View all newsletters
Sign up to our newsletters

Support 110 years of independent journalism.

  1. Culture
20 April 2011

The Marina Experiment: reclaiming images of child abuse

Marina Lutz turned the lens in on her voyeur photographer father, but what did it achieve?

By Clare Conway

In 1996 Marina Lutz, a reformed heroin user, was tasked with cleaning out her dead parents’ garage. She stumbled upon a vast archive of photographs, thousands of images taken by her photographer father Abbot Lutz which chronicled the first 16 years of her life. Some were sexually suggestive, while others hinted at an unsavoury obsession with his child. Lutz spent the following ten years sifting through the archive to compile a short film called The Marina Experiment “chronicling his view of me through my own digital video microphone,” she told the Observer last weekend.

The 18-minute film has won nine awards worldwide — everything from best documentary to best taboo film — but it has divided opinion. Some see The Marina Experiment as compelling insight into her long-suffered abuse, others as a perversion of her father’s art — that in reversing the lens, Lutz portrays only the most controversial of images and without their context. But surely that there are so many photos is protest to Lutz’s suffering.
Brutally cut, she lays bare the secrets of her abuse, denouncing her father through her own mortification. There are pictures of Lutz as child in her pants, on the toilet, and one where she’s innocently touching her genitals.

The images are vulnerable, uncomfortably raw and captivating. By contrast, Lutz’s edit and voiceover is brash, bordering on crude. The trailer for The Marina Experiment II — the second installment of her film — opens with Hollywood action movie music. “When it came to leaving behind 16 years of evidence you picked the wrong gal,” Lutz intones, as though she’s moments from unveiling a lethal dose of retribution — which, of course, is her intention.

She lists a string of charges for which she believes her father is guilty: from “routine spanking” to “latent paedophilia”. Lutz narrates the images with a quiet, restrained fury that makes her voice seem lethargic: Marina in the bathroom, in a bikini by the pool — her bottom jiggling and played on a loop as she prepares to leap off a diving board. There were 10,000 photos to choose from, buried in the “rats’ nest” of her parents’ garage. So why does Lutz pick only a handful and show them over and over? Does she revisit the worst of her ordeal out of catharsis? Or is she trying to make the most of the archive’s suggestive nature, pulling together those stray shots, captured in the indiscriminate flutter of the lens?

Select and enter your email address Your weekly guide to the best writing on ideas, politics, books and culture every Saturday. The best way to sign up for The Saturday Read is via saturdayread.substack.com The New Statesman's quick and essential guide to the news and politics of the day. The best way to sign up for Morning Call is via morningcall.substack.com Our Thursday ideas newsletter, delving into philosophy, criticism, and intellectual history. The best way to sign up for The Salvo is via thesalvo.substack.com Stay up to date with NS events, subscription offers & updates. Weekly analysis of the shift to a new economy from the New Statesman's Spotlight on Policy team. The best way to sign up for The Green Transition is via spotlightonpolicy.substack.com
  • Administration / Office
  • Arts and Culture
  • Board Member
  • Business / Corporate Services
  • Client / Customer Services
  • Communications
  • Construction, Works, Engineering
  • Education, Curriculum and Teaching
  • Environment, Conservation and NRM
  • Facility / Grounds Management and Maintenance
  • Finance Management
  • Health - Medical and Nursing Management
  • HR, Training and Organisational Development
  • Information and Communications Technology
  • Information Services, Statistics, Records, Archives
  • Infrastructure Management - Transport, Utilities
  • Legal Officers and Practitioners
  • Librarians and Library Management
  • Management
  • Marketing
  • OH&S, Risk Management
  • Operations Management
  • Planning, Policy, Strategy
  • Printing, Design, Publishing, Web
  • Projects, Programs and Advisors
  • Property, Assets and Fleet Management
  • Public Relations and Media
  • Purchasing and Procurement
  • Quality Management
  • Science and Technical Research and Development
  • Security and Law Enforcement
  • Service Delivery
  • Sport and Recreation
  • Travel, Accommodation, Tourism
  • Wellbeing, Community / Social Services
Visit our privacy Policy for more information about our services, how New Statesman Media Group may use, process and share your personal data, including information on your rights in respect of your personal data and how you can unsubscribe from future marketing communications.
THANK YOU

Lutz told the Observer she wanted to evoke the sensation of returning to the pain she felt when she began to sift through the vast archive. “I used the repetition because that’s how it felt going through the archive. I kept finding the same thing and it kept hurting and hurting me. It felt right.” It’s a disturbing collection. It’s not the images’ content that build a case against a predatory father, it’s the sheer number of them, sexually suggestive or otherwise. It’s “the way you feel when someone’s standing too close to you” as Lutz puts it: Abbot invading her space, her privacy and chalking his own daughter up to an art installation.

Lutz has been applauded for her debut film making efforts, and yet I wonder if it’s enough. The work of art might be held together by her words and edit but the evidence is of his making and it comes highly acclaimed. We’re not enthralled by the music or the PowerPoint fonts: it’s the awful voyeurism, the concept that someone might have violated his daughter’s privacy so fervently. Is it her father’s cruel ambition realised?

Content from our partners
The promise of prevention
How Labour hopes to make the UK a leader in green energy
Is now the time to rethink health and care for older people? With Age UK

Select and enter your email address Your weekly guide to the best writing on ideas, politics, books and culture every Saturday. The best way to sign up for The Saturday Read is via saturdayread.substack.com The New Statesman's quick and essential guide to the news and politics of the day. The best way to sign up for Morning Call is via morningcall.substack.com Our Thursday ideas newsletter, delving into philosophy, criticism, and intellectual history. The best way to sign up for The Salvo is via thesalvo.substack.com Stay up to date with NS events, subscription offers & updates. Weekly analysis of the shift to a new economy from the New Statesman's Spotlight on Policy team. The best way to sign up for The Green Transition is via spotlightonpolicy.substack.com
  • Administration / Office
  • Arts and Culture
  • Board Member
  • Business / Corporate Services
  • Client / Customer Services
  • Communications
  • Construction, Works, Engineering
  • Education, Curriculum and Teaching
  • Environment, Conservation and NRM
  • Facility / Grounds Management and Maintenance
  • Finance Management
  • Health - Medical and Nursing Management
  • HR, Training and Organisational Development
  • Information and Communications Technology
  • Information Services, Statistics, Records, Archives
  • Infrastructure Management - Transport, Utilities
  • Legal Officers and Practitioners
  • Librarians and Library Management
  • Management
  • Marketing
  • OH&S, Risk Management
  • Operations Management
  • Planning, Policy, Strategy
  • Printing, Design, Publishing, Web
  • Projects, Programs and Advisors
  • Property, Assets and Fleet Management
  • Public Relations and Media
  • Purchasing and Procurement
  • Quality Management
  • Science and Technical Research and Development
  • Security and Law Enforcement
  • Service Delivery
  • Sport and Recreation
  • Travel, Accommodation, Tourism
  • Wellbeing, Community / Social Services
Visit our privacy Policy for more information about our services, how New Statesman Media Group may use, process and share your personal data, including information on your rights in respect of your personal data and how you can unsubscribe from future marketing communications.
THANK YOU