Reviews Round-up

The critics' verdicts on Melvyn Bragg, Edward St Aubyn and Arthur Phillips.

The Book of Books: The Radical Impact of the King James Bible by Melvyn Bragg

Melvyn Bragg's ode to the King James Bible, on its 400th anniversary, is "elegant, accessible and passionately argued" writes Peter Stanford in The Independent. The Book of Books: The Radical Impact of the King James Bible "tells the history of the King James with the vigour and pace of a storyteller rather than the dry precision of an academic," he writes. Stanford urges even the "most militant non-believers" to read this book, though notes "Bragg devotes a chapter to a devastating attack on Richard Dawkins".

Writing in the FT, John Cornwell suggests that of the many scholars who have celebrated the Bible's birthday with a book "it is left to Melvyn Bragg to claim far-reaching social and political consequences from the KJB in an unabashedly Whiggish class of his own". Though Bragg attributes much British "social and political beneficence" to the influence of the King James, Cornwell imagines he "may not convince all his readers". But for the reviewer's part he is "inclined to accept [Bragg's] final word: that the KJB's impact 'has been immeasurable and it's not over yet'".

At Last by Edward St Aubyn

At Last is the final installment of Edward St Aubyn's sequence on the life of Patrick Melrose: a protagonist who, born to a wealthy family "tettering on the edge of immense wealth... has spent most of his time dealing with the fallout". "A novel of exquisite observation which conveys a movement towards peace" writes Phillip Womack for The Telegraph. "We have reached the pinnacle of a series that has plunged into darkness and risen towards light." Womack applauds St Aubyn's novels for being "uncommonly well controlled", noting as a result "their impact is all for the more powerful". Leyla Sanai for The Independent remarks "St Aubyn is still deliciously wicked in his satire". "The blend of acid wit, intellect and compassion" for which St Aubyn is famed is "plaited through At Last", she writes. It is a novel which alone "enthralls... but in sequence their power is synergistic".

The Tragedy of Arthur by Arthur Phillips

Stephen Greenblatt for The New York Times declares Arthur Phillips's faux-Shakespearian tale a "splendidly devious novel". Constructed around a five-act play "entitled 'The Tragedy of Arthur by William Shakespeare'... we are dealing not with parody but with something else: fraud. This is a full length fake. It is a surprisingly good fake, too". Greenblatt praises both Phillips's "fictional memoir" which serves as the introduction, and the "forged play" itself which "leaves the reader not with resentment at having been tricked but rather with gratitude for the gift of feigned wonder".

David L Ulin, writing for the LA Times, confesses though he's "not much of a Shakespearean, [he'd] say Phillips pulls it off". For Ulin the question of whether the Shakespeare is authentic is "almost entirely beside the point. What's essential, rather, is the saga that surrounds it, a family drama involving (yes) Arthur Phillips, who both is and isn't the author of this book".

HBO
Show Hide image

How power shifted dramatically in this week’s Game of Thrones

The best-laid plans of Mothers and men often go awry.

Last week’s Game of Thrones was absolutely full of maps. It had more maps than a Paper Towns/Moonrise Kingdom crossover. More maps than an Ordnance Survey walking tour of a cartographer’s convention. More maps than your average week on CityMetric.

So imagine the cheers of delight when this week’s episode, “Stormborn”, opened with – yes, a map! Enter Daenerys, casting her eyes over her carved table map (Ikea’s Västeross range, I believe), deciding whether to take King’s Landing and the iron throne from Cersei or a different path. After some sassy debates with Varys over loyalty, more members of her court enter to point angrily at different grooves in the table as Dany and Tyrion move their minature armies around the board.

In fact, this whole episode had a sense of model parts slotting pleasingly into place. Melisandre finally moved down the board from Winterfell to Dragonstone to initiate the series’ most inevitable meeting, between The King of the North and the Mother of Dragons. Jon is hot on her heels. Arya crossed paths with old friends Hot Pie and Nymeria, and the right word spoken at the right time saw her readjust her course to at last head home to the North. Tyrion seamlessly anticipated a move from Cersei and changed Dany’s tack accordingly. There was less exposition than last week, but the episode was starting to feel like an elegant opening to a long game of chess.

All this made the episode’s action-filled denouement all the more shocking. As Yara, Theon and Ellaria dutifully took their place in Dany’s carefully mapped out plans, they were ambushed by their mad uncle Euron (a character increasingly resembling Blackbeard-as-played-by-Jared-Leto). We should have known: just minutes before, Yara and Ellaria started to get it on, and as TV law dictates, things can never end well for lesbians. As the Sand Snakes were mown down one by one, Euron captured Yara and dared poor Theon to try to save her. As Theon stared at Yara’s desperate face and tried to build up the courage to save her, we saw the old ghost of Reek quiver across his face, and he threw himself overboard. It’s an interesting decision from a show that has recently so enjoyed showing its most abused characters (particularly women) delight in showy, violent acts of revenge. Theon reminds us that the sad reality of trauma is that it can make people behave in ways that are not brave, or redemptive, or even kind.

So Euron’s surprise attack on the rest of the Greyjoy fleet essentially knocked all the pieces off the board, to remind us that the best-laid plans of Mothers and men often go awry. Even when you’ve laid them on a map.

But now for the real question. Who WAS the baddest bitch of this week’s Game of Thrones?

Bad bitch points are awarded as follows:

  • Varys delivering an extremely sassy speech about serving the people. +19.
  • Missandei correcting Dany’s High Valerian was Extremely Bold, and I, for one, applaud her. +7.
  • The prophecy that hinges on a gender-based misinterpretation of the word “man” or “prince” has been old since Macbeth, but we will give Dany, like, two points for her “I am not a prince” chat purely out of feminist obligation. +2.
  • Cersei having to resort to racist rhetoric to try and persuade her own soldiers to fight for her. This is a weak look, Cersei. -13.
  • Samwell just casually chatting back to his Maester on ancient medicine even though he’s been there for like, a week, and has read a total of one (1) book on greyscale. +5. He seems pretty wrong, but we’re giving points for sheer audacity.
  • Cersei thinking she can destroy Dany’s dragon army with one (1) big crossbow. -15. Harold, they’re dragons.
  • “I’ve known a great many clever men. I’ve outlived them all. You know why? I ignored them.” Olenna is the queen of my LIFE. +71 for this one (1) comment.
  • Grey Worm taking a risk and being (literally) naked around someone he loves. +33. He’s cool with rabid dogs, dizzying heights and tumultuous oceans, but clearly this was really scary for him. It’s important and good to be vulnerable!! All the pats on the back for Grey Worm. He really did that.
  • Sam just fully going for it and chopping off all of Jorah’s skin (even though he literally… just read a book that said dragonglass can cure greyscale??). +14. What is this bold motherfucker doing.
  • Jorah letting him. +11.
  • “You’ve been making pies?” “One or two.” Blatant fan service from psycho killer Arya, but I fully loved it. +25.
  • Jon making Sansa temporary Queen in the North. +7.
  • Sansa – queen of my heart and now Queen in the North!!! +17.
  • Jon choking Littlefinger for perving over Sansa. +19. This would just be weird and patriarchal, but Littlefinger is an unholy cunt and Sansa has been horrifically abused by 60 per cent of the men who have ever touched her.
  • Nymeria staring down the woman who once possessed her in a delicious reversal of fortune. +13. Yes, she’s a wolf but she did not consent to being owned by a strangely aggressive child.
  • Euron had a big win. So, regrettably, +10.

​That means this week’s bad bitch is Olenna Tyrell, because who even comes close? This week’s loser is Cersei. But, as always, with the caveat that when Cersei is really losing – she strikes hard. Plus, Qyburn’s comment about the dragon skeletons under King’s Landing, “Curious that King Robert did not have them destroyed”, coupled with his previous penchant for re-animated dead bodies, makes me nervous, and worry that – in light of Cersei’s lack of heir – we’re moving towards a Cersei-Qyburn-White Walkers alliance. So do watch out.

Anna Leszkiewicz is a pop culture writer at the New Statesman.