Back to the future

Upcoming releases by world-class directors.

After the release of long-awaited films, such as Pedro Almodóvar's The Skin I Live In and Tomas Alfredson's Tinker Tailor Soldier Spy, we take a look at what's coming next from some of our greatest living directors.

Twixt (2011), Franis-Ford Coppola

In Coppola's new detective thriller, Val Kilmer plays a pulp horror writer living in a Californian town, who becomes involved in a dramatic murder story of his own. Narrated by Tom Waits, the cast includes Ben Chaplin, Bruce Dern and Elle Fanning.

Making a rare public appearance, this year Coppola showed parts of Twixt to the Comic-Con fan convention in San Diego. He used real-time editing tools to present a version of the film which was directly influenced by the audience's response. This was the first run of an interesting project due before Twixt's theatrical release: a national tour in which Coppola will show a different version of the thriller each night.

Carnage (2011), Roman Polanski

Carnage is based upon God of Carnage, the 2009 Tony-winning play written by French playwright Yasmina Reza. Reza and Polanski started adapting the play for the big screen in 2009. Set in Brooklyn, Carnage is based on the interaction between two sets of middle-class parents who meet after their sons are found fighting in the school playground. In this witty film, hostility and resentment are unleashed between two couples: the Longstreets (John C Reilly and Jodie Foster) and the Cowans (Christoph Waltz and Kate Winslet). Premiered at the Venice Film Festival, Carnage will open the 49th New York Film Festival on 30 September.

Melancholia (2011), Lars von Trier

From the director of the 2000 Palme-D'Or-winning Dancer In the Dark, comes this visually stunning end-of-the-world melodrama. The film was in the running for this year's Palme D'Or, but lost to Terence Malick's Tree of Life.

A mysterious new planet called "Melancholia" threatens to collide into the Earth, which has a damaging affect on the relationship between two sisters: Justine and Claire. Kirsten Dunst won Best Female Actress at Cannes this year for her role as Justine, a bride-to-be who suffers from depression. The more rational sister, Claire, is played by Charlotte Gainsbourg. The film also stars Kiefer Sutherland, Charlotte Rampling and John Hurt.

Gambit (2012), Michael Hoffman

The remake of the 1966 British action thriller starring Michael Caine and Shirley MacLaine has a screenplay written by Joel and Ethan Coen.

In his first film since The King's Speech, Colin Firth stars as a cat burglar trying to rob a billionaire. The criminal employs the help of a waitress (Cameron Diaz) who closely resembles the billionaire's ex-wife. Gambit's shooting in London began in May this year, and it should be released in 2012.

The Great Gatsby (2012), Baz Luhrmann

Baz Luhrmann is dedicating a vast budget of £90m to his film production of one of the best novels of all time. First published in 1925, F Scott Fitzgerald's The Great Gatsby conveys how a materialist and hedonistic culture can both attract and estrange people from one another. The novel is set in Long Island and New York City, but the film is being shot in Australia.

In parallel with his role as Jay Gatsby, Leonardo DiCaprio is stupendously rich, topping the 2011 Forbes list for the top-earning male in Hollywood. Tobey Maguire plays the novel's narrator Nick Carraway and Carey Mulligan stars as Gatsby's love, the enigmatic and unforgettable Daisy Buchanan. In other roles, Isla Fisher stars as the sassy Myrtle and Joel Edgerton as Tom Buchanan.

It's said that Luhrmann will shoot the film in 3D. This has sparked anger from some who fear that the form is suited to fast-paced action films rather than to an adaptation of a classic novel.

The Bop Decameron (2012), Woody Allen

Woody Allen's first film set in Rome is a romantic-comedy partly influenced by Fellini and the Decameron, Giovanni Boccaccio's 14th-century collection of bawdy stories.

Allen will star in the film, alongside actors such as Oscar nominee Jesse Eisenberg, Penelope Cruz, Alec Baldwin and Ellen Page. This is the second time Allen has directed Penelope Cruz - the first time being Vicky Christina Barcelona in 1998, for which Cruz won an Oscar. Allen has also casted real life members of Rome's paparazzi.

Pinocchio (2014), Guillermo del Toro

Guillermo del Toro will direct a new version of Pinocchio in 2014, an exciting prospect after his mesmerising dark fairy-tale Pan's Labyrinth, which was set in facist Spain.

A follow-up to The Five Obstructions, Martin Scorsese and Lars von Trier

Scorsese and Lars von Trier have confirmed that they will collaborate to make a follow-up to The Five Obstructions- von Trier's 2003 documentary about filmmaking. In 1967 Danish film director Jorgen Leth made a short film about human behaviour. The Five Obstructions was based on von Trier's challenge to Leth to make five remakes of his film under certain constraints, such as to shoot the film in the "most miserable place" Leth could think of. It is rumoured that in this follow-up von Trier will challenge Scorsese to remake the Taxi Driver.

Silence, Martin Scorsese

Scorsese's next feature film, Silence, is set to begin production in early 2012 and will have an impressive cast, including Daniel Day-Lewis, Benicio Del Toro and Gael García Bernal.

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Katy Perry’s new song is not so much Chained to the Rhythm as Chained to a Black Mirror episode

The video for “Chained to the Rhythm” is overwhelmingly pastel and batshit crazy. Watch out, this satire is sharp!

If you’ve tuned into the radio in the last month, you might have heard Katy Perry’s new song, “Chained to the Rhythm”, a blandly hypnotic single that’s quietly, creepingly irresistible.

If you’re a really attuned listener, you might have noticed that the lyrics of this song explore that very same atmosphere. “Are we crazy?” Perry sings, “Living our lives through a lens?”

Trapped in our white picket fence
Like ornaments
So comfortable, we’re living in a bubble, bubble
So comfortable, we cannot see the trouble, trouble
Aren’t you lonely?
Up there in utopia
Where nothing will ever be enough
Happily numb

The chorus muses that we all “think we’re free” but are, in fact, “stumbling around like a wasted zombie, yeah.” It’s a swipe (hehe) at social media, Instagram culture, online dating, whatever. As we all know, modern technology is Bad, people who take photos aren’t enjoying the moment, and glimpses other people’s Perfect Lives leave us lonely and empty. Kids these days just don’t feel anything any more!!!

The video for this new song was released today, and it’s set in a (get this) METAPHORICAL AMUSEMENT PARK. Not since Banky’s Dismaland have we seen such cutting satire of modern life. Walk with me, through Katy Perry’s OBLIVIA.

Yes, the park is literally called Oblivia. Get it? It sounds fun but it’s about oblivion, the state of being unaware or unconscious, i.e. the state we’re all living in, all the time, because phones. (I also personally hope it’s a nod to Staffordshire’s own Oblivion, but cannot confirm if Katy Perry has ever been on the Alton Towers classic steel roller coaster.)

The symbol of the park is a spaced-out gerbil thing, because, aren’t we all caged little hairy beings in our own hamster wheels?! Can’t someone get us off this never-ending rat race?!

We follow Katy as she explores the park – her wide eyes take in every ride, while her peers are unable to look past the giant iPads pressed against their noses.


You, a mindless drone: *takes selfies with an iPad*
Katy Perry, a smart, engaged person: *looks around with actual human eyes, stops to smell the roses*

She walks past rides, and stops to smell the roses – and the pastel-perfect world is injected with a dose of bright red reality when she pricks her finger on a thorn. Cause that’s what life really is, kids! Risk! At least she FEELS SOMETHING.


More like the not-so-great American Dream, am I right?!

So Katy (wait, “Rose”, apparently) takes her seat on her first ride – the LOVE ME ride. Heteronormative couples take their seats against either a blue heart or a pink one, before being whizzed through a tunnel of Facebook reaction icons.

Is this a comment on social media sexism, or a hint that Rose is just too damn human for your validation station? Who knows! All we can say for sure is that Katy Perry has definitely seen the Black Mirror episode “Nosedive”:

Now, we see a whole bunch of other rides.


Wait time: um, forever, because the human condition is now one of permanent stasis and unsatisfied desires, duh.

No Place Like Home is decorated with travel stamps and catapults two of the only black people in the video out of the park. A searing comment on anti-immigrant rhetoric/racism? Uh, maybe?

Meanwhile, Bombs Away shoots you around like you’re in a nuclear missile.


War: also bad.

Then everyone goes and takes a long drink of fire water (?!?!) at Inferno H2O (?!?!) which is also a gas station. Is this about polluted water or petrol companies or… drugs? Or are we just so commercialised even fire and water are paid-for privileges? I literally don’t know.

Anyway, Now it’s time for the NUCLEAR FAMILY SHOW, in 3D, no less. Rose is last to put her glasses on because, guess what? She’s not a robot. The show includes your typical 1950s family ironing and shit, while hamsters on wheels run on the TV. Then we see people in the rest of theme park running on similar wheels. Watch out! That satire is sharp.

Skip Marley appears on the TV with his message of “break down the walls to connect, inspire”, but no one seems to notice accept Rose, and soon becomes trapped in their dance of distraction.


Rose despairs amidst the choreography of compliance.

Wow, if that didn’t make you think, are you even human? Truly?

In many ways – this is the Platonic ideal of Katy Perry videos: overwhelmingly pastel, batshit crazy, the campest of camp, yet somehow walking the fine line between self-ridicule and terrifying sincerity. It might be totally stupid, but it’s somehow still irresistible.

But then I would say that. I’m a mindless drone, stumbling around like a wasted zombie, injecting pop culture like a prescription sedative.

I’m chained…………. to the rhythm.

Anna Leszkiewicz is a pop culture writer at the New Statesman.