was at the Mail, it happily employed the former Labour MP Roy Hattersley.

Would I be able to run positive stories about, say, my mate Gina Miller – who successfully campaigned for parliamentary scrutiny of the Brexit process – in the Telegraph if I were there today? Or at the Daily Mail? Dream on: it’s two minutes of hate for that “enemy of the people”.

Morale in these newsrooms must be low. I am finding that I have to allow an extra half-hour (and sometimes an extra bottle) for lunches with former colleagues these days, because they always feel the need to explain that they’re not Brexiteers themselves.

Among the Telegraph characters I kept in touch with was Sir David Barclay, who co-owns the paper with his brother, Sir Frederick. Alas, the invitations to tea at the Ritz (and the WhatsApp messages) came to an abrupt halt because of you-know-what.

I don’t think Sir David was a bad man, but he got a Brexit bee in his bonnet. I was conscious that he was close to Paul Dacre, the editor of the Daily Mail, and both had cordial relations with Rupert Murdoch. It became clear that they had all persuaded themselves (and perhaps each other) that Brexit suited their best interests – and they are all stubborn.

It seems to me unutterably sad that they didn’t sound out more of their factory-floor staff on this issue. We journalists have never been the most popular people but, by and large, we all started out wanting to make the world a better place. We certainly didn’t plan to make it worse.

People used to tell me that papers such as the Daily Mail and the Telegraph changed because the country had but, even in the darkest days, I didn’t agree with that premise. We are in the mess we’re in now because of personalities – in newspapers every bit as much as in politics. The wrong people in the wrong jobs, at the wrong time.

Would the Daily Mail have backed Brexit under Dacre’s predecessor David English? It is hard to imagine. He was a committed and outward-looking Europhile who, in the 1970s, campaigned for the country to join the EU.

I can think of many Telegraph editors who would have baulked at urging their readers to vote Leave, not least Bill Deedes. Although he had his Eurosceptic moments, a man as well travelled, compassionate and loyal to successive Conservative prime ministers would never have come out in favour of Brexit.

It says a great deal about the times in which we live that the Daily Mirror is just about the only paper that will print my stuff these days. I had a lot of fun writing an election diary for it called “The Heckler”. Morale is high there precisely because the paper’s journalists are allowed to do what is right by their readers and, just as importantly, to be themselves.

Funnily enough, it reminded me of the Telegraph, back in the good old days. 

This article first appeared in the 22 June 2017 issue of the New Statesman, The zombie PM

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