Ed Miliband's book of the year

Labour's leader looks to Obama for inspiration.

We've asked friends and contributors of the New Statesman to tell us their favourite books of 2010. Here is Ed Miliband's choice:

My book of the year is David Plouffe's The Audacity to Win (Penguin USA, $16). I found it difficult to put down during the long summer months of Labour's leadership election; it was a reassurance and inspiration to me during that time. The book reminds us that politics - and hard work - can still change the world. Plouffe has clarity of thinking; his book is a guide for all political campaigners and thinkers trying to return their party to power. The Obama team of 2008 rejected negative campaigning, threw out conventional wisdom, and built a new, honest politics rooted in people's lives. In doing so, they created a powerful progressive movement. With a new reality in the US after this month's midterm elections, many will return to the wisdom in The Audacity to Win to inspire again in the months and years ahead. One to give to friends who become cynical about the change that politics can bring to people's lives.

Daniel Trilling is the Editor of New Humanist magazine. He was formerly an Assistant Editor at the New Statesman.

GETTY
Show Hide image

Hillary and the Viking: dramatising life with the Clintons

August radio should be like a corkboard, with a few gems pinned here and there. Heck, Don’t Vote for Him is one.

Now is the season of repeats and stand-in presenters. Nobody minds. August radio ought to be like a corkboard – things seemingly long pinned and faded (an Angela Lansbury doc on Radio 2; an adaptation of Charlotte Brontë’s The Professor on Radio 4 Extra) and then the occasional bright fragment. Like Martha Argerich playing Liszt’s Piano Concerto No 1 at the Albert Hall (Prom 43, 17 August).

But on Radio 4, two new things really stand out. An edition of In the Criminologist’s Chair (16 August, 4pm) in which the former bank robber (and diagnosed psychopath) Noel “Razor” Smith recalls, among other memorable moments, sitting inside a getaway car watching one of his fellows “kissing his bullets” before loading. And three new dramas imagining key episodes in the Clintons’ personal and political lives.

In the first (Heck, Don’t Vote for Him, 6 August, 2.30pm), Hillary battles with all the “long-rumoured allegations of marital infidelity” during the 1992 Democratic primaries. Fenella Woolgar’s (brilliant, unburlesqued) Hillary sounds like a woman very often wearing a fantastically unhappy grin, watching her own political ambitions slip through her fingers. “I deserve something,” she appeals to her husband, insisting on the position of attorney general should he make it to the top – but “the Viking” (his nickname at college, due to his great head of hair) is off, gladhanding the room. You can hear Woolgar’s silent flinch, and picture Hillary’s face as it has been these past, disquieting months, very clearly.

I once saw Bill Clinton speak at a community college in New Jersey during the 2008 Obama campaign. Although disposed not to like him, I found his wattage, without question, staggering. Sweeping through the doors of the canteen, he amusedly removed the microphone from the hands of the MC (a local baseball star), switched it off, and projected for 25 fluent minutes (no notes). Before leaving he turned and considered the smallest member of the audience – a cross-legged child clutching a picture book of presidents. In one gesture, Clinton flipped it out of the boy’s hands, signed the cover – a picture of Lincoln – and was gone.

Antonia Quirke is an author and journalist. She is a presenter on The Film Programme and Pick of the Week (Radio 4) and Film 2015 and The One Show (BBC 1). She writes a column on radio for the New Statesman.

This article first appeared in the 28 July 2016 issue of the New Statesman, Summer Double Issue