Reviews Round-up

The critics' verdicts on José Saramago, Jacek Hugo-Bader and William Rees-Mogg.

Cain by José Saramago

Nobel prize-winning author José Saramago's last novel, Cain, is published posthumously in English (Saramago died in June 2010). Ian Sansom in the Guardian notes that Cain is "a rewriting of the biblical story...Cain gets to enjoy his endless exile, ambling aimlessly through a number of other biblical episodes and scenes." Cain concludes from his travels that God must be mad. "[T]he only alternative explanation -one already mooted in Saramago's Gospel - is that God might be 'evil pure and simply'", writes Ángel Gurría-Quintana in the Financial Times.

Sansom praises the novel as a "fitting conclusion" to Saramago's career: "Cain's is the story of mankind, and Saramago was one of those authors much concerned with the plight of mankind". While Gurría-Quintana observes that, "Saramago takes great pleasure in pointing out the gratuitous cruelty of the Old Testament's God, and the idiocy of the priapic patriarchs who committed atrocities in his name."

Allan Massie writes in the Scotsman that "Every page of this novella, translated with a fluent and light touch by Margaret Jill Costa, has its charm. Every page raises difficult questions. That over the centuries we have found no satisfying answer to these questions...doesn't make them less compelling."

White Fever by Jacek Hugo-Bader

Based upon a road trip across Siberia, Polish journalist Jacek Hugo-Bader's White Fever is about "a society in moral and social breakdown" reports Luke Harding in the Guardian. It also includes "plenty of unexpectedly joyous moments",

White Fever, Harding argues, shows that after Communism's fall, "Russia has failed to come up with a new national idea...While some Siberians have turned to mysticism in search of meaning, others cling to the old Soviet faith ... The strength of this book is that it dwells on human stories that lie outside the parameters of conventional newspaper reporting." Harding also praises the translation from the Polish by Antonia Lloyd-Jones as "pitch perfect".

Carl Wilkinson writes in the Financial Times that White Fever is "a funny, enlightening and thoroughly engaging piece of reportage. Hugo-Bader eschews grand descriptions in favour of brilliant vignettes of his encounters with the people who live there." "

Memoirs by William Rees-Mogg

William Rees-Mogg has been editor of the Times, vice-chairman of the BBC and "has known every British Prime Minister since Anthony Eden...and most Popes and American Presidents," notes Allan Massie in the Scotsman. Peter Preston's review in the Guardian describes Mogg's memoirs as "thought-provoking...a voice from the recent past still resonant beyond the columns he writes for the Mail on Sunday and the Times."

"Most of the main political questions between the 1950s and the present are examined dispassionately and lenient judgments pronounced," finds Paul Johnson in the Spectator. "What distinguishes his memoirs is a lack of malice. There are no unpleasant stories". Mogg has a "distaste for sharp personal criticism. This gives his book magnanimity, to put it mildly, but it makes for dull reading." By contrast, Massie finds that "There are many amusing anecdotes and observations...The passages about his family background, education and home life are full of charm and interest."

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Who will win Great British Bake Off 2017 based on the contestants’ Twitters

An extremely serious and damning investigation. 

It was morning but the sky was as dark as the night – and the night was as dark as a quite dark rat. He walked in. A real smooth gent with legs for seconds. His pins were draped in the finest boot-cut jeans money could buy, and bad news was written all over his face. “I’m Paul,” he said. “I know”. My hooch ran dry that night – but the conversation never did. By nightfall, it was clear as a see-through rat.   

Some might say that going amateur detective to figure out which contestants win and lose in this year’s Great British Bake Off is spoiling the fun faster than a Baked Alaska left out of the freezer. To those people I’d say: yes. The following article is not fun. It is a serious and intense week-by-week breakdown of who will leave GBBO in 2017. How? Using the contestants’ Twitter and Instagram accounts, of course.

The clues are simple but manifold, like a rat with cousins. They include:

  • The date a contestant signed up for social media (was it during, or after, the competition?)
  • Whether a contestant follows any of the others (indicating they had a chance to bond)
  • A contestant’s personal blog and headshots (has the contestant already snaffled a PR?)
  • Pictures of the contestant's baking.
  • Whether a baker refers to themselves as a “baker” or “contestant” (I still haven’t figured this one out but FOR GOD’S SAKE WATSON, THERE’S SOMETHING IN IT)

Using these and other damning, damning, damning clues, I have broken down the contestants into early leavers, mid-season departures, and finalists. I apologise for what I have done.

Early leavers

Kate

Kate appears not to have a Twitter – or at least not one that the other contestants fancy following. This means she likely doesn’t have a book deal on the way, as she’d need to start building her social media presence now. Plus, look at how she’s holding that fork. That’s not how you hold a fork, Kate.

Estimated departure: Week 1

Julia

This year’s Bake Off began filming on 30 April and each series has ten episodes, meaning filming ran until at least 9 July. Julia first tweeted on 8 May – a Monday, presumably after a Sunday of filming. Her Instagram shows she baked throughout June and then – aha! – went on holiday. What does this mean? What does anything mean?

Estimated departure: Week 2

James

James has a swish blog that could indicate a PR pal (and a marketing agency recently followed him on Twitter). That said, after an April and May hiatus, James began tweeting regularly in June – DID HE PERHAPS HAVE A SUDDEN INFLUX OF FREE TIME? No one can say. Except me. I can and I am.

Estimated departure: Week 3

Tom

Token-hottie Tom is a real trickster, as a social media-savvy youngster. That said, he tweeted about being distracted at work today, indicating he is still in his old job as opposed to working on his latest range of wooden spoons. His Instagram is suspiciously private and his Twitter sparked into activity in June. What secrets lurk behind that mysteriously hot face? What is he trying to tell me, and only me, at this time?

Estimated departure: Week 4

Peter

Peter’s blog is EXCEPTIONALLY swish, but he does work in IT, meaning this isn’t a huge clue about any potential managers. Although Peter’s bakes look as beautiful as the moon itself, he joined Twitter in May and started blogging then too, suggesting he had a wee bit of spare time on his hands. What’s more, his blog says he likes to incorporate coconut as an ingredient in “everything” he bakes, and there is absolutely no bread-baking way Paul Hollywood will stand for that.

Estimated departure: Week 5

Mid-season departures

Stacey

Stacey’s buns ain’t got it going on. The mum of three only started tweeting today – and this was simply to retweet GBBO’s official announcements. That said, Stacey appears to have cooked a courgette cake on 9 June, indicating she stays in the competition until at least free-from week (or she’s just a massive sadist).

Estimated departure: Week 6

Chris

Chris is a tricky one, as he’s already verified on Twitter and was already solidly social media famous before GBBO. The one stinker of a clue he did leave, however, was tweeting about baking a cake without sugar on 5 June. As he was in London on 18 June (a Sunday, and therefore a GBBO filming day) and between the free-from week and this date he tweeted about bread and biscuits (which are traditionally filmed before free-from week in Bake Off history) I suspect he left just before, or slap bang on, Week 7. ARE YOU PROUD NOW, MOTHER?

Estimated departure: Week 7

Flo

Flo’s personal motto is “Flo leaves no clues”, or at least I assume it is because truly, the lady doesn’t. She’s the oldest Bake Off contestant ever, meaning we can forgive her for not logging onto the WWWs. I am certain she’ll join Twitter once she realises how many people love her, a bit like Val of seasons past. See you soon, Flo. See you soon.

Estimated departure: Week 8

Liam

Liam either left in Week 1 or Week 9 – with 0 percent chance it was any of the weeks in between. The boy is an enigma – a cupcake conundrum, a macaron mystery. His bagel-eyed Twitter profile picture could realistically either be a professional shot OR taken by an A-Level mate with his dad’s camera. He tweeted calling his other contestants “family”, but he also only follows ONE of them on the site. Oh, oh, oh, mysterious boy, I want to get close to you. Move your baking next to mine.

Estimated departure: Week 9

Finalists

Steven

Twitter bios are laden with hidden meanings and Steven Carter-Bailey’s doesn’t disappoint. His bio tells people to tune in “every” (every!) Tuesday and he has started his own hashtag, #StevenGBBO. As he only started tweeting 4 August (indicating he was a busy lil baker before this point) AND his cakes look exceptionally lovely, this boy stinks of finalist.  

(That said, he has never tweeted about bread, meaning he potentially got chucked out on week three, Paul Hollywood’s reckoning.)

Sophie

Sophie’s Twitter trail is the most revealing of the lot, as the bike-loving baker recently followed a talent agency on the site. This agency represents one of last year’s GBBO bakers who left just before the finale. It’s clear Sophie’s rising faster than some saffron-infused sourdough left overnight in Mary’s proving drawer. Either that or she's bolder than Candice's lipstick. 

Chuen-Yan

Since joining Twitter in April 2017, Yan has been remarkably silent. Does this indicate an early departure? Yes, probably. Despite this, I’m going to put her as a finalist. She looks really nice. 

Amelia Tait is a technology and digital culture writer at the New Statesman.