"I shall vote Labour"

Christopher Logue, whose poems were published by the NS in the 50s/60s, dies at 85.

The poet Christopher Logue, who died last Friday at the age of 85, was best known for his project - which spanned fifty years - to adapt Homer's Iliad as an epic, modernist poem. Logue's War Music appeared as five print volumes and the final collection, published by Faber as Logue's Homer: Cold Calls: War Music Continued: Vol 1, won the 2006 Whitbread Poetry Prize and long overdue recognition for the English poet.

Unlike the modernist greats whose attachments to the Greek classics were coupled with deep rooted Conservatism - think Eliot, Pound - Logue was of the loosely-liberal British Poetry Revival movement and an active leftie throughout his life.

In 1960, Logue became an original member of the Committee of 100, the anti-war group set up by Bertrand Russell to voice their opposition to the British government's nuclear policy. From the late Fifties through the Seventies he contributed to Private Eye and the New Statesman, participated in CND marches and lead social programmes to bring poetry to workers on the factory floors.

In March 1966, after just 17 months in office, sitting prime minister Harold Wilson held a general election and campaigned under the slogan "You know Labour Government Works". The same year, Logue wrote the following poem. "I shall vote Labour" was first published by the New Statesman, and that spring the British public re-elected Prime Minister Wilson, increasing the Labour government majority from just four seats to a comfortable 96.

 

I shall vote Labour

I shall vote Labour because
God votes Labour.
I shall vote Labour to protect
the sacred institution of The Family.
I shall vote Labour because
I am a dog.
I shall vote Labour because
upper-class hoorays annoy me in expensive restaurants.
I shall vote Labour because
I am on a diet.
I shall vote Labour because if I don't
somebody else will:
AND
I shall vote Labour because if one person
does it
everybody will be wanting to do it.
I shall vote Labour because if I do not vote Labour
my balls will drop off.
I shall vote Labour because
there are too few cars on the road.
I shall vote Labour because I am
a hopeless drug addict.
I shall vote Labour because
I failed to be a dollar millionaire aged three.
I shall vote Labour because Labour will build
more maximum security prisons.
I shall vote Labour because I want to shop
in an all-weather precinct stretching from Yeovil to Glasgow.
I shall vote Labour because
the Queen's stamp collection is the best
in the world.
I shall vote Labour because
deep in my heart
I am a Conservative.

 

 

Alice Gribbin is a Teaching-Writing Fellow at the Iowa Writers' Workshop. She was formerly the editorial assistant at the New Statesman.

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SRSLY #94: Liam Payne / Kimmy Schmidt / Mulholland Drive

On the pop culture podcast this week: the debut solo single from Liam Payne, the Netflix series The Unbreakable Kimmy Schmidt and the David Lynch film Mulholland Drive.

This is SRSLY, the pop culture podcast from the New Statesman. Here, you can find links to all the things we talk about in the show as well as a bit more detail about who we are and where else you can find us online.

Listen using the player below. . .

. . .or subscribe in iTunes. We’re also on StitcherRSS and SoundCloud – but if you use a podcast app that we’re not appearing in, let us know.

SRSLY is hosted by Caroline Crampton and Anna Leszkiewicz, the NS’s assistant editor and editorial assistant. We’re on Twitter as @c_crampton and @annaleszkie, where between us we post a heady mixture of Serious Journalism, excellent gifs and regularly ask questions J K Rowling needs to answer.

The Links

Liam Payne

The lyrics. Oh God, the lyrics.

The interview that Caroline mentioned, feat. Ed Sheeran anecdote.

Liam on the trending chart.

The Unbreakable Kimmy Schmidt

The show on Netflix.

Why the show needs to end.

The GOAT, Emily Nussbaum, on the show.

Mulholland Drive

Lynch's ten clues to unlocking the film.

Everything you were afraid to ask about Mulholland Drive.

Vanity Fair goes inside the making of the film.

For next time:

We are watching Loaded.

If you’d like to talk to us about the podcast or make a suggestion for something we should read or cover, you can email srslypod[at]gmail.com.

You can also find us on Twitter @srslypod, or send us your thoughts on tumblr here. If you like the podcast, we’d love you to leave a review on iTunes - this helps other people come across it.

We love reading out your emails. If you have thoughts you want to share on anything we’ve discussed, or questions you want to ask us, please email us on srslypod[at]gmail.com, or @ us on Twitter @srslypod, or get in touch via tumblr here. We also have Facebook now.

Our theme music is “Guatemala - Panama March” (by Heftone Banjo Orchestra), licensed under Creative Commons. 

See you next week!

PS If you missed #93, check it out here.

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