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I'm back from a fantastically undeserved holiday to a slightly underserved -- but very much welcome -- sack of unheard records.

The problem is, I have no idea how I am going to get through them all. I have people emailing me to ask if have listened to the records they sent and the truth is it would take me twice as long to find it as it would to listen to it.

I am also conscious that in a desperate attempt to always be listening to the latest things, the tunes in the bottom of the bag will probably be regarded as archive material by the time I reach them. If matters couldn't get worse I love the first record I heard. It's by a Kenyan guitar group, Nguuni Lovers Lovers, and the song's called "Beth Kathini" (soon to be released by Dream Beach Records). Listen to it below - I don't want to listen to anything else right now.

Nguuni Lovers Lovers - Beth Kathini by Dream Beach Records  

Oh, oh -- and my favourite new EP, by singer-songwriters Peter and Kerry, is called Clothes, Friends, Photos. It's out now and there is a free track you can download from their record label's website.

Peter and Kerry - The Summer House Song by Tape Club Records 

You listen to these, I'll carry on with this, and we'll reconvene next week.

Tom Ravenscroft's radio show is on BBC 6 Music at 9pm every Friday. He writes a monthly music column for the New Statesman and blogs here every Wednesday

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Hillary and the Viking: dramatising life with the Clintons

August radio should be like a corkboard, with a few gems pinned here and there. Heck, Don’t Vote for Him is one.

Now is the season of repeats and stand-in presenters. Nobody minds. August radio ought to be like a corkboard – things seemingly long pinned and faded (an Angela Lansbury doc on Radio 2; an adaptation of Charlotte Brontë’s The Professor on Radio 4 Extra) and then the occasional bright fragment. Like Martha Argerich playing Liszt’s Piano Concerto No 1 at the Albert Hall (Prom 43, 17 August).

But on Radio 4, two new things really stand out. An edition of In the Criminologist’s Chair (16 August, 4pm) in which the former bank robber (and diagnosed psychopath) Noel “Razor” Smith recalls, among other memorable moments, sitting inside a getaway car watching one of his fellows “kissing his bullets” before loading. And three new dramas imagining key episodes in the Clintons’ personal and political lives.

In the first (Heck, Don’t Vote for Him, 6 August, 2.30pm), Hillary battles with all the “long-rumoured allegations of marital infidelity” during the 1992 Democratic primaries. Fenella Woolgar’s (brilliant, unburlesqued) Hillary sounds like a woman very often wearing a fantastically unhappy grin, watching her own political ambitions slip through her fingers. “I deserve something,” she appeals to her husband, insisting on the position of attorney general should he make it to the top – but “the Viking” (his nickname at college, due to his great head of hair) is off, gladhanding the room. You can hear Woolgar’s silent flinch, and picture Hillary’s face as it has been these past, disquieting months, very clearly.

I once saw Bill Clinton speak at a community college in New Jersey during the 2008 Obama campaign. Although disposed not to like him, I found his wattage, without question, staggering. Sweeping through the doors of the canteen, he amusedly removed the microphone from the hands of the MC (a local baseball star), switched it off, and projected for 25 fluent minutes (no notes). Before leaving he turned and considered the smallest member of the audience – a cross-legged child clutching a picture book of presidents. In one gesture, Clinton flipped it out of the boy’s hands, signed the cover – a picture of Lincoln – and was gone.

Antonia Quirke is an author and journalist. She is a presenter on The Film Programme and Pick of the Week (Radio 4) and Film 2015 and The One Show (BBC 1). She writes a column on radio for the New Statesman.

This article first appeared in the 28 July 2016 issue of the New Statesman, Summer Double Issue