Habibi by Craig Thompson
Craig Thompson is back with another graphic novel, Habibi, following his award-winning Blankets. Set in the Middle East, Habibi "follows the fortunes of Dodola, an Arab girl sold into child marriage by her illiterate parents," writes Michel Faber in the Guardian. "Dodola hones a love of numbers and narrative which helps her survive her subsequent adventures." These include "breakneck escapes from a slave market and an execution squad (some of the most thrilling action sequences I've seen in comics for years.) ... At heart, however, Habibi is a love story between Dodola and Zam, a black slave she adopts as an infant."
Faber notes that "Thompson clearly adores the beauty of Arabic calligraphy and is enthralled by the landscape and people of the Arab world." However, "despite its visual splendours and sincere message, Habibi is ultimately wearisome. Part of the problem is its sheer length." It is "an orgy of art for its own sake."
By contrast, Inbali Iserles writes in the Independent that "the book is destined to become an instant classic, confirming the author's position among not only the most masterful of graphic novelists but our finest contemporary writers, regardless of medium."
A interesting illustrated review by M.C.'s Canvas on the Washington Post's entertainment blog is prefaced with this remark: "mere words . . . seemed not enough to even try to convey just how intricate and ornate, lush and seductive, arabesque and sometimes knowingly grotesque this artistic epic is."
What is Madness? by Darian Leader
In the Independent's review, Hanif Kureishi writes that "Darian Leader brilliantly shows [that] ... deciding who the mad actually are ... is quite a job. After a hundred years no one has come up with a diagnosis which most psychiatrists can agree on." Alexander Linklater in the Observer finds that "because [Leader] sees reason in madness [he] ... can ... argue that there is no such thing as 'mental illness' - he views madness as a natural response to unbearable experience."
"Darian Leader belongs to the most endangered clinical world-view of them all: that of the psychoanalyst," suggests Linklater. However, "for every useful criticism, Leader cannot resist the temptation to flip over into shrill condemnation . . .. The suggestion that the medical mainstream is insane puts a huge burden on the author to prove the sanity of his own system - and this will not be entirely evident to the agnostic reader."
Kureishi writes that "Leader reminds us that adults have been vulnerable children for a long time and therefore are difficult to change. They love their symptoms, usually more than they love their lives." In the New Statesman, Lisa Appignanesi describes What Is Madness? as "a humane and timely book ... What Leader does so effectively is to give us a sense of what it might be like to live inside the mind of a psychotic ... [He] teases out ways for the analyst to stay attentive to this inner world and to stabilise it."
The Golden Hour by William Nicholson
In the Observer's review, Viv Groskop reports that in The Golden Hour, Oscar-nominated screenwriter William Nicholson "returns to his stamping ground - angsty, middle-class families in Lewes, East Sussex - but with even more ease and confidence than the previous two books that make up this sort-of trilogy [The Secret Intensity of Everyday Life and All the Hopeful Lovers.]" Jane Shilling explains in the Telegraph that "the novel is loosely linked by character and location to its two predecessors. Laura and Henry Broad [who] reappear, grappling with the problems of middle age."
Groskop comments that "there's so much dialogue it sometimes reads like a screenplay and the quickfire exchanges can distract from the more philosophical asides ... It comes across a bit like Downton Abbey: ... you know that you're going to love it at some point, but you sometimes have to sit through too much well-meaning exposition." Shilling concludes that it is "not a voyage of discovery, exactly [but]an agreeable ramble," a "book with which to fill an idle afternoon".