The best of the "best of" lists

Why film critics' choices are far from simple.

Though top ten lists are often criticised for their perceived encouragement of critical myopia and crude categorisation, they can still offer illuminating insights into how different critics in different countries judge films. In this spirit, it is interesting to compare the best of 2010 polls from three leading film magazines: Britain's Sight and Sound, America's Film Comment and France's Cahiers du Cinéma.

There are immediate differences in the compilation of these lists, which must be acknowledged before making more general comments on them. Both Sight and Sound and Film Comment's lists are formed from critics' opinions taken from within their editorial team and from outside of it, and Sight and Sound's list also includes the choices of international critics (including some from Cahiers and Film Comment). Only one (Cahiers' house editorial only list) is actually a top ten, with Sight and Sound having a top 12 and Film Comment having a top 50 of 2010.

Having accepted these differences though the polls still offer tantalising comparisons. Several observations jump out when looking at the lists side by side. The first is the European predominance in both the Sight and Sound list (eight of the top 12 films) and Film Comment's list (six out of the top ten), and the contrary lack of European films in that most iconic of European film journals, Cahiers du Cinéma, which has five American films in its top ten and only three from Europe (a confirmation of Emilie Bickerton's pessimistic view of Cahiers'' current direction.) The second is the almost complete absence of documentary films from the lists (Sight and Sound has two documentaries in its top 12, Film Comment has one in its top ten and Cahiers has none), though given how poorly distributed documentaries are in both the US and Britain this is relatively unsurprising.

It is intriguing to look at Film Comment's top 20 unreleased films (i.e. films which have not yet come out in cinemas in America), a list often condemned for its connotations of cinéaste festival-circuit snobbery but one that is in fact very necessary, given the notoriously poor distribution of foreign films in America. This list is headed by the runaway winner of the Cahiers' poll (and runner up of Sight and Sound's list), Thai director Apichatpong Weerasethakul's Palme d'Or winning Uncle Boonmee Who Can Recall His Past Lives. Other interesting points include the high placing of Olivier Assayas's French produced terrorist biopic, Carlos, in both Film Comment's list (where it came out on top) and Sight and Sound's poll, where it was placed fourth, and its surprising absence from the Cahiers' top ten where it only featured in one of the thirteen separate writer's lists. This might be partially due to the fact that Carlos was originally shown on television in France, but it still seems a bizarre omission for such a blisteringly cinematic film.

Film Comment's and Cahiers' lists compare particularly oddly because many of the films on Film Comment's top 50 came out in 2009 in France (such as A Prophet and Wild Grass.) The absence of Werner Herzog's well received Bad Lieutenant from Sight and Sound's list is slightly odd, as is the high placing of Jean-Luc Godard's Film Socialisme (as of yet unreleased in the UK) in all the polls. The three lists certainly give a good view of the contradictions and contentions at play in the world's film industry.

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Commons Confidential: Jeremy in Jerusalem

Your weekly dose of gossip from around Westminster.

Theresa May didn’t know if she was coming or going even before her reckless election gamble and the Grenfell Tower disaster nudged her towards a Downing Street exit. Between the mock-Gothic old parliament and the modern Portcullis House is a subterranean passageway with two sets of glass swing doors.

From whichever direction MPs approach, the way ahead is on the left and marked “Pull”, and the set on the right displays a “No Entry” sign. My snout recalls that May, before she was Prime Minister, invariably veered right, ignoring the warning and pushing against the crowd. Happier days. Now Tanking Theresa risks spinning out of No 10’s revolving door.

May is fond of wrapping herself in the Union flag, yet it was Jeremy Corbyn who came close to singing “Jerusalem” during the election. I gather his chief spinner, Seumas Milne, proposed William Blake’s patriotic call to arms for a campaign video. Because of its English-centred lyrics and copyright issues, they ended up playing Lily Allen’s “Somewhere Only We Know” instead over footage of Jezza meeting people, in a successful mini-movie inspired by Bernie Sanders’s “America” advert.

Corbyn’s feet walking upon England’s mountains green when the Tories have considered Jerusalem theirs since ancient times would be like Mantovani May talking grime with Stormzy.

The boot is on the other foot among MPs back at Westminster. Labour’s youthful Wes Streeting is vowing to try to topple Iain Duncan Smith in Chingford and Woodford Green at the next election, after the Tory old trooper marched into Ilford North again and again at the last one. Streeting’s marginal is suddenly a 9,639-majority safe seat and IDS’s former Tory bastion a 2,438-majority marginal. This east London grudge match has potential.

The Conservatives are taking steps to reverse Labour’s youth surge. “That is the last election we go to the polls when universities are sitting,” a cabinet minister snarled. The subtext is that the next Tory manifesto won’t match Corbyn’s pledge to scrap tuition fees.

Nice touch of the Tory snarler Karl McCartney to give Strangers’ Bar staff a box of chocolates after losing Lincoln to the Labour red nurse Karen Lee. Putting on a brave face, he chose Celebrations. Politics is no Picnic and the Wispa is that McCartney didn’t wish to Fudge defeat by describing it as a Time Out.

Police hats off to the Met commissioner, Cressida Dick, who broke ranks with her predecessors by meeting the bobbies guarding parliament and not just their commanders. Coppers addressing Dick as “ma’am” were asked to call her “Cress”, a moniker she has invited MPs to use. All very John Bercow-style informality.

Kevin Maguire is Associate Editor (Politics) on the Daily Mirror and author of our Commons Confidential column on the high politics and low life in Westminster. An award-winning journalist, he is in frequent demand on television and radio and co-authored a book on great parliamentary scandals. He was formerly Chief Reporter on the Guardian and Labour Correspondent on the Daily Telegraph.

This article first appeared in the 22 June 2017 issue of the New Statesman, The zombie PM

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