Reviews round-up

The critics' verdicts on Eric Hobsbawm, Jay Parini and Tessa Hadley.

How to change the world: Tales of Marx and Marxism by Eric Hobsbawm

Reviewing Eric Hobsbawm's 16th book in the Guardian, Stefan Collini concludes that it demonstrates "that Marxism has, despite its founder's famous proclamation, always contributed more to understanding the world than to changing it", whilst saluting the essay's "sheer intellectual quality."

From the Financial Times, Francis Wheen finds that though "this collection of essays ... about Marxism after Marx is slightly disfigured by the author's enduring party line coyness", Hobsbawm still manages to remind us of the "many reasons for still reading Marx in our turbulent times."

In the New Statesman John Gray accused Hobsbawm of being "highly evasive" in relation to his treatment of the bloody legacy of 20th century political Marxism, and, writing in a "drearily familiar" manner.

The Passengers of Herman Melville by Jay Parini

Writing in the Financial Times, John Sutherland thinks that Parini's "eminently readable narrative convincingly fills in hitherto dark places" in Melville's life, and praises his fictional recreation of Mrs Melville's life.

Philip Hoare, from the Guardian, questions whether Parini's fictional version of Melville's life has been constructed with a touch of authorial "naivety", but admires his "touching evocations of Melville's interior struggles with faith, art and mortality."

In this week's New Statesman, Sarah Churchwell finds that Parini's narrative overtone of "frivolity sits oddly with a writer who was nothing if not serious" and denounces the "literal-mindedness" of this piece of biographical fiction.

The London Train by Tessa Hadley

Tessa Hadley's fourth novel offers "first-class views on the psychological scenery of 21st-century Britain", according to Helen Brown in the Telegraph.

Writing in the Independent, TI Sperlinger concurs that Hadley's novel is "impressive", even if it does contain a few "false notes", such as its "self-consciously literary" tone.

Ophelia Field, from the Guardian, decrees Hadley's latest to be "a good read, with ideas as mature as its characters.

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SRSLY #83: The Awards Special 2017

On the pop culture podcast this week: all the action from the Oscars, plus our own personal awards.

This is SRSLY, the pop culture podcast from the New Statesman. Here, you can find links to all the things we talk about in the show as well as a bit more detail about who we are and where else you can find us online.

Listen using the player below. . .

. . .or subscribe in iTunes. We’re also on StitcherRSS and SoundCloud – but if you use a podcast app that we’re not appearing in, let us know.

SRSLY is hosted by Caroline Crampton and Anna Leszkiewicz, the NS’s assistant editor and editorial assistant. We’re on Twitter as @c_crampton and @annaleszkie, where between us we post a heady mixture of Serious Journalism, excellent gifs and regularly ask questions J K Rowling needs to answer.

The Links

Get on the waiting list for our Harry Potter quiz here and take part in our survey here.

Anna's report on the Oscars.

Our episodes about Oscar-nominated films La La Land, Moonlight, Hidden Figures, Lion and Jackie.

For next time:

Caroline is watching MTV’s Sweet/Vicious.

If you’d like to talk to us about the podcast or make a suggestion for something we should read or cover, you can email srslypod[at]gmail.com.

You can also find us on Twitter @srslypod, or send us your thoughts on tumblr here. If you like the podcast, we’d love you to leave a review on iTunes - this helps other people come across it.

We love reading out your emails. If you have thoughts you want to share on anything we’ve discussed, or questions you want to ask us, please email us on srslypod[at]gmail.com, or @ us on Twitter @srslypod, or get in touch via tumblr here. We also have Facebook now.

Our theme music is “Guatemala - Panama March” (by Heftone Banjo Orchestra), licensed under Creative Commons. 

See you next week!

PS If you missed #81, check it out here.