The Oscars: in pictures

The King's Speech picks up four gongs, including best actor, best film, and best director.

Above are Colin Firth and Geoffrey Rush, the two stars of The King's Speech. Director Tom Hooper spoke of a "triangle of man-love" between him and the two leads.

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Colin Firth holds his Best Actor award.

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In one of the night's few surprises, Tom Hooper (above) beat The Social Network's David Fincher in the Best Director category.

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David Seidler (above, with guest) won the fourth award for The King's Speech, in the Best Original Screenplay category. He dedicated his win to "all the stutterers throughout the world, we have a voice, we have been been heard, thanks to you the Academy".

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Natalie Portman is pictured above with the Best Actress award she won for Black Swan. "This is insane," she said.

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Aaron Sorkin won in the Best Adapted Screenplay category for The Social Network. The film, which had eight nominations, also won Best Original Score, and Best Editing.

List of the winners

Best Motion Picture of the Year: The King's Speech
Performance by an Actor in a Leading Role: Colin Firth - The King's Speech
Performance by an Actress in a Leading Role: Natalie Portman - Black Swan
Performance by an Actor in a Supporting Role: Christian Bale - The Fighter
Performance by an Actress in a Supporting Role: Melissa Leo - The Fighter
Achievement in Directing: Tom Hooper - The King's Speech
Adapted Screenplay: Aaron Sorkin - The Social Network
Original Screenplay: David Seidler - The King's Speech
Best Foreign Language Film of the Year: In a Better World (Denmark)
Best Animated Feature Film of the Year: Toy Story 3
Best Documentary Feature: Inside Job
Best Documentary Short Subject: Strangers No More
Best Short Film (Animated): The Lost Thing
Best Short Film (Live Action): God of Love
Achievement in Art Direction: Robert Stromberg and Karen O'Hara - Alice in Wonderland
Achievement in Cinematography: Wally Pfister - Inception
Achievement in Costume Design: Colleen Atwood - Alice in Wonderland
Achievement in Makeup: Rick Baker and Dave Elsey - The Wolfman
Achievement in Film Editing: Angus Wall and Kirk Baxter - The Social Network
Achievement in Music Written for Motion Pictures (Original Score): Trent Reznor and Atticus Ross - The Social Network
Achievement in Music Written for Motion Pictures (Original Song): We Belong Together - Music and Lyric by Randy Newman - Toy Story 3
Achievement in Sound Editing: Richard King - Inception
Achievement in Sound Mixing: Lora Hirschberg, Gary A. Rizzo and Ed Novick - Inception
Achievement in Visual Effects: Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb - Inception

Home Alone 2: Lost in New York
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The best film soundtracks to help you pretend you live in a magical Christmas world

It’s December. You no longer have an excuse.

It’s December, which means it’s officially time to crack out the Christmas music. But while Mariah Carey and Slade have their everlasting charms, I find the best way to slip into the seasonal spirit is to use a film score to soundtrack your boring daily activities: sitting at your desk at work, doing some Christmas shopping, getting the tube. So here are the best soundtracks and scores to get you feeling festive this month.

A Charlie Brown Christmas (1965)

Although this is a children’s film, it’s the most grown-up soundtrack on the list. Think smooth jazz with a Christmas twist, the kind of tunes Ryan Gosling is playing at the fancy restaurant in La La Land, plus the occasional choir of precocious kids. Imagine yourself sat in a cocktail chair. You’re drinking an elaborate cocktail. Perhaps there is a cocktail sausage involved also. Either way, you’re dressed head-to-toe in silk and half-heartedly unwrapping Christmas presents as though you’ve already received every gift under the sun. You are so luxurious you are bored to tears of luxury – until a tiny voice comes along and reminds you of the true meaning of Christmas. This is the kind of life the A Charlie Brown Christmas soundtrack can give you. Take it with both hands.

Elf (2003)

There is a moment in Elf when Buddy pours maple syrup over his spaghetti, washing it all down with a bottle of Coca Cola. “We elves like to stick to the four main food groups,” he explains, “candy, candy canes, candy corns and syrup.” This soundtrack is the audio equivalent – sickly sweet, sugary to an almost cloying degree, as it comes peppered with cute little flutes, squeaky elf voices and sleigh bells. The album Elf: Music from the Motion Picture offers a more durable selection of classics used in the movie, including some of the greatest 1950s Christmas songs – from Louis Prima’s 1957 recording of “Pennies from Heaven”, two versions of “Sleigh Ride”, Eddy Arnold’s “Santa Claus is Coming to Town” and Eartha Kitt’s 1953 “Santa Baby”. But if a sweet orchestral score is more your thing, the Elf OST of course finishes things off with the track “Spaghetti and Syrup”. Just watch out for the sugar-rush headache.

Harry Potter (2001-2011)

There are some Christmas-specific songs hidden in each of the iconic Harry Potter scores, from “Christmas at Hogwarts” to “The Whomping Willow and The Snowball Fight” to “The Kiss” (“Mistletoe!” “Probably full of knargles”), but all the magical tinkling music from these films has a Christmassy vibe. Specifically concentrate on the first three films, when John Williams was still on board and things were still mostly wonderful and mystical for Harry, Ron and Hermione. Perfect listening for that moment just before the snow starts to fall, and you can pretend you’re as magical as the Hogwarts enchanted ceiling (or Ron, that one time).

Carol (2015)

Perhaps you’re just a little too sophisticated for the commercial terror of Christmas, but, like Cate Blanchett, you still want to feel gorgeously seasonal when buying that perfect wooden train set. Then the subtly festive leanings of the Carol soundtrack is for you. Let your eyes meet a stranger’s across the department store floor, or stare longingly out of the window as your lover buys the perfect Christmas tree from the side of the road. Just do it while listening to this score, which is pleasingly interspersed with songs of longing like “Smoke Rings” and “No Other Love”.

Holiday Inn (1942)

There’s more to this soundtrack than just “White Christmas”, from Bing Crosby singing “Let’s Start The New Year Off Right” to Fred Astaire’s “You’re Easy To Dance With” to the pair’s duet on “I’ll Capture Your Heart”. The score is perfect frosty walk music, too: nostalgic, dreamy, unapologetically merry all at once.

The Tailor of Gloucester (1993)

Okay, I’m being a little self-indulgent here, but bear with me. “The Tailor of Gloucester”, adapted from the Beatrix Potter story, was an episode of the BBC series The World of Peter Rabbit and Friends and aired in 1993. A Christmastime story set in Gloucester, the place I was born, was always going to be right up my street, and our tatty VHS came out at least once a year throughout my childhood. But the music from this is something special: songs “The Tailor of Gloucester”, “Songs From Gloucester” and “Silent Falls the Winter Snow” are melancholy and very strange, and feature the singing voices of drunk rats, smug mice and a very bitter cat. It also showcases what is in my view one of the best Christmas carols, “Sussex Carol.” If you’re the kind of person who likes traditional wreaths and period dramas, and plans to watch Victorian Baking at Christmas when it airs this December 25th, this is the soundtrack for you.

Home Alone (1990-1992)

The greatest, the original, the godfather of all Christmas film soundtracks is, of course, John William’s Home Alone score. This is for everyone who likes or even merely tolerates Christmas, no exceptions. It’s simply not Christmas until you’ve listened to “Somewhere in My Memory” 80,000 times whilst staring enviously into the perfect Christmassy homes of strangers or sung “White Christmas” to the mirror. I’m sorry, I don’t make the rules. Go listen to it now—and don't forget Home Alone 2: Lost in New York, which is as good as the first.

Anna Leszkiewicz is a pop culture writer at the New Statesman.