Reviews round-up

The critics' verdicts on Stephen King, Corey Robin and Condoleezza Rice.

11.22.63 by Stephen King

Roz Kaveney, writing in the Independent, writes that Stephen King's latest novel is "about time-travel, about the attempt to create a new and better world by going back and changing one big thing: in this case, the assassination of John Fitzgerald Kennedy." "Jake Epping, the hero of King's new book 11.22.63, is not a scientist but a divorced high school teacher from Maine" reports Adam LeBor in the Financial Times.

LeBor finds that the novel "marks a definite maturing of literary command and ambition and is a step up from recent, more standard works [by King], such as Cell (2006)." By contrast, Rachel Cooke writes in the Observer that "King has delivered a self-indulgent book that is too long (a whopping 740 pages), too complicated and too barmy for words ... I wouldn't have finished 11.22.63 if I hadn't been reviewing it. Whilst King's novel is "coherent enough to make an intellectual point, [it] seems to be arguing that meddling in history is a bad idea. Things - even awful things - happen for a reason ... I'm not sure I agree."

"The key to any novel set in an alternate reality is credible world-building ... King succeeds in this, partly by drawing on his own memories. He was 11 years old in 1958" writes LeBor. Kaveney comments that, "One of the strengths of the book is King's at once nostalgic and honest view of the end of the Eisenhower era. Jake is conscious that it's quite a nice time for him, but that as a straight white man, it would be."

The Reactionary Mind: Conservatism from Edmund Burke to Sarah Palin by Corey Robin

In a collection of previously published essays "Corey Robin, an American academic of the left, believes that while his ideological enemy adapts to circumstance, it does not change" writes John Kampfner in the Guardian. "The ruling class rests 'its claim to power upon its sense of victimhood ... Failure is its most potent source of inspiration. Loss - real social loss, of power and position, privilege and prestige - is the mustard seed of conservative innovation.'"

Sheri Berman writes in the New York Times that Robin defines conservatism as "an inherently elitist and hierarchical ideology, whose essence is the defense of elite privileges against challenges from below." However, a big problem with Robin's thesis is that: "Fascism and National Socialism ... were anti-elitist and deliberately destroyed the traditional orders in the countries where they gained power. The strongest right-wing movements in the West in more recent decades have been populist as well."

Kampfner comments that, "Perhaps the biggest weakness is Robin's inability to engage with Conservatism's enduring popularity" and concludes that whilst this is "a very readable romp through the evils of Conservatism ... the book would have been more powerful if the author had not allowed his visceral loathing to get the better of him."

No Higher Honor: A Memoir of My Years in Washington by Condoleezza Rice

Jonathan Powell, Tony Blair's chief of staff from 1995 to 2007, reviews No Higher Honor in the 14 November issue of the New Statesman. Powell describes the memoir as a "diplomatic tour d'horizon, a canter round the world as Rice rushes from one event to another." It gives "occasional glimpses of her reserve: for instance, when she is required to put on a comic karaoke performance at a retreat of Asean foreign ministers and is told that her predecessor Colin Powell performed a pastiche of the Village People's 'YMCA.'"

Toby Harnden writes in the Telegraph that "there's a saying in Washington that every political memoir can be boiled down to six words: "If Only They'd Listened to Me." ... Condoleezza Rice's weighty and rather ponderous account of her time as President George W Bush's National Security Adviser and Secretary of State is a classic of the genre."

Dissimilarly, Glenn Kessler reports in the Washington Post that "in many ways, this is the first serious memoir of the Bush presidency ... Rice emphasizes that the well-publicized disputes with Cheney and Rumsfeld were (in her mind) not personal, but simply business ... Given how roughly Cheney and Rumsfeld treated her in their accounts of the Bush years, such equanimity is remarkable." Powell concludes that the memoir is "nice, reserved and long. And [Rice] doesn't try to pin the blame on anyone but herself."

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SRSLY #94: Liam Payne / Kimmy Schmidt / Mulholland Drive

On the pop culture podcast this week: the debut solo single from Liam Payne, the Netflix series The Unbreakable Kimmy Schmidt and the David Lynch film Mulholland Drive.

This is SRSLY, the pop culture podcast from the New Statesman. Here, you can find links to all the things we talk about in the show as well as a bit more detail about who we are and where else you can find us online.

Listen using the player below. . .

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SRSLY is hosted by Caroline Crampton and Anna Leszkiewicz, the NS’s assistant editor and editorial assistant. We’re on Twitter as @c_crampton and @annaleszkie, where between us we post a heady mixture of Serious Journalism, excellent gifs and regularly ask questions J K Rowling needs to answer.

The Links

Liam Payne

The lyrics. Oh God, the lyrics.

The interview that Caroline mentioned, feat. Ed Sheeran anecdote.

Liam on the trending chart.

The Unbreakable Kimmy Schmidt

The show on Netflix.

Why the show needs to end.

The GOAT, Emily Nussbaum, on the show.

Mulholland Drive

Lynch's ten clues to unlocking the film.

Everything you were afraid to ask about Mulholland Drive.

Vanity Fair goes inside the making of the film.

For next time:

We are watching Loaded.

If you’d like to talk to us about the podcast or make a suggestion for something we should read or cover, you can email srslypod[at]gmail.com.

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See you next week!

PS If you missed #93, check it out here.

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